A couple weeks ago we showed you 2 trailers for the impending second season of Femme Fatales, which premieres tonight on Cinemax. So to get everyone ready, we’ve got some more stuff now. This includes a sneak peak and several interviews with some of the people involved, including such beauties as Nikki Griffin and Madison Dylan. Check it out, and then watch the show tonight. Also, a lot of people who have HBO may also have Cinemax and not even know about it, so double check.
This week’s episode was called “Christmas Waltz” but really could have been called “Hey remember me? I’m a character on Mad Men who hasn’t gotten much attention lately.” as the episode focused on Lane Pryce, the now seldom seen Harry Crane and the recently neglected Joan. There was even an appearance by the once regular character Paul Kinsey who has turned his devotions to Harikrishna.
I must admit I was a bit confused by some of this weeks elements and I’m not sure how much was my own failings, and how much was the complexities of Mad Men and their room of writers. First the episode starts with Lane talking to his British lawyer who informs him that he is in desperate straights financially and needs to come up with $8000, a hefty sum at the time. (More than a top-of-the-line Jaguar {$5600}) I couldn’t quite follow what the money was for (back taxes?), but it’s hardly important, and we see Lane’s desperation to make good on his debts while trying to avoid outright embezzlement. As the bonuses that he has concocted are delayed again and again, Lane finds himself trapped at episode’s end having already forged Don’s name for a check he now shouldn’t have had for another month. It will be interesting to see how this develops. Will Don ultimately be more upset that Pryce acted criminally desperate or that his British pride kept him from telling Don the truth of the matter and ask for help? I would expect the latter. This week’s next ultimately unimportant confusion for me was Don and Joan’s “Ali Khan” reference. Don has rescued Joan from the office after she has been officially “served” by her douchebag husband. After cutting a check for a brand new Jaguar to tool around in, Don and Joan find a bar in which to down a few drinks and wax nostalgic. The whole scene is oddly mixed with the music from the bar being realistically loud in the sense that it’s hard to hear Don and Joan’s conversation very well. What’s clear is their sexual tension but their flirtation is that of two people who know that their time has passed and they have reached a level of mutual respect and admiration for each other right down to Don attempting to set Joan up with the gentleman across the bar. Don, for his trouble, is greeted by an infuriated Megan at home who is just another in line trying to figure out where Don’s motivations are coming from these days. It seems she can handle his love for advertising, but can’t handle his new-found casual attitude towards work much better than Pete Campbell can.
The other major storyline of the week involved the aforementioned Season-Three-Era Crane/Kinsey centered drama. Kinsey’s only real talent apparently is recruiting for the Harikrishnas, something that doesn’t fulfill his soul. We learn that he has been in and out of every ad agency in town and his ultimate dream is settling in with his new love Lakshmi and writing for the up and coming TV serial Star Trek. He has turned to Harry for his television connections and hopes that he can get his script passed on. All of Kinsey’s heart-felt trust in Harry is misplaced as it is Crane who quickly double stabs him in the back. Lakshmi, played by an actress who will