Lollipop Chainsaw’s Emo Villain and Sexy Cartoon Upskirts!

We have already told you a little bit about Lollipop Chainsaw… the sexy, zombie-filled video game being released this year by Suda 51. In Lollipop Chainsaw, you play Juliet- a cheerleader full of school spirit! But when zombies take over the school, she (with her disembodied head of a boyfriend by her side) decides to grab a chainsaw and get to killing!

The villain’s name is Swan. Check him out!

Every time I find out more about this game, I get even more excited! Lollipop Chainsaw releases this year. I am thinking that this looks like a sweet Halloween costume! Check out this chick in Juliet Cosplay:

Here are some cartoon upskirts for the pervert in you:

Grizzly Review: The Devil Inside

Demonic possession films have become quite a popular trend in modern horror over the past few years. A barrage of unnecessary Exorcist sequels, as well as a couple of hit and miss exorcism movies that have been released in the past few years. Among those, was The Last Exorcism, a surprisingly critical success, but one that failed quite epically with audiences, holding a 32% approval rating as opposed to a 73% from critics. I’m in the minority of viewers who actually loved the movie, taking its time to set up realistic characters that are actually interesting. The film itself built up nicely and ended with a twist I would have never really expected.

Enough about films I’d rather be watching, though, let’s get on to the piece of crap that disappointed me last night. The name of the film is The Devil Inside, one of the many demon flicks to come out in the past few years, and definitely not the last. It’s written and directed by William Brent Bell and Matthew Peterman, the two men behind Stay Alive, which I can fully admit is a guilty pleasure of mine. The film follows a young woman, Isabella Rossi, who decides to make a film regarding her mother, Maria. She killed three people during her own exorcism in 1989, and has been locked up in a mental institution in Rome ever since.

With her cameraman, Michael, in tow, she heads to Italy to figure out what the hell is going on. She meets two young exorcists, Ben (Simon Quarterman) and David (Evan Helmuth), who agree to help her as much as they can to solve the mystery of her mother’s condition. Going against every law that the church requires them to abide by, they perform an “introductory exorcism” on a girl who’s been possessed and never treated properly. Surprisingly, they successful remove the demon from her, which gives them both the confidence and the assurance to go ahead and try to help Maria. Maria’s exorcism, though, is much more difficult. Possessed by four demons, Maria isn’t just possessed in the way we know, she’s been taken over completely by these entities.


The Devil Inside
 is honestly the worst of all of the bad exorcism films in recent memory, but it’s also had the most marketing. With frightening TV spots popping up on every channel, and billboards as far as the eye can see, it’s amazing that such a low-budget, and not to mention amateur, production could get such acclaim. Starring no name actors who really cannot act for the life of them, Bell and Peterman decide to throw in horribly written dialogue, as well as some inspired but ultimately failed shaky-cam work.

The film’s opening scene is an equally pleasing and refreshingly violent sequence, displaying the bloody remains of the three bodies that Maria brutally massacred during her exorcism. If anything, it’s a promise that The Devil Inside is not your ordinary demonic possession film. Well, they lied shamelessly. The remaining hour and 10 minutes of the film is a brutally slow, scare-less, and rather illogical attempt to make exorcism scientific, religious, and scary all at the same time. Then, when things finally start to get exciting, The Devil Inside decides it’s worn out its welcome, and ends with one of the worst and most abrupt endings I’ve ever seen.

I can say that I got quite a few great laughs from this movie, and if you’re looking for a comedy, then The Devil Inside is honestly as funny as movies like Bridesmaids and Tucker & Dale Vs. Evil. But, if you’re looking for a scary demon movie that won’t let you sleep at night, this is most definitely not where you want to be. I mean, for a film that claims to be real, including a cast list during the credits probably isn’t a good idea.

0.5/5 Grizzly’s

Some Stills & Speculation on The Hobbit and Prometheus

Film Drunk dropped this still from Prometheus featuring Noomi Rapace gazing awestruck at something out of frame, which is interesting considering the most intriguing part of the photo is the pair of space jockeys behind her:

Here’s the photo again, lightened considerably to show the jockeys more clearly:

While the mysterious aliens and the tunnel surrounding them recapture H.R. Giger’s iconic style from the original Alien series, Rapace’s spacesuit looks wildly out of place in the gloomy environment. It could just be my obsessive love for Mass Effect talking, but I think the outfit’s looking very much like something Cerberus might design.

