These five issues were a fairly fast read and they were quite excellent. In this limited series we are treated to quite the introspection of one of Batman’s more prominent rogues; Oswald Cobblepot A.K.A The Penguin. The whole thing almost read like a non-crappy version of Tim Burton’s Batman Returns movie, showing us bits and pieces of Penguin’s birth and childhood intermingled with some of his more ruthless crimes against the people of Gotham, all for the sake of a piece of Oswald’s past that I wasn’t even aware was still around. Yes in this series, Penguin had not only a mother and a father, but three older brothers as well. Oswald was born a bit ugly for his father’s taste, but his mother treated him like her spoiled baby until the day she died, which is much later than you’d think.
Oswald Cobblepot is shown as a ruthless Gotham crimelord in the series and one who takes great pleasure in taking away the things closest to those who slight him. And by slight I mean slight. He completely ruins the lives of a couple people just for saying the wrong thing to him. He is a far cry from the information source to Batman that he has been portrayed as over probably the past decade. Oswald is essentially a bully, taking his aggression out on others just because he has the means in some twisted way of paying back the world for his brothers and others picking on him as a child. He’s one sick puppy this time around, save for the biggest bully of all who Oswald still fears and hates with a passion… Batman. It’s not clear if the Batman in this series is Bruce Wayne or Dick Grayson but it almost doesn’t matter. To almost the degree of the Gotham Central series, Batman is more of a plot device and background character that anything.
Most of the story focuses on Oswald’s past and his present with a certain woman named Cassandra who is, wouldn’t you believe it, totally blind. Who else could legitimately get with the Penguin besides a blind woman? Cassandra thinks the world of Oswald in this book and it’s actually a little tragic how the whole thing ends up.
Oswald’s mother was also a very interesting part of the story, as several of Penguins brutal crimes in the story revolve around getting his dying mother gifts of jewelry. The art and story of the series were both brilliantly executed, though sometimes I had to look hard at what was drawn in a couple panels. Some of the art like the subject matter itself was very dark. I can’t actually believe I’m saying this, but is it possible that a Batman story be too dark? Though this was a great character study of the Penguin through his own eyes, it was ultimately depressing and a little sick at times. Like in Batman Returns, Penguin targets children with his rocket weapons and has multiple people executed for world famous jewelry. The flashback scenes where it was revealed what really happened to the other three Cobblepot brothers was just downright twisted, but made for a damn good bit of story telling.
I guarantee that you’ll never look at the Penguin the same again when you read a Batman comic. I give Penguin: Pain and Prejudice a 4.5 out of 5 grizzlies and recommend it to any bat fans out there. As long as your old enough to handle the violence. Maybe the younglings can stick to Batman animated comics. I would have given it a 5 out of 5 but it was just way too dark, even for a Batman comic.
Another issue, another planet! Zayne Carrick is reluctantly helping to fight a war on the planet Halthor, but this time it’s for the Mandalorians! After being captured last issue with Captain Morvis, Zayne and his not so close friend find themselves on the front line with the only other choice being imprisoned as a slave for the Mandalorians. I think Zayne said it best himself that it’s pretty unusual for someone to help invade two planets in one week for two different armies.
The issue was a little bit light on the action once the beginning battle was over. We are introduced to the Devaronian Mandalorian whose child Zayne saved in the last issue. This issue kind of shows you how the Mandalorians operate during the war if you’re not too familiar with them. First off, Mandalorians take prisoners either to make them work as slaves or to fight for them in battle. This leads to the fact that Mandalorians are not just humans, but a mixture of many species. Being Mandalorian is not only based on race but more on the culture itself. Not to mention that was is their way of life. You come to see that the Devaronian that Zayne helped last issue, Ko Sornell, has her entire family in the war zone with her including husband, son and infant. Crazy bunch of buggers.
Nothing was more interesting than the concept of Jedi Knights siding with the Mandalorians in the war. I thought Dorjander Kace was pretty cool in the last issue but he kind of lost some credibility at the end of the last issue when he revealed that he and his Jedi followers were “Mandalorian Knights”. They all wield the same yellow-orange bladed lightsaber which reminds me of the Imperial Knights from the Legacy Era comics where certain Jedi follow the will of the force as guided by the will of the Emperor. This is the same concept except I’m not sure exactly what kind of code these Mandalorian Knights follow. Dorjander Kace explains that he and his Jedi joined the Mandalorians to balance the fact that the Jedi were entering the war against the Mandalorians. This idea kind of gives me a newfound respect for Dorjander Kace, even though I can only see him falling to the Dark Side eventually while fighting for such a brutal army. He is simply arguing as the Jedi council did against the Jedi entering into the war against the Mandalorians and he believes that the Jedi shouldn’t be fighting a war for a “corrupt” Republic. And after Revan and his Jedi joined in the war, Dorjander is just trying to balance things out. He almost reminds me of Dooku during the Clone Wars and it almost seems like this war is something the Jedi did not learn from and is repeated during that war. Only time will tell if Dorjander’s intentions are pure.
