The sixth episode of The Killing starts as we prepare for the funeral of Rosie Larsen. This is a reminder of how little time has passed on the show. Despite this already being the sixth episode, Rosie’s body isn’t yet in the ground. We see Richmond’s campaign is trying to get back on track with the return of Jamie, but there is still friction with Gwen concerning trust issues. And Linden’s investigation just keeps pointing towards Bennett.
Now some people may say the show is moving slowly, but I actually appreciate the pacing. They are taking their time to play all the angles and producing a true ‘who-done-it’. So, what happened tonight?
Episode 6 focused mainly on Bennett and the evidence seemed to just continue to pile up, only now it seems perhaps it wasn’t Bennett who killed her, but rather Chrissy Seaver Mrs. Ahmed who may have committed the crime.
Belko’s source called in with Bennett’s name, which was delivered to Stan. As the episode came to a close, it did so with Stan giving Bennett “a ride home”…something that does not bode well for Bennett. Especially since in this episode we learned a little more about Stan’s past. Before Rosie was born, Stan was muscle for the Polish Mob. And though he has no record, it seems like killing Bennett wouldn’t be a stretch for Stan.
Linden and Holder know Stan has Bennett and are desperately trying to find them. Bennett is also having a major effect on the Richmond campaign without even knowing it. Darren assuming Bennett’s innocence has refused to distance himself from the teacher in fear of ruining an innocent man. The mayor is using this against Richmond obviously and his longshot to become Mayor just got a little longer…
Not an overly eventful episode outside the funeral, but the plot progressed nicely. This was my favorite episode yet, expertly crafted – 4.5 Bears. Boom. I’m quite excited for next week.
The only reason why this series is tied 1-1 is due to the amazing play of Pekka Rinne. In game two the dude flat-out robbed Vancouver with some spectacular sprawling Hasek-Style saves, denying several would be goals, two of them in overtime.
After two games it’s quite clear that the Canucks is the far superior team. Nashville’s offense has been anemic at best, while their power play has been down right awful. Every Nashville pass and entrance into the offensive zone was more painful to watch than an episode of Scrubs… That’s right I said it. I f–king hate that show. “Oh look I’m an awkward doctor just trying make sense of this life I’ve chosen…” Blah blah blah – Who cares.
Anyways, going forward I think Nashville can possibly steal one more game on the back of Rinne at best, but it’s doubtful. I fully expect Vancouver to come out in game 3 and finally flex their regular season muscle.
Dylan Dog has long been an Italian comic book mainstay, selling over a millions issues a month. For 25 years he has been investigating the undead and wooing his female clients. The famous PI is now for the first time, being introduced to an American audience in a different medium. Dylan Dog: Dead of Night opened this weekend and stared SupermanBrandon Routh as the detective. His comic book sidekick Groucho has been replaced however, as it was apparently not feasible to obtain the likeness rights from the Groucho Marx estate. Instead we see Detroit Rock City star Sam Huntington playing a recently Zombiefied sidekick named ‘Marcus’.
Dylan and Marcus get called onto a case to look into a murder (aka ‘Death by Werewolf) and Dylan see himself sucked back into a life he thought he’d left behind. The first half of the movie is like old school noir (with a supernatural twist obviously) film, complete with a narration from our protagonist. It was like an old Phillip Marlowe movie, our run down detective, convinced the world is going to Hell in a hand basket, and adverse to evolving. In other words, my kind of guy. So here we have a mystery and a focus. And this last for maybe 40 minutes. Then Hollywood kicks in and that focus gets a little lost. We trade in our narration and mystery for run of the mill Action/Comedy.
Granted the mystery is fairly easy to solve (especially for anyone who’s ever seen any old Detective movies), but it doesn’t matter since you’ve forgotten what the point is anyhow as you’re not wrapped up in the comedic parts. Don’t get me wrong, I enjoyed Sam Huntington’s struggles with his recent death and the problematic existence of being a zombie, but it just didn’t seem to fit the tone of the movie. It kind of reminded me of A.I. and how you could tell exactly where Kubrick left off and Spielberg picked up.
Now going in I had heard the movie compared to an extra long episode of Buffy, and I can see where those comparisons were drawn, but I don’t think it should be used as a knock. It was like Buffy in 2 ways…
1. In that people seemed oblivious to the existence of the supernatural around them, and that is was such second nature to Dylan. New Orleans in here is much like Sunnydale.
