Tag Archives: Sherlock

BBC Releases New Crime Drama Promo Featuring Luther, Sherlock and The Fall; PLUS New Sherlock Trailer

BBC is no stranger to quality television and crime solving dramas. Apparently they are no stranger to creative editing either.

With both Sherlock and Luther set for limited return in the coming weeks, and The Fall coming back sometime in 2016, the BBC put out a new promo featuring their three most popular detectives. Check it out below.

Continue reading BBC Releases New Crime Drama Promo Featuring Luther, Sherlock and The Fall; PLUS New Sherlock Trailer


Sherlock and The Abominable Bride; New Promo Shots Show Us the Mysterious Bride

Now simply one episode shy of completing my latest watch through of BBC’s Sherlock series, we are gifted with some promo shots from the upcoming Victorian era Christmas special, which is set to premiere on January 1, 2016. These shots give us a look at some of our favorite characters in their more classical garb, as well as a look at what appears to be the title character – The Abominable Bride.

Continue reading Sherlock and The Abominable Bride; New Promo Shots Show Us the Mysterious Bride

Sherlock Releases Trailer for Impending 19th Century Christmas Special

Nothing made me. I made me.

Arguably the smartest, most well-written show in the world, BBC’s Sherlock is coming back – way back. The upcoming Christmas special (no premiere date yet) will take place in the 19th century, and will provide us with the first new episode of the show since January of 2014, and only the tenth since the show began in summer of 2010. For the math wizards out there, than an average of about one episode every six months. I point that out only to illustrate how well versed the Sherlock fan base is at waiting.

Continue reading Sherlock Releases Trailer for Impending 19th Century Christmas Special

All We Want For Christmas Is A Sherlock Special!

What could be better than a spot of tea and a little 221b on the telly this holiday season? Not having to wait a year for it, for a start! That’s right, Cumberphiles, while the rumors of a Sherlock special are indeed true, you’re going to have to do what Sherlock fans do best; wait. Continue reading All We Want For Christmas Is A Sherlock Special!

Men, Women & Children: Deciphering our Interconnected Society

Less than a year after the release of his previous feature, Labor Day, Jason Reitman returns with Men, Women & Children, yet another take on relationships, albeit, more modern and ambitious. Infusing the perils of technology, Reitman creates an interconnected story featuring parents and teenagers trying to decipher what the Internet has done to our society. The segments range from a couple using the Internet as an escape from their strained marriage, to a high schooler struggling with a fetish that deviates from the common sex culture, to a star athlete whose lost interest in football after his mom runs off and finding comfort in the online world of Guild Wars. Some may laugh it off, or find the struggles of this Texas suburban community to be negligent to greater world problems, but it’s through Reitman’s raw telling of the story that makes Men, Women & Children the most honest film of the modern day. Nothing is sugar coated. Every storyline features people we’ve known, stories we’ve heard, and struggles we’ve felt. Yes, some threads are stronger than others, but the overall product creates an extraordinary film.

The binding of the story relies on an ominous narrator, Emma Thompson, who uses Carl Sagan’s Pale Blue Dot to put a perspective on life. She chimes in throughout, ocassionally giving tidbits into the characters’ thoughts for comedic expense, yet mainly as a reminder of how unimportant we are, how insignificant everyone we know, everyone we love, everyone we’ve heard of, is to the universe. It’s through this thought, that the audience is forced to think what matters most to them. To some characters it’s sex, to others it’s love, fame or just acceptance. Reitman and co-writer Erin Cressida Wilson beautifully maneuver Chad Kultgen’s novel into an emotionally satisfying ensemble piece.

Utilizing mostly handheld camera (even shaky dolly shots) and little pop-up blurbs on the screen to show texting, internet browsing, etc., Reitman draws us into this realized world. Fruitvale Station, Sherlock, and others have used similar techniques, but Reitman fluently integrates the technology to demonstrates how naturally it has become involved in our lives such as having the Google search bar appear above a character browsing for escorts, or in one of the most memorable shots, showing kids walk through school with texting, music, tweeting effects hanging above their heads.

Across the board, performances are good with the high school kids for the most part outshining the parents. The standouts have to be Ansel Elgort, who most know as the love interest in The Fault in Our Stars.  Adam Sandler, gives a very subdued performance akin to Punch Drunk Love and proves that despite his recent shit show of films, the guy is capable of being a good actor. Sandler’s son in the film, Travis Tope, is noteworthy, as is Judy Greer, a mom trying to jumpstart her daughter’s modeling career. Jennifer Garner, an overtly protective mother who will go to insane means to track her daughters digital footprints also is a plus.

Men, Women & Children -- Jennifer Gardner

That all said, the film is not perfect. Some of the teen storylines don’t wrap up as nicely as others, leaving a morally ambiguous finale for the ending montage. Also, the scenes where the story transfers from one character to another when they pass each other is a bit cheesy and too coincidental. There’s also some odd choices made of when Emma Thompson voice comes in that felt like Reitman wanted to keep the comedic tone rather then delve straight for the drama. And oddly, J.K. Simmons is given almost the exact same role he played in Juno. A lot of comparisons have been thrown around to last years film Disconnect, which dealt with similar problems derived from the internet and featured another comedic actor with a beard. The biggest difference, is the plausibility of the students and the situations. Men, Women & Children deals with the desire to stand out and the use of the Internet as an escape, while Disconnect was an overly exaggerated film about the extremes of using the internet. The former allows for connection, the latter allows for parents to panic.

Reitman’s film doesn’t say that using the Internet is bad or that we shouldn’t, it just wants us to realize how it has changed the world and to decide on our own whether that is good or bad. Is it wrong to find solace in others online? To some it may be, for example a character using online chatrooms to encourage her anorexic diet, but for others, like Ansel’s character using Guild Wars, it’s a place to be himself and to feel like he’s constantly working towards something instead of being unimportant to society. That’s the debate at the heart of Men, Women & Children. Is the easy access to our desires online good or bad, and whether these desires should be important or unimportant. The film doesn’t give a clear-cut answer, it simply gives the audience enough to recognize technologies connection to our society.

Images:  Paramount Pictures

http://ws-na.amazon-adsystem.com/widgets/q?rt=tf_cw&ServiceVersion=20070822&MarketPlace=US&ID=V20070822%2FUS%2Fgrizbomb-20%2F8010%2F250ae19d-93b0-40ee-a0e2-291a6cebf3a2&Operation=GetScriptTemplateAmazon.com Widgets