Oh, the power of comics. Thirty years ago, this was unimaginable – the goofy cartoon with the best cheese-to-fun ratio, He-Man and the Masters of the Universe, and the cartoon with the slickest animation and coolest characters, The ThunderCats, were the top of the top in terms of after-school entertainment. Two fun shows with the two most-iconic swords; two shows with decidedly different vibes; shows that could coexist in a TV-watching lineup but never in the same story or space, save for the imagination or perhaps the toy box.
It’s undoubtedly a case of saving the best for last.
Archie Comics has announced that, in the spirit of its recent title relaunches — Archie, Jughead, Betty & Veronica, etc. — that have incorporated a modern sensibility into the Archie classics, that Josie and the Pussycats are set to come roaring back in September.
Geekdom is no longer a boys club, and DC Comics is cashing in big time by tapping in to the not so new market of girls who love comics.
While their new line of DC Super Hero Girls is made up of saccharine sweet, mildly pandering versions of some of DC’s most well-known heroines and vileness’, their presence means fan girls of today are getting what their mothers seldom did, attention.
We were on the receiving end of a preview copy of DC Universe: Rebirth #1, the 80-page kickoff to the next iteration of the DC universe. Yes, it’s already reboot time again. We’ll keep this review spoiler-lite; of course, there are dicks across the Internet who’ve done all the spoiling you could desire if you want to seek those out. The long and short: DC has made one major change that guarantees we’ll be shelling out more dollars, as will others of our ilk, nerds of a certain age, who perhaps love the 15 years that followed the original Crisis on Infinite Earths best of all. And there’s another major change incorporating a DC property that was not part of the DC Universe proper into that universe — this is the change we’re significantly less excited about.
This year we lost the pop culture icon that was David Bowie. People will have celebrated his life in many different ways, from his music, right through to his film career. For me however, remembering Bowie meant delving once again into one of my all-time favorite films, Labyrinth.
Future Quest #1 is the opening salvo in DC Comics’ revamp of several classic Hanna-Barbera properties. We’re due to see strange new versions of the Flintstones (evidently moved from Bedrock to Uncanny Valley), Scooby-Doo, and a Mad Max-like take on Wacky Races. The Future Quest title seemed both the safest bet, putting action heroes in an action comic, and the most ambitious, since there are potentially dozens of heroes and villains to incorporate from the various franchises involved, which include Jonny Quest, Space Ghost, The Herculoids, Frankenstein Jr., The Galaxy Trio, The Impossibles, Birdman, and Mighty Mightor.
Back before Tim Miller was directing his record-breaking smash hit Deadpool, he was one of the guiding forces behind developing the animated adaptation of Eric Powell’s comic series The Goon.
David Fincher signed on to produce the film in 2008 , working off a script from Powell himself, and recruited Miller to co-direct the project along with Jeff Fowler. The effort eventually culminated with a trailer length release of some test footage in 2012, not unlike the video that gained a large enough viral following to get Deadpool off the ground. However, unlike what happened with Deadpool, that was the last anyone heard about the project.