I give the issue 4 out of 5 grizzlies. It just about followed the same pace as the first with a battle at the beginning, story in the middle and a cliffhanger at the end, but I’m completely fine with that. Zayne is going to have his hands full with Dorjander revealing that there is to be a mass invasion of Phaeda, his home planet and where his family and “girlfriend” live. Is his girlfriend Jarael and does that mean we may get to see her in the upcoming issue? I sure hope so.
And on an artistic note, I’m really starting to take a liking to Andrea Mutti’s pencils in the series thus far. Her art has the right tone for this storyline with her gritty feel and attention to detail. I hope she stays on board at least for this first story arc and I wouldn’t complain if she stayed on after either. Stayed tuned for issue 3!
Smallville may be over, but DC Comics is giving the loyal fans of the loosely based Superman show a little somethin’ somethin’ in the form of a Smallville comic book! According to IGN, the comic will be released in small parts throughout April digitally and then in a full comic book in May. And for those of you who initially worried like I did that it would take place in between all of the Smallville episodes, have no fear. The comic will take place after the show ended and after Clark finally donned the Super suit!
“Six months after Clark Kent donned the cape and took to the skies to save Earth from Apokolips… enter Season 11!” explains Miller. “New allies abound! New enemies afoot! And old friends return where they’re least expected! Pere and colorist Chris Beckett have done a fantastic job of capturing the look of the show and the players, and Gary and Cat are knocking it out of the park on covers. I couldn’t be more excited to help give seasoned viewers and new readers an all-access pass to Clark’s first year in the cape.”
The announcement confirmed that alongside Clark will be show regulars Oliver Queen, Chloe Sullivan, Lois Lane, and even Lex Luthor.
I guess if I have to see Michael Rosenbaum Lex Luthor in comic book form then that will suffice. But really, I can’t wait to see what they do with new villains from the Superman world and possibly even bringing back old ones. I for sure was not overly impressed with the fight against Doomsday because it was like watching a Mike Tyson fight on pay per view. But in comics as with animation, they can pretty much do whatever they want.
I’ll be very interested to see how everything has played out since the show has ended. How is Lex after his memory of knowing Clark was pretty much erased? What about the other twenty people who know Clark’s secret identity and didn’t have a memory wipe? I’m ready and waiting for this comic to come out in the next couple of months because Smallville is like Star Wars to me; I don’t want it to end even though it’s not quite what it used to be. Though this comic does have some potential to be pretty damned good. It will almost be like an Elseworlds comic or Superman: Earth One. What about the rest of the Smallville faithful? Good news or should Smallville just die a natural death? Let it be known in the comment section below!
First off, yes this review is extremely late, but it’s hard to keep up with all of the Star Wars comics out there nowadays. You’ve got a couple of them following the now red hot MMORPG ‘The Old Republic, one taking place amidst the comic underexposed New Jedi Order/Vong War era and there’s even a few that take place during, a little before and a little after the Original trilogy timeline. It’s a lot to take in I know. But one that I’ve been waiting for and had actually almost forgotten about until I saw it at the comic shop was Knights of the Old Republic: War. This isn’t an Old Republic online game tie-in though, this takes place before and continues the story of wayward Jedi Zayne Carrick that author/comic writer John Jackson Miller started back in 2006.
The series took place before the events of the first Knights of the Old Republic Xbox videogame, chronicling the adventures of the fugitive Jedi “washout” Zayne Carrick who witnessed the deaths of his classmates at the hands of their Masters who were trying to preempt the return of the Sith. As Zayne struggles to avoid his crazy ass Master Lucien and his band of psycho Jedi, he runs afoul of corporate criminals, an essence transferring Sith Lord, Mandalorians and not to mention the two most notorious Sith Lords of the time: Darth Revan and Darth Malak. This is of course before they have fallen to the darkside and before the Mandalorian Wars have truly been unleashed upon the Republic. At this point in time the Mandalorians are simply stockpiling resources from their plundering of the Outer Rim worlds and gauging the Republic’s military prowess in skirmishes here and there. Darth Revan, know at this time simply as ‘The Revanchist” is busy recruiting Jedi eager to step in against the Mandalorian aggression in the Outer Rim, including Jedi Knight Alek who is soon to be jawless Sith Lord Darth Malak.
