TNT Orders 10 Episodes of ‘Legends’ Starring Sean Bean

Well, a new show, about undercover work, starring Sean Bean. I’m sure this series won’t end with the untimely death of its lead character. That would be getting ahead of ourselves though. Despite starring the ‘Human Spoiler Alert’ himself, this is a show, based upon the novel by Robert Littell, Legends tells the story of…

“a deep-cover operative who has an uncanny ability to transform himself into a different person for each job. But his own identity comes into question when a mysterious stranger suggests that Martin isn’t who he thinks he is.”

Take a look at the trailer…

Continue reading TNT Orders 10 Episodes of ‘Legends’ Starring Sean Bean

Paranoia: New Trailer for Oldman, Ford, & Hemsworth Thriller

Indiana Jones and Commissioner Gordon are pissed at each other, or at least I think that’s what this new Paranoia movie is about. Harrison Ford and Gary Oldman headline a pretty solid cast in this corporate espionage flick, with Liam Hemsworth playing the pawn stuck in the middle. Hemsworth is hired by Dracula Oldman to spy on his old mentor Han Solo Ford and steal company secrets. His motivations for doing this are purely altruistic as he just wants to help his ailing old man, played by Richard I don’t need this, I was in Jaws Dreyfus. I’m sure driving the cool car and banging Amber Heard had no baring on his decision-making. Check out the trailer…

Continue reading Paranoia: New Trailer for Oldman, Ford, & Hemsworth Thriller

American Chibi, the Uncanny Valley, and the Grotesque Genius of Astro City

You ever heard the term “uncanny valley”? It’s generally used to describe animated computer renderings of humans that achieve an amount of realism that just falls short of believable, causing people to find it revolting. The arch example of this is probably Tom Hanks’ animated vehicle The Polar Express, but there are many others to be found. But not generally in comics*, which tend to conform to house styles or individual artist styles, and the 2-D probably helps prevent even the most realistically rendered art from approaching uncanny valley territory. But then Kurt Busiek and Brent Anderson, in the new iteration of their classic title Astro City #1, had to introduce their newest hero “American Chibi.” And we all say “yuck.” Because it works.

Continue reading American Chibi, the Uncanny Valley, and the Grotesque Genius of Astro City

KickStarter Project ‘Harbinger Down’ Needs Your Help

We here at Grizzly Bomb love a good horror flick and I have just heard news of a great creature feature raising funds on Kick Starter called Harbinger Down. Straight from the Kick Starter page here is the films plot.

harbinger down posters

A group of grad students have booked passage on the fishing trawler Harbinger to study the effects of global warming on a pod of Orcas in the Bering Sea. When the ship’s crew dredges up a recently thawed piece of old Soviet space wreckage, things get downright deadly. It seems that the Russians experimented with tardigrades, tiny resilient animals able to withstand the extremes of space radiation. The creatures survived, but not without mutation.

Now the crew is exposed to aggressively mutating organisms. And after being locked in ice for 3 decades, the creatures aren’t about to give up the warmth of human companionship.

Or for more information on the plot and tone of the movie you can watch these videos below with Alec Gillis talking about the Kick Starter project.

The really great thing about this project is the talent behind it. Lance Henriksen is on board and even though he has appeared in some utter tripe he is also one of the most versatile actors out there and is always entertaining in whatever he puts his hand to. Tom Woodruff Jr. you may not recognize but he is co-founder of ADI (amalgamated Dynamics INC) the company working on the movie. They have won academy awards and have done work on such classics as Alien vs. Predator, The Thing, Tremors, Pumpkinhead, Spider-Man and The Santa Clause 2…………Yeah so mostly amazing movies! Seriously if you do not know what these guys and gals do then check out there YouTube channel here. But Tom is also one of the most well-known suit performers and you will have seen his work on stuff like Aliens, Pumpkinhead and The Monster Squad. The main force behind this project is Alec Gillis who has worked with top directors like James Cameron, Ridley Scott, Neil Blomkamp and many more as well as contributing the effects he has also done second unit work and TV work. There are so many more professionals working on this movie that I do not have the space to list them but this film will be packed with some of the best workers in the film industry today.

harbinger down lance

The thing that interested me about the project was the fact that it is only going to be using practical animatronics and make up effects for the monsters. None of this slightly dodgy CGI effects, this is going to be an old school affair. Many comparisons to The Thing are going to be drawn here (mutating organisms that like warmth, a crew stuck in the middle of nowhere, etc) but is that really a bad thing? The remake/prequel to the original thing was a bit of a wash out because of its reliance on obvious CGI and not prosthetics. It is about time we had an old-fashioned creature movie and I for one cannot wait. Look at some of the sketch designs to see some of the awesome stuff they have planned for the project, some of which has a H.P.Lovecraft feel to it.

harbinger down monsters 1

harbinger down monsters 2

harbinger down monsters 3

If you enjoy what you have seen here then there is still time to contribute to the project through the Kick Starter link . It ends on Friday June the 7th at 1.45pm EDT so if you love the movies of the 80s where monsters felt real and not clunky CGI creation and you want to donate then now is the time. If this has not won you over then maybe you should listen to Lance himself tell you about his passion for the project. Fingers crossed this project gets off the ground because it looks incredible.

http://www.kickstarter.com/projects/1117671683/harbinger-down-a-practical-creature-fx-film

Theater Owners Want Shorter Trailers; More Time for Car Commercials?