Update: Cinema Blend now reports that actress Kate Dickie supposedly spilled some mildly spoilerish plot details in a UK Tabloid, but as they mention, those types of magazines aren’t exactly the picture of accuracy. Keep that in mind while you read on, but remember there are potential spoilers:

Continue reading Some Stills & Speculation on The Hobbit and Prometheus

Grizzly Review: The Girl With the Dragon Tattoo

When remakes are done correctly, they’re a beautiful, glorious thing, like a beautiful piece of art or the birth of a beautiful baby. When remakes are done correctly, it makes me shed a manly tear of joy, because seeing something done better the second time around makes me happy, just like a great sequel.

In David Fincher’s adaptation of The Girl with the Dragon Tattoo, he takes what was a melodramatic and overall poorly made 2009 adaptation, and adds a new level of ferocity and stylishness to it that was otherwise lost on the original. I think this is due mostly to his familiarity with the source material, a novel of the same name by the late Stieg Larsson, and his unfamiliarity with the original Swedish film (he’s been quoted as saying that he’s never seen it).

By now the plot should be familiar to most, but I’ll run through it to give everyone a fighting chance. The story follows a journalist named Mikael Blomkvist (Daniel Craig) who’s been exiled by almost every news outlet and has been stripped of his credibility due to a story that he published that was “proven” false. On the other side of things, professional computer hacker Lisbeth Salander (Rooney Mara) has gathered information on Blomkvist for a large Swedish family that is interested in hiring him for a job.


The job is to investigate the murder of Harriet Vanger (Moa Garpendal), the 16-year old niece of Henrik Vanger (Christopher Plummer), who is the head of a large corporation known as the Vanger Co. For the past forty years, Vanger has been investigating Harriet’s death with no luck at all. In his desperation, he hires Blomkvist, in the hopes that he might be able to crack the case. Blomkvist reluctantly agrees, but the only way that he can do it is to hire the same person who was hired to investigate him, Lisbeth. The two team up to solve the murder of what might have been the heir to the entire Vanger legacy.

David Fincher’s interpretation of The Girl with the Dragon Tattoo is much better than the 2009 original, but in some respects it isn’t good enough. As a huge fan of the source material, the only way that this film could possibly live up to my expectations is by being four hours long, because that’s how long it would take to include everything that a film of this magnitude requires. But, from a strictly cinematic standpoint, The Girl with the Dragon Tattoo is an extremely fascinating murder mystery.

At 158 minutes, the film is a lot to take in, but it’s unfortunate because the first 80 minutes require Lisbeth and Mikael to be apart until they finally meet to work together on the case, which is far too long in my opinion. I say that because they only spend about 45 minutes solving the mystery together, with the last 35 minutes being dedicated to the aftermath of the ordeal as well as Salander proving Blomkvist innocent.

Though the build-up seems unnecessarily long, once the two finally get working, the film ignites. Their chemistry is sheer beauty. Who knew that mixing such an “alternative” personality as that of Lisbeth Salander with straight man Mikael Blomkvist would create pure magic? It doesn’t hurt that the performances by both Daniel Craig and Rooney Mara, especially the latter, are undeniably committed and mesmerizing. Similar to that of Justin Timberlake in The Social Network, I almost forgot that I was staring at two actors and not viewing the private exploits of such fascinating personalities. Lisbeth Salander is portrayed as much more personable and approachable to Blomkvist, turning their relationship from strictly physical and professional, to borderline romantic, an addition to her character that I’m actually glad they made.

David Fincher’s direction is undoubtedly stylish, but in comparison to The Social Network, which was steadily chaotic, The Girl with the Dragon Tattoo is chaotically steady. By this I mean that regardless of the amount of pulsating action that happens on the screen, the camera refuses to take the shaky cam route and is one of the few things in this movie that remains calm, which I’m thankful for. In keeping with the almost classy and dark style that the film seems to go for, remaining steady really helps set a tone rather than flopping all over the place, blurring everything out of view.

Trent Reznor of Nine Inch Nails and Atticus Ross, who also did the music for The Social Network, again compose the soundtrack. Whereas the music in The Social Network seemed to be a crucial part of the look of the film, the music in this film serves more as background filler rather than a key aspect, sans a dazzling credit sequence set to a cover of Led Zeppelin’s “Immigrant Song”.

Overall, as a remake, and even as an adaption, The Girl with the Dragon Tattoo succeeds, but its sometimes obvious representation of the killer, as well as the dangerously slow first half drags the film down from great to good, which I’m perfectly fine with. I didn’t expect another Social Network, and I definitely didn’t get one. I’ve never been a huge fan of the adaptations of the books, because there’s just too much to adapt into one film, regardless of its length, but Fincher makes it much more watchable than the 2009 Swedish version, and that in itself is quite the achievement.