As KOTOR: War begins we are finally able to get a glimpse of the era directly before the events in the video game, where the Mandalorian invasion of the Republic is in full swing and Zayne Carrick once again finds himself unwittingly drawn into the conflict. I’m hoping the series will show us more of Revan and Malak, possibly leading up to their fall to the darkside and the final battle of the Mandalorian Wars at Malachor V, which by all accounts is pretty epic. The issue itself was pretty decent. Zayne Carrick is just kind of hard not to like. He’s the good hearted hero without being a complete tool about it and still accomplishes to be kind of a badass. The story picks up on the planet Essien where Zayne explains through narrative that he was drafted into the Phaeda militia, Phaeda being the planet where Zayne was born and his family resides. As fate (or the force) would have it, Zayne ends up under the command of a certain man named Morvis… yes it’s the douchebag who made Admiral from the first volume of KOTOR. The issue is big on action, the planet Essien not being very unique in any way as of yet. There is also the introduction of a new Jedi character named Dorjander Kace, who I found to be pretty cool, though by the end nothing is as it seems with him or his little group of Jedi.
The art was decent for this issue, but I’m definitely missing the art of guys like Dustin Weaver and especially Brian Ching who did a good amount of issues from the first volume. But that is not to take anything away from Andrea Mutti because she’s a fine artist. I definitely can’t wait for the next issue to get some explanation for the last page of this current one. Also, I’m all for the introduction of new characters but I’m sure that there are more fans than me out there wondering what happened to Jarael, Gryph, Rholan and Camper. Did Camper stay out in Wild Space with those stupid exo-gorths? Did Rholan ever find out anything about the truth behind the current war as he intended to? Time will tell as KOTOR: War continues, though we may not get answers anytime soon. I give the issue 4 out of 5 grizzlies because it’s off to a promising start. And check out the picture below the rating for a glimpse at the next issue. Ridiculous!
Considered by many to be the seminal story of the comics medium, and a work that singlehandedly changed the comics forever, Watchmen by Alan Moore and Dave Gibbons has been a consistently successful story for over a quarter of a century. A complete deconstruction of the Superhero mythos using close facsimiles to classic Charleston Comics characters – Watchmen ushered in the grim and gritty narratives all to prevalent in comics today. Against the wishes of writer Alan Moore, but not by artist Dave Gibbons – Watchmen has spawned numerous merchandising opportunities and a Hollywood film in 2009 by director Zack Snyder. In just twelve issues, Gibbons and Moore constructed an intriguing world and very interesting characters, with back-stories largely untouched. Considering how widely revered the Watchmen comics are, the series has been considered a sacred cow of sorts, and its universe has for quite a while, not been expanded upon in anyway.
On February 1st, DC comics announced that they will be releasing several four to six issue miniseries set in the Watchmen universe, written and drawn by some of comic’s top creators.
USA Today reports:
Who watches the Watchmen? This summer, it will again be a legion of comic-book fans.
Under its DC Comics banner, DC Entertainment is reviving characters from the beloved and seminal graphic novel Watchmen for seven prequels collectively titled ‘Before Watchmen’.
The comics will feature all of the heroes — and anti-heroes — who writer Alan Moore and artist Dave Gibbons created in the 1986-87 Watchmen series, which was later collected as a graphic novel. Those characters will star in miniseries by some of the company’s top writers and artists, including:
[pluslist]
•Rorschach by writer Brian Azzarello and artist Lee Bermejo
•Comedian by Azzarello and artist J.G. Jones
•Minutemen by writer/artist Darwyn Cooke
•Silk Spectre by Cooke and artist Amanda Conner
•Nite Owl by writer J. Michael Straczynski and artists Joe and Andy Kubert
•Dr. Manhattan by Straczynski and artist Adam Hughes
•Ozymandias by writer & original editor Len Wein with art by Jae Lee
[/pluslist]
Issues will be released so that there will be a new one every week, and each will include two pages of a separate, continuing backup story, Curse of the Crimson Corsair, by Wein, with art by Watchmen colorist John Higgins. A single-issue Before Watchmen: Epilogue will also be a part of the prequel series, featuring several of the writers and artists involved.
According to the Guinness World Records, Watchmen is the best-selling graphic novel of all time, with more than 2 million copies sold. However, Azzarello first read the series when it came out monthly in the ’80s and was a huge fan 10 years before he broke into the industry.
Azzarello says he “dropped the phone” when DC co-publisher Dan DiDio called him last summer and asked if he’d write the fan-favorite character Rorschach, the vigilante clad in a mask with shifting ink blots who investigates the death of his old friend, The Comedian, in the original Watchmen story.
