Tag Archives: GQ

G4 to Change Format: Resemble Something Like GQ

In some of the saddest geek news of the year, G4, which has already been on the decline for the past few years, has finally decided to change the format completely by 2013. NBC Universal, which owns the channel, has decided to go the direction of GQ, slowly pulling themselves away from the TV/Music/Movies/Video Game format the channel was known for. Debuting in 2002, G4 was one of the few places nerds could go watch TV and actually enjoy what was going on.

Then came along Olivia Munn. Don’t get me wrong, I love me some Munn-ster, but, as one of my fellow Grizzly Bomb writers pointed out, she once said X-Cube 360….yeah. Speaking of said Grizzly Bomb writer, who happens to be none other than Cheesebadger himself, we began talking about this in detail when he first heard about the change. He brought up some really great points and you can read those below:

They used to have long blocks of a show called Cinematech, which was the cutscenes from games, edited together in a theme. It was interesting. There was also a terrible game show called Game On, where two unfunny comedians tried to play games competitively against each other, to win some inane prize. Sadly that show is probably leagues ahead of the bullshit they’re showing now. It really so gradually became less and less about games I didn’t notice until they hired some no name model to start hosting in place of sarah lane, an actual tech tv senior who was leaving, along with all of the other actual game/tech related people. That no name model? Olivia Munn. In a way, she was the beginning of the end for G4. As likeable as I find her, she’s the epitome of what was wrong, and what is wrong with that channel. A pretty face hired to read lines and pretend they’re interested in geek subjects, and to pander to a geek audience. When she started out, she clearly, CLEARLY had no idea what the hell she was talking about. She called it a “Xcube 360” once. She’s clearly a gifted comedic actress, who carefully and skillfully manipulated a geek audience to gain a fanbase to build her reputation and recognition on, to jump ship and pursue her true intents all along. I don’t blame her, she’s a good actress, but her whole “geek goddess” thing is so goddamn fake.

There you have it, folks. The Badger has spoken. Regardless of the possibly interesting direction G4 could go in, I’m definitely going to miss Attack of the Show, even if it was, as Cheesy said, the beginning of the end. But, seeing that there are literally thousands of channels on TV, it’s hard to imagine a world where a G4 spawn or spin-off isn’t possible. It seems that only time will tell.

This is for hardcore gamers looking for serious media reports…

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Bane’s Costume: Will We Find Out More Later?

One of the best parts about movies is, in my opinion, the costuming.  Just think how important costumes are – would Daniel Radcliffe be Harry Potter without his glasses on, or would we even believe that Scarlett O’Hara was a selfish, upper-class Southern girl if she wore maid’s clothes?  Heck, costumes are so important that they even have their own award at the Oscars.

First attempt to costume Bane…

That’s why when I saw The Dark Knight Rises in the theatres I actually spent a second or two investigating each new costume that appeared on the screen.  I adored Selina Kyle’s classy, Audrey Hepburn-style dresses and accessories, that is when she wasn’t kicking ass in her (thankfully) full-coverage Catwoman disguise.  However, what really piqued my interest was Bane’s entire ensemble and how much it horrifically reminded me of soldiers’ uniforms from central and eastern Europe during World War II.

Apparently, I was not too far in my thinking.  In a recent interview with GQThe Dark Knight Rises‘s costume designer, Lindy Hemming, said that the costuming department specifically looked for the type of military coats that people would wear in Eastern Europe or Northern Pakistan, “where  [mercenaries] find military surplus and wear it” (GQ).  Hemming also said that Christopher Nolan asked for Bane’s outfit to be a bit reminiscent of the French Revolution, so she tried to envision and create a coat that had a high collar which then bends back down.  Finish Bane off with pants tucked into army boots and some heavy knee pads and you’ve got one scary-looking son of a bitch.

But what about Bane’s funky-looking belt and gas mask?  That’s a good question. One that was apparently answered during the filming of the movie, and yet, all of those scenes were excluded from the final cut.  Hemming expressed her disappointment in this decision and said that there was originally a lot more backstory for Bane.

In regards to his belt, she pointed out that it was a combination belt and back brace for whatever injury happened to his back to cause the scars we see.  She said, “One of the fundamental things about his costume is that he has this scar from the back injury. Even if he hasn’t got the bulletproof vest on, he still has to wear the waist belt and the braces. In that scene in the prison, where he’s learning to fight the same way Batman learned to fight, he’s wearing an early version of his waist belt. It’s showing support, but it’s not the finished one he eventually wears” (GQ).

As for Bane’s gas mask, Hemming explained that one scene shot for the film clearly showed Bane being beaten by people while he was wearing an early version of his mask.  She also said that there was an entire other scene to help clarify where the mask even came from, and why he has to wear it.

I believe it’s a shame that these scenes were not included in the final cut of the film because the clothes really do make the man.  Without the information about why Bane wears a gas mask or a brace belt for his scars and back, he suddenly becomes a little less intimidating, and also a little less goal-oriented.  Is what he’s doing in TDKR affected by more than the little bit of his past that was revealed to us?  We don’t know and can’t know yet, but hopefully the producers will realize this aspect of Bane’s character is necessary for developing the overall story and legend of the Batman legacy and include these cut scenes as special features in the DVD release.