The Hollywood Reporter has put up some interesting news about the trailer presentations before movies at the cinema. The National Association of Theater Owners are trying to get a time cut of 30 seconds, dropping most trailers down to roughly 2 minutes. This proposal is meant to give exhibitors more control over the marketing of movies in their cinemas and to cut down on complaints from patrons who may think trailers are too long. It is also hoped that this move to shorter trailers could make the cinema a more attractive place to visit. Other plans include limiting movie promotion to just four months before the film’s release and all films must include their release date on promotional materials.

To help to see why this would be an issue we need to look at how the system works. How Stuff Works has an excellent article on how movie distribution works but here is the abridged version. Theatres lease films in two ways bidding and percentage. Now bidding is not used much anymore but essentially the theater pays a set fee to get the rights to play the film. This obviously has its pros and cons because if a film makes more at the box office than the cinema bid on it they make a profit. However if it gets little foot fall and does not make the amount they paid to show it then they are out-of-pocket. The second way is percentage. This is slightly more complicated but what happens is the theater and the distributor figure out the house allowance which will cover basic weekly expenses and then the percentage for the net box office and the percentage split for the gross box office is set. The distributor gets most of the money because they get the agreed open net box office or gross box office, whichever is higher. Look at this example from How Stuff Works to see how this works.

Consider this example. Theater A is negotiating with Distributor B over a new movie. The theater has figured that expenses are about $4,500 per week. The net percentage to go to the distributor is set at 95 percent for the first two weeks, 90 percent for week three and 85 percent for the final week. The gross percentage to go to the distributor is set at 70 percent for the first two weeks, 60 percent for week three and 50 percent for the final week.

You can see that during weeks one, two and three, the gross percentage is higher. The net percentage is higher for week four. So the distributor would take gross percentage on one through three then net for week four. The theater breaks even the first week, loses money the second and makes a profit on weeks three and four.

Here is a helpfull diagram from the same website about how the money is distributed.

movie-distribution-flow

This scheme has been waiting for studio’s input before going further, and obviously they are none too happy about it. Aside from the fact that their films will not be promoted as well (meaning the net money coming in could be lower, cutting the amount they could make) and less can be put in the trailers, there is also the chance that a trailer over this size would not be allowed to be played at the cinema. Exhibitors could also just put more of the shorter trailers on, getting more money from the studios that pay for this privilege. This is all in the planning stage at the moment and will be voluntary, but it would still cause a major headache for big budget studios if it goes ahead because upcoming films like the Man of Steel (which had a trailer that lasted for 3 minutes) would need a serious restructure. It would give the exhibitors slightly more power however in what they choose to show and they could in theory handpick trailers they want or come to a financial agreement to show longer trailers.

shorter trailers

Ignoring the studios for a minute, we need to think about whether this is actually a good thing for the patrons of the cinemas. Well the cutting down of trailers will mean the film will come on quicker. It can be up to 20 minutes before a feature film comes on due to the amount of trailers on show. Movie trailers have had a tendency to be very spoiler like, giving away far too much of the plot. The studios would have to think outside the box a bit to make sure their films had an impact in the short time they have available which is obviously a good thing, people can work better when put in a corner.

Trailers before movies have been around forever and have become an integral part of the cinematic experience. When VHS became popular they even copied this style, having trailers in front of all of their features. Of course you could always fast forward past these trailers, an option not available at the present time to cinema patrons. Still cinema users know there is going to be 20 minutes of trailers and most utilize it to use the rest room if they need, or return to the concessions stand. Reducing cinema trailers is taking something special away from the cinema experience. But I am a guy who got annoyed because they removed the Pearl and Dean tune from the start of UK movies so who knows if I speak for the public as a whole.

What would help are some original trailers on each cinema release. If you go to the theater a lot you end up seeing the same trailers on each movie. Making sure each film had a different set of trailers would help prevent the boredom from setting in. I find it interesting that there is no mention of adverts here which are the most annoying thing about the cinema experience. The same old car, drink, and holiday adverts are paraded in front of us and we can do nothing to stop them. I do not mind paying for trailers as they are related to the film, but paying for adverts that appear on the TV and which I have no interest in whatsoever is more of an insult than anything. We all understand however that the climbing prices of popcorn and candy are there to offset fees paid back to the studios and are the main source of revenue for the theater. The sad fact is that with out this most theaters would struggle to stay in business.

This may just drift off if the studios cause too much of a fuss but it will be interesting to see what effect this has on cinemas in the future.

HBO Released Another Trailer for The Newsroom…and it’s Weird

A couple of days ago we posted the first two looks HBO had released of The Newsroom and I mentioned that there was a third that had been available for the briefest of moments but was then taken down. Well, they put it back up! Not sure what the deal was, perhaps they have a timeline they are working on and someone pressed go too soon but whatever the reason, it doesn’t matter because here it is.

I love this promo. I don’t really know why I love it so much, but I do. It’s so simple, and yet it’s so pretty at the same time. I’m a fan.

Not only did they re-release that promo but HBO released a new full trailer for the show that does very little to give an idea what the new season has in store for us. As a matter of fact, if I wasn’t aware of the show and had a rudimentary understanding of the characters, I’d guess this was just as likely a commercial for perfume or something. Because perfume ads rarely make sense and either does this.

Is Jeff Daniels going to spend the second season trying to get in touch with his god complex by wandering through the desert? And can someone please tell me what 90’s era commercial the image of the TV with static showing on it reminds me of? Because I can not place it and it’s driving me insane. I thought it was an MTV commercial but no dice.

Speaking of MTV, if you were curious as to the song used in the trailer, it is ‘Can’t Pretend’ by Tom Odell. This video is worth watching if for no other reason than to watch a guy rock out playing a water bottle.