“He’s the face. The guy who covers his face is the face of the franchise,” Azzarello says. For the four-issue Rorschach series, he’s teaming again with Bermejo, the artist from his Joker graphic novel.
“You’re going to get the Rorschach that you know and want. It’s a very visceral story we’re going to be telling,” Azzarello says.
Set in a bleak version of 1980s America where Richard Nixon is still president and powered beings have changed the fabric of society but are now considered outlaws, Watchmen created a legion of fans with its rich storytelling and deconstruction of the superhero genre. The phrase “Who watches the Watchmen,” spray-painted on buildings in the original book, has become iconic.
Many of those readers view Watchmen as a sacred text that shouldn’t be touched. Moore himself publicly stated that he wanted nothing to do with the 2009 movie adaptation by director Zack Snyder, or any sequels or prequels.
Gibbons, who was an adviser on the movie, has given his blessing. “The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC’s reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire,” he says in a statement.
That approval, however, isn’t as important as making sure all the Before Watchmen books work on their own, Azzarello says. What’s key is “that we all get in there and we tell the best possible stories we can and we reconnect these characters. It’s 25 years later. Let’s make them vital again.”
All around the tubes, nearly every forum, such as Bleeding Cool and those annoying hipsters over at comics alliance, are rife with comments of hot frothy hatred over the notion over such a blasphemy. Most comments are about how perfect the original series was and what not, and that no one is as brilliant as Alan Moore blah blah blah, you get the picture. A perfect example of how much people already hate this project is over at Topless Robot, but then again the folks over at Topless Robot epitomize the irrational bitter fan stereotype that never enjoy anything, regardless of how good it might actually be. One talking point is that somehow these prequels could possibly taint the experiences of the original, which is a logical farce. The “Star Wars” prequels are utter garbage, but that doesn’t sully the original trilogy in anyway, but if one were to continue to watch said prequels out of an obsessive need even though they hate them- that could make the experience sour. However, issues like that are less in the content and more in the viewer. It seems as though the negative fan will probably be the greater driving force though, as they will need to validate their judgments on how bad it sucks. Much like how Howard Stern rose to the top from having a great number of listeners who found him appalling and listened to field complaints as opposed to those who wanted to listen to naked lesbians on the radio,
Are these books a bright idea? Perhaps, perhaps not; however, the talent they have compiled for these projects rival some of the best in the business. Brian Azzarello is one of the greatest writers working in comic books today, and author of “100 Bullets”, a series I believe is the greatest of all time. Plus having artists such as Darwyn Cooke, Amanda Conner, Lee Bermejo, Jae Lee and J.G. Jones on these titles means they will also be some of the best looking comics this year. I personally don’t care about Watchmen prequels, since over time I have grown to dislike the original “Watchmen.” It’s slow, it’s rather derivative and isn’t entertaining- I appreciate what the work has done for comics as a whole, but just because it’s influential doesn’t mean I’m obligated to sing its praises. Just because I listen to The Police doesn’t mean I must listen to Bob Marley as well.
The fantastic Michael Avon Oeming tweeted it best:
Oeming hit the nail on the head: comics are not scripture, they’re fictional, the stuff that happens between the pages of these books never actually happened. Things like Canon and Continuity are bullshit, nothing is truly official or unofficial in the land of make believe. Adding to the universe that Moore and Gibbons created does not in any way, change the story or anything about the original Watchmen. Any of these prequel comics can be as official or fan fictional as you, as the reader want them to be – if you don’t like them, forget about them and read the original all over again, and enjoy it for what it is. If you believe that there is absolutely no goddamn chance you could even fathom liking these prequels, then just don’t read them! It’s that simple, don’t piss and moan and then buy all of them anyways just so you can break down and nitpick every single minutia of things you hate about them, just ignore them. Some very talented people with bills and families are getting paid possibly the best money they’ll ever see in their careers to tackle these projects and perhaps, put enough money aside to not worry about expenses for a while to make a completely original property that might even be more significant than Watchmen, Dark Knight Returns, and Hellboy combined, they don’t need you belittling them over trying to make an honest living.
Of course Alan Moore, who hates everything involving other creators involved in his works told the New York Times, “I tend to take this latest development as a kind of eager confirmation that they are still apparently dependent on ideas that I had 25 years ago.”