2. It felt like a TV show. Or rather that they were setting it up to be a TV show. It seems tailor-made to be a “Monster of the Week” type show. And one that I have to admit – I’d watch.
So the premise I really liked anyhow, but the execution…lacking. I like Brandon Routh, but this was not his best performance by any means. I’d be willing to overlook that however because he is likable, and he and Sam Huntington seem to play off each other well. I could watch a TV show based off of this, or even a sequel provided that they both return.
Kurt Angle and Peter Stormare both play werewolves, and Taye Diggs is a vampire. Angle’s werewolf looked like a mix between a Halloween mask and Teen-Wolf. Peter Stormare as always was over the top, but also not really in a good way. It wasn’t the strongest performance of his career. I blame the director and the screen writer though. The script needed the characters to keep telling us things that should’ve been clear, but weren’t. And the director seemed to rush all the non-action sequences…perhaps he should stick to video games. He certainly didn’t get the maximum out of his cast.
And the post production team – did you run out of money? It’s funny how you really only notice sound mixing when its bad. There were parts of the movie that actually looked VHS quality, and one scene wasn’t even the correct Aspect Ratio. The picture was all stretched out, like trying to watch a Full Screen DVD on a Wide-screen TV. My guess is they ran out of cash and had to just some footage they didn’t want to use as they couldn’t do re-shoots.
Now I know I’m doing a lot of complaining and nitpicking, but I’m just trying to be honest. All that said, I did actually enjoy the movie. Not great, but entertaining. And if they make a sequel (which I doubt as there were only 8 people in out theater) I’d watch it. The characters, though a little cliché, are enjoyable and could carry more stories if just carried out right.
Anyhow, over all – I’d give it 3 Bears based on the characters and premise alone. I recommend a DVD or Netflix watch on this bad boy…
After a week of being MIA, I was ready to jump back into the world of Camelot. This week’s episode was properly titled ‘Justice’ because quite frankly that’s what it was all about. It was another episode where not much moves along in terms of action until the end, but we at least get to see Arthur not be a total little bitch. He actually passed for a man and a good King in this episode, even though it cost him a lot of enemies.
"Seriously bro, you need to kick it up a notch with the whole king thing."
Every year, without fail we are subjected to a plethora of shoddy TV series and network hopefuls, and almost every year these shows fail. Low ratings, terrible stories, or zero network backing are the main reasons for a show to fail, and sometimes, it’s just not fair. Ask Doc about Terriers and you’ll understand what I’m talking about.
So I figured to try to fight this yearly slump of terrible shows and apathetic viewers, it makes sense to highlight the different series that I think are worth their time slot, in order to make it easier for you to weed through the crap and find the gold. So that brings us to the first show I encourage you to try out this season.
Breaking Instars Bret Harrison (Reaper), Odette Annable (who used to go by Odette Yustman in Cloverfield and The Unborn), and Christian Slater, who really had nowhere else to go but TV. Breaking In tells the story of Cam (Harrison), a high-profile computer hacker who is selected to work at ‘Contra Security’, a company that specializes in testing out their client’s security systems, hence the clever name of the show. Now why should you watch this show above all other newcomers this season?
I swear if they would have just included everything from the teaser trailer, the first trailer and the international trailer I would have warmed up to this movie a lot quicker than I did. To say this movie now looks awesome is an understatement. Watch the trailer and let your words melt away into “oooooohs” and “aaaaaahs”:
Even though my first initial reaction was excitement, in retrospect I should be cautiously optimistic. As many of our brilliant readers know, many trailers are way better than their movies actually turn out to. Actually this happens more than half the time.
Something else to consider is how terrible nearly every Fox released comic movie has been over the years. The most recent Fox crapfest in comic movie history being Wolverine: Origins.
One thing is for sure: even with all of the coolness shown to us in the trailer, we haven’t seen everyone in full action mode. The glimpses we have seen of Havok and Banshee using their powers have been great, but we still haven’t seen Sebastian Shaw dealing out an ass whooping, or Emma Frost do much besides turn into her diamond form and have an awesome rack. All that remains now is to see the finished product, because one more trailer of this and we’ll have seen the entire movie.
Everyone please comment below and let us know what your anticipation level is for X-men: First Class. And if they decide to do a sequel, I want some freakin’ Sentinels!
Grizzly Bomb 