All posts by Mitchell Corner

I, Tonya Trailer Unveils Margot Robbie As Tonya Harding

The dark comedy centers on the life and career of the infamous Olympic figure skater, who fell from grace after the attack on fellow competitor Nancy Kerrigan.  I, Tonya presents a stylized (and often comedic) approach to staging the story behind the disgraced sportswoman’s societally coded image, including her abusive relationships with her parrot-loving mother, LaVonda Golden (Allison Janney), and husband, Jeff Gillooly (Sebastian Stan).

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You Were Never Really Here First Trailer Has Joaquin Phoenix Taking Names With A Hammer

The first international trailer for Lynne Ramsay’s new thriller You Were Never Really Here hit online. The film garnered rave reviews when it premiered (in an incomplete form) at the Cannes FIlm Festival, where Joaquin Phoenix won Best Actor, and tied for Best Screenplay with Yorgos Lanthimos‘ The Killing Of A Sacred Deer. This is an intense film, and you can be sure there will be blood.

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Mark Felt: The Man Who Brought Down The White House – Liam Neeson Is Deep Throat

The first trailer for Mark Felt: The Man Who Brought Down The White House sets the stage back in 1974 with the most infamous acts of government misconduct (so far) in U.S. history.

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Last Flag Flying Trailer: Linklater’s Latest Starring Cranston, Carell and Fishburne

Richard Linklater’s Last Flag Flying is a spiritual sequel (adaptations of novels by Darryl Ponicsan) to Hal Ashby’s The Last Detail, starring Steve Carell, Bryan Cranston, and Laurence Fishburne. The film will have its premiere at the New York Film Festival where it will open both on Amazon Video and theaters this November. We have the first trailer below

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The Killing Of A Sacred Deer Trailer Is Disturbingly Bizarre

Yorgos Lanthimos released The Lobster last year and kick started one of 2016’s most talk-about art house films. The Greek director is known for his incredibly strange, sometimes hilarious, but always psychologically disturbing movies. In his latest film, The Killing Of A Sacred Deer all that semblance of whimsy one might have found in The Lobster is gone as Lanthimos has gone decidedly darker…much darker.

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