Moore, Author of such works as League of Extraordinary Gentlemen, which stars characters like Bram Stoker’s Mina Harker, H.G. Wells’ Invisible Man and Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde and Batman: The Killing Joke featuring characters made by Bob Kane and Jerry Robinson, is no stranger to using the ideas of others to craft stories. Alan Moore also received his breaks from his runs on “Marvelman” a character created by Mick Anglo, and “Swamp-Thing” a character co-created by Lenn Wein for DC Comics, who at the time was roommates with Gerry Conway, one of the collaborators whom created Man-Thing, a similar character at Marvel comics who premiered prior to Swamp Thing.
In addition, “Watchmen” wasn’t originally going to star original characters. Moore and Gibbons originally wanted to use characters such as The Question, Blue Beetle and Captain Atom, who were properties recently acquired by DC Comics form the defunct Charleston Comics. DC comics decided they would rather integrate the Charleston universe into their soon to be rebooted comics universe (sound familiar?) leaving Moore and Gibbons to create thinly veiled analogues of their initial idea. Had Moore and Gibbons been able to use the Charleston Characters like they originally intended- Moore wouldn’t have an argumentative leg to stand on. To be fair, DC could have easily done these miniseries with the Charleston Characters, but due to the success of “Watchmen,” the new analogues are more recognizable to audiences than the Charleston originals. While it’s certain that these prequels will go against what Moore’s artistic vision of “Watchmen” should be, Moore himself has done the same with a multitude of properties in his career, granted many have been public domain and he can do with them as he pleases. However, in one of his most recent stories League of Extraordinary Gentleman: 1969, Moore has written a scene where a Wizard named Tom who’s “ . . .middle name is a marvel and my last name is a conundrum” in an effort to use the character without violating any copyrights, sexually assaults Mina Harker in a scene. This is certainly not something that JK Rowling would have envisioned even her most heinous of villains to do in her successful series of children to young adult novels. Of course, the other collaborator- the artist, who is always the more important creator (it is a visual medium, and artists typically get a majority of the royalties) Dave Gibbons, has given his consent to DC comics to make these prequels.
Seemingly, all Moore’s opinions of his work gives off the impression that he feels as though he is some sort of creative zenith, that no one could ever craft a story as well as he. Moore lambastes every film adaptation of his work, or in the case of the Watchmen film adaptation, refusing to even see the film or acknowledge it in any way. One of my very first articles I had published at the website of the great Armenian flake, I wrote of how I felt the ending of the Watchmen film was actually better than the source material. Without spoiling anything, the movie ending ties in better with the core themes of distrust and paranoia rather than the random ploy used in the books. Alan Moore will never see this, thus he will never have to concede that others can perhaps, craft a better story with his own ideas than he could. Instead of denying the chance, it would be bolder to see these adaptations as a challenge for both the author and his colleagues to do better. Batman: Year One is one of the greatest batman stories ever told, but one of its sequel series that is based on Miller and Mazzucchelli’s story is Batman: The Long Halloween, is a superior story made by an entirely different creative team, and the original creator makes neither. Ego is one of the greatest hindrances in the realm of fiction.
However, from a moral standpoint- DC comics should have never been in the position to create Watchmen prequels in the first place. Even though Nite-Owl, Dr. Manhattan and the rest or the cast is analogous to Charleston Properties, they are in fact original characters because of this. The legends say Gibbons and Moore had a contract that specified that Watchmen would be a work for hire project, meaning they were compensated up front to create the book, instead of creating the book at their own expense: which would have made Watchmen creator owned. However, DC comics also stipulated that once Watchmen was no longer in print by DC, the copyrights would revert to Gibbons and Moore.
Watchmen has also continually been reprinted in trade paperback since 1987, thus preventing Gibbons and Moore from ever receiving ownership of their work. Thanks to dirty pool, DC has taken the control of Watchmen from Gibbons and Moore, and ensured they will never have it. Watchmen will never cease to be reprinted; it’s for too influential and lucrative for DC to ever want to let it go, so in essence, any support of any Watchmen related material aids in DC Comics’ theft of Watchmen from two very talented individuals. Eric Stephenson, publisher over at Image Comics, wrote an article for ‘It Sparkles’ that I insist you read because it perfectly illustrates what DC did wrong and the plight of the comic book creators.
Whether or not you’re enthused or incensed about Before Watchmen, it really matters not, since DC is going to make them regardless, there’s money to be had and they’ll get every little bit they can from Watchmen until they’re blue in the face and run around with their weenies exposed. However, what does matter is whether you buy them, it won’t stop these projects, but it can stop or continue any other Watchmen related projects in the future. Regardless, at least these books have top talent on them; DC could do much worse:
This is the latest of a whole series here at Grizzly Bomb. For each feature we will examine an individual genre and the quality of its films. These lists will be compiled from a point system determined by votes from each member of the staff. It’s very scientific, we used Excel.
For this topic, in addition to my list, I asked all the other members of my staff to give me a list of their “Top 15 Comic Book Movies”.
Anyhow, as for the results: From the other 16 people asked to make a Top Ten list, plus my own Top 10, it resulted in 60 different movies being named. I’ve tallied up the points, and I now give you the Top 25 of them…
25. Batman Beyond: Return of the Joker (2000)
24. Red (2010)
23. Dick Tracy (1990)
22. The Crow (1994)
21. Thor (2011)
20. Captain America: First Avenger (2011) 19. X-Men: First Class (2011) 18. Blade (1998)
17. X-Men (2000) 16. V for Vendetta (2006) 15. Kick Ass (2010)
14. A History of Violence (2005)
13. 300 (2006)
12. Teenage Mutant Ninja Turtles (1990)
11. Superman (1978)
And the TOP 10….
*Something new this time around is the AFI Box Office, which is ‘Adjusted for Inflation’…
10. Watchmen
[The Wozz] When one of the Watchmen is brutally murdered, Nite Owl attempts to bring the old team of retired crime fighters back together for one last job. But the public outrage against vigilantism forces the aging superheroes to question their morals and in some cases, even their sanity.
A lot of controversy and polarization came along with Zack Snyder’s adaptation of what is arguably the best comic book story ever told, but no one can deny that Watchmen is one of the most faithfully adapted stories to ever see the silver screen. Punctuated by Snyder’s trademark stylized action, Watchmen feels more like a hypnotizing motion comic than a traditional action movie, yet it still hits all the narrative beats of Alan Moore’s somber graphic novel, which is why it makes our top ten.
Best Quote: “Rorschach’s Journal. October 12th, 1985: Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face. The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout “Save us!”… and I’ll whisper “no.” “
Trivia: The trailer features the song “The Beginning is the End is the Beginning” by Smashing Pumpkins, which was originally a B-Side for the single “The End is the Beginning is the End”, the theme from Joel Schumacher‘s Batman & Robin.
9. Scott Pilgrim vs. The World
[The Wozz] Scott Pilgrim is a jerk. He plays bass for an awful garage band and he’s dating a high school girl. But when he meets Ramona Flowers, a mysterious American girl with purple hair, he instantly falls in love. Scott will do anything to win over the literal girl of his dreams – and unfortunately for him, that means defeating Ramona’s Seven Evil Exes.
No other movie of this generation has simultaneously parodied and embraced popular culture like Scott Pilgrim vs. The World. The nerd culture, the indie music scene, hipster-pretentious teens and our superhero obsession all get a jab and an embrace in this gorgeous and hilarious take on the typical guy-meets-girl flick. Scott surrounds himself with about a dozen characters who all manage to come across as endearing, whether they’re charming, obnoxious, or just plain douchey, making this the flashiest, most over-the-top hangout movie of our time.
Best Quote: “He punched the highlights out of her hair!”
Trivia:Edgar Wright obtained permission to use the famous theme song from the SNES game, The Legend of Zelda: A Link to the Past, by writing a letter to Nintendo, saying that it is considered to be “the nursery rhyme of this generation”. He was also allowed to use the Seinfeld theme song for a sitcom-style sequence.
8. X2: X-Men United
[Supascoot] A team of mutants hated and feared by the rest of the world are brought together by professor Charles Xavier, a powerful telepath dedicated to training the youthful mutants under his care to protect themselves and the world. This time they find themselves under attack from the government and William Stryker, who has past connections with Prof. X, Magneto and Wolverine.
Building on the success of the first movie, Brian Singer created a sequel that many consider to be far superior to the original. With one of the greatest opening scenes of any superhero movie out there, X2 changed how many of us looked at the comic movie medium. A realistic look at a fantastical world that was easy to relate to and touched on so many themes of both reality and the X-Men mythos. Featuring an ending that left us all excited for the next one, until we actually saw it and realized the flip side of what good movies are.
Best Quote: “You know all those dangerous mutants you hear about in the news? I’m the worst one. “
Triva: On The Tonight Show with Jay Leno, Hugh Jackman related a story about something that happened during the filming of the Weapon X flashback scene: while he was filming the corridor run (in which he is nude and backlit), he turned the corner and saw the female cast members, including James Marsden’s mother, waiting for him, hooting and waving dollar bills.