3.5/5 Grizzly’s

Alcatraz: Season 1, Episodes 1 & 2 – ‘Pilot’ & ‘Ernest Cobb’ Review

I’ve always been very interested in Alcatraz Island ever since seeing Clint Eastwood in Escape From Alcatraz. So when I heard that J.J. Abrams was going to be producing a Sci-Fi/Drama series that revolved around the island I was immediately intrigued.

I sat down to watch the first two episodes and was not disappointed. The show drew me into it’s mystery the same way that LOST use to. Here is a quick summary of the plot of Alcatraz so far.

SPOILERS AHEAD>>>>>>>

“When San Francisco Police Department Det. Rebecca Madsen (Sarah Jones) is assigned to a grisly homicide case, a fingerprint leads her to Jack Sylvane (Jeffrey Pierce), a former Alcatraz Island prisoner who died decades ago. Given her family history— both her grandfather and surrogate uncle, Ray Archer (Robert Forster), were guards at the prison —Madsen’s interest is immediately piqued, and once an enigmatic, government agent Emerson Hauser (Sam Neill) tries to impede her investigation, she is doggedly committed.

Madsen turns to Alcatraz expert and comic book enthusiast Dr. Diego “Doc” Soto (Jorge Garcia) to piece together the inexplicable sequence of events. The twosome discovers that Sylvane is not only alive, but he is loose on the streets of San Francisco, leaving bodies in his wake. And strangely, he has not aged a day since he was in Alcatraz, when the prison was ruled by the iron-fisted Warden Edwin James (Jonny Coyne) and the merciless Associate Warden E.B. Tiller (Jason Butler Harner).
Madsen and Doc reluctantly team with Agent Hauser and his technician, Lucy Banerjee (Parminder Nagra), to stop Sylvane’s vengeful killing spree. By delving into Alcatraz history, government cover-ups and Rebecca’s own heritage, the team will ultimately discover that Sylvane is only a small part of a much larger, more sinister present-day threat. For while he may be the first, it quickly becomes clear that Sylvane will not be the last prisoner to reappear from Alcatraz.

Through the course of the investigation, Madsen and Soto will learn that the government has been upgrading the prison since its closing for a reopening to house America’s darkest criminals once more. In the process, Madsen will be forced to see everything she thought she knew about her family’s past shattered, all while fighting to keep the country safe from the country’s most dangerous criminals, locking them behind “The Rock’s” bars once more.”

Thanks Wikipedia!

Now that that’s out-of-the-way here are some of my thoughts on the show.
Alcatraz kicked off the series very strongly with an opening narration by Sam Neill that reminded me of Unsolved Mysteries or The Twilight Zone. That along with the quick introduction of the mystery the show revolves around immediately had me hooked.

The writers seem to be using flashback in the same way that it was used on LOST to reveal elements of character and plot, which I like. I thought it was used well on LOST and if the writing stays strong on Alcatraz it won’t become a problem. I also like that the flashbacks are interconnected, but considering the majority of the characters are in a prison together that’s to be expected.


Sarah Jones (Justified, Sons of Anarchy) plays Rebecca well in a tough but cute, Nancy Drew sort of way. I think she has serious potential to do well as a strong female lead.
Jorge Garcia (Lost) is awesome as always and plays Rebecca’s side kick really well. I’m not totally sold on why his character is her partner, but I’m willing to let it slide for now.
Sam Neill (Jurassic Park) is amazing as Emerson Hauser. Nothing else to say about that really. I am really looking forward to seeing what we learn about his character in the upcoming episodes.

All things considered, I was left with many more questions than answers. I still have no theory on what happened to the staff and prisoners of Alcatraz or why they’re coming back. However I will be coming back to watch this show to find out.

4/5 Bears

Season 3 of ‘The Walking Dead’ Will Now Be 16 Episodes!

Zombie fans, be excited! The Walking Dead is extending the number of episodes per season yet again! The first season was a mere 6 episodes, which left everyone craving more.

Season two, which we are currently in, will be a total of 13 episodes when all is said and done. Season two will return on February 12. Season three will be split up into two parts, just as season two was.

This detail surfaced during an interview that Glen Mazarra did with the Television Critics Association Winter press tour. The season 2 premiere proposal that we mentioned before was brought up during this interview as well, and Mazarra was asked about Frank Darabont’s turned down genius idea. Mazarra basically stated that it was one of many ideas that were brought up in the writers’ room and that the idea felt like a stall. Mazarra said that they just wanted to get to the characters.

The Walking Dead season 2 will continue on Sunday, February 12th at 9:00pm.