7. Spider-Man
[Supascoot] High School Nerd Peter Parker is bitten by a radioactive genetically engineered super spider and infused with powers making him the Amazing Spider-Man. After refusing to stop a thief, he is horrified to learn that the thief went on to murder Peter’s Uncle Ben, and embraces his final lesson that “With Great Power, Comes Great Responsibility.” Also Norman Osborn goes crazy, becoming the Green Goblin and setting up a villain that will torment Spidey for 3 movies.
Said to be the movie of the 70’s, and then the movie of the 80’s, and the movie of the 90’s, Spider-Man had a spot on the big screen reserved just for him. It wasn’t until Sam Raimi was given the job that the movie finally started moving forward. Fans were unsure of what to think of the film, with many changes and unsure casting, but the moment the movie hit it was well received and provided hope that we may see other heroes getting the same kind of treatment by a director who loved and respected the characters and stories.
Best Quote: “Whatever life holds in store for me, I will never forget these words: “With great power comes great responsibility.” This is my gift, my curse. Who am I? I’m Spider-man. “
Triva: In addition to both Peter Parker and Norman Osborn wearing their enemy’s costume colors during the Thanksgiving dinner scene, Harry Osborn is seen wearing all of the colors. He’s wearing a green shirt, red tie and blue coat.
6. Batman
[Supascoot] Tim Burton’s Batman focused on the darker tone recently exhibited by DC Comics, in large part due to Frank Miller’s time with the character. The film followed the urban legend that is Batman creating and fighting his nemesis Joker, while dealing with the complicated life of billionaire playboy Bruce Wayne, who is falling for reporter Vicki Vale.
The 1st of 3 Batman movies in the Top 10, it’s a clear indication that when comparing any and all comic book movies, you look to Batman first. What worked, what didn’t and how we can make it as awesome as the first true Batman film in Hollywood. Keaton delivered an amazing performance as a slightly older Batman, while Jack Nicholson wowed audiences with his portrayal of the Clown Prince of Crime, a role left untouched until Heath Ledger… but we can talk about that later.
Best Quote: “Tell me something, my friend. You ever dance with the devil in the pale moonlight?”
Trivia: The Joker’s line “Take thy beak from out my heart” (said at Vale’s apartment) is from Edgar Allan Poe‘s “The Raven”. The full line is ‘Take thy beak from out my heart, and take thy form from off my door!’ (the “beak” being of the raven)
5. Iron Man
[Supascoot] Tony Stark is a Billionaire Playboy Inventor Entrepreneur Wunderkind who parties hard and profits big for his company, Stark Enterprises. But when he is kidnapped by the Ten Rings, a terrorist cell in the Middle East, he is gravely wounded. Forced to build a powerful weapon for the Ten Rings, he instead chooses to create a suit of armor to not only save his life, but escape his captors. And iron Man is born.
When news hit that Robert Downey Jr. was cast as Tony Stark, everyone accepted that this movie was actually happening, and that it just may be good. When some of the first footage was seen, fans were apprehensive but excited, and when it hit theaters it was just that; a hit. Spectacular special effects, great acting from Downey and cast and the villain; played by The Dude Jeff Bridges, who taught me to never try to enter the world of big business. Or make my own suit of armor to take on Iron Man. Jon Favreau delivered a realistic and acceptable world where we could see all our favorite Avengers characters existing, and proved to be the jumping off point for one of the biggest comic book movie epics to ever hit the big screen; The Avengers.
Best Quote: “They say that the best weapon is the one you never have to fire. I respectfully disagree. I prefer the weapon you only have to fire once. That’s how Dad did it, that’s how America does it, and it’s worked out pretty well so far.”
Triva: Stan Lee, the creator of Iron Man, had originally based Tony Stark on Howard Hughes, whom he felt was “one of the most colourful men of our time: an inventor, an adventurer, a multimillionaire, a ladies man and finally a nutcase.”
4. Spider-Man 2
[The Wozz] Peter Parker’s new career as a web-slinging superhero is starting to get in the way of his education, his family and most important of all, his relationship with Mary-Jane Watson. As his priorities start to shift, Peter begins to question his responsibilities as a vigilante crime fighter and eventually he hangs up the costume for good. But when Dr. Otto Octavius has an experiment go awry, killing his wife and binding four mechanical arms to his spine, Pete is forced to accept his role as a superhero and take back his true role as Spider-Man.
Spider-Man may be heralded as the movie that ushered in Hollywood’s superhero craze but it’s the second one that became the shining light of the franchise. It just feels the most like Spider-Man, because it perfectly nails that balance between thrilling acrobatics, lighthearted fun and a charming, somewhat corny moral center. Doctor Octopus is unquestionably the best villain of the trilogy, providing some of the best action sequences in all three movies, and this is the movie where Spidey feels most recognizable – none of that whiny, dancing B.S. that would come a few years later.
Best Quote: “We need a hero, courageous sacrificing people, setting examples for all of us. Everybody loves a hero, people line up for ’em, cheer for them, scream their names, and years later tell how they stood in the rain for hours just to get a glimpse of the one who told them to HOLD ON a second longer.”
Triva: Stan Lee originally filmed the cameo of the man who shouts: “Hey, Spider-Man stole that guy’s pizza!” But because of problems with the shot it was re-filmed with another actor, and Lee was given a different (but heroic) cameo.
3. Sin City
[The Wozz] Three (Technically four) intercepting vignettes tell the tale of violence, corruption, death and vengeance in the streets of Basin City: Marv seeks revenge for the murder of a caring woman, killed as she slept by his side. Dwight gets into hot water when he punishes the wrong abusive boyfriend. Hartigan comes back from the dead to save a girl from a monster.
Sin City features more style and visual flair in some scenes than most movies have in their entirety. The gritty, unforgiving noir is punctuated with bursts of vibrant color amid the gorgeous blacks, greys and whites of the simulated graphic novel, and it features one of the biggest casts you’re likely to ever find. Other films have tried to jump onto Sin City‘s dark, exaggerated aesthetic but their failure serves as evidence that there’s more to this movie than simple eye-porn. Sin City is in a world all to itself and delivers something entirely unique, which is why it’s number three on our list.
Best Quote: “Most people think Marv is crazy. He just had the rotten luck of being born in the wrong century. He’d be right at home on some ancient battlefield swinging an axe into somebody’s face. Or in a Roman arena, taking his sword to other gladiators like him. They woulda tossed him girls like Nancy back then.”
and
” It’s time to prove to your friends that you’re worth a damn. Sometimes that means dying, sometimes it means killing a whole lot of people. “
Triva: Despite appearing in all three of the major stories, Brittany Murphy filmed all of her scenes in one day.
2. Batman Begins
[The Wozz] Believe it or not, there was a time when most of us weren’t looking forward to a new Batman movie. Joel Schumacher took the franchise out at the knees with Batman & Robin, and it was hard to believe any revival could undo the damage. Then we found out the Memento guy was directing it, and shortly after that Christian Bale would play Bruce Wayne. Clearly things were going in a new direction, but no one had any idea what was coming.
Batman Begins is about about Bruce Wayne. If you break down the movie, you can see it all the way through. Even in the third act, when Bruce is almost always under the cape and cowl he is still the man, not the symbol. It’s not until The Dark Knight that Batman truly becomes a second identity and that is what makes Begins such an engaging story. No other Batman movie has given so much attention and importance to the person who became the Bat. Begins is about other things, too – fear, corruption, justice – but this is the most human the character has ever been, and it delivers an origin story befitting to the greatest superhero of all time.
Best Quote: “What chance does Gotham have when the good people do nothing? “
Triva: Christian Bale lost his voice three times during filming after altering his voice while playing Batman.
1. The Dark Knight
[The Wozz] After the success of Batman Begins, The Dark Knight might have become one of the most anticipated movies ever, but that didn’t keep it completely free from scrutiny. The decision to bring in The Joker after Jack Nicholson’s beloved performance, combined with the casting of Heath Ledger in the role was baffling to most of us. And the IMDb page showed clear as day that between Ledger, Cillian Murphy and Aaron Eckhart, there would be three different villains in the movie (Just months before, Spider-Man 3 had crumbled under that weight). On opening weekend, The Dark Knight absolutely shattered any doubts.
As opposed to Batman Begins, in The Dark Knight Batman no longer exists as a man in a a suit; Bruce Wayne has completely transformed the caped crusader into a symbol, elevating him far past the limitations of a simple vigilante. The Joker’s brand of chaos isn’t a threat to Bruce, or his loved ones, or even to Gotham, at least not directly. Joker represents something far more destructive than that. He threatens to dismantle the legend of Batman, kill the icon instead instead of the person. In actuality, The Dark Knight has nothing to do with two men on either side of the law. It’s about the manifestations of good and evil, the struggle between order against chaos. That’s what elevates The Dark Knight beyond the ranks of a simple superhero movie and makes it the best comic book movie of all time.
Best Quote: “Because some men aren’t looking for anything logical, like money. They can’t be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn.”
Triva: Nestor Carbonell who plays the mayor coincidentally also played “Bat Manuel”, a parody of Batman, in the comic-based live action The Tick TV series. And Michael Jai White who played the Batman-inspired character Spawn in Spawn plays a gangster.
Grizzly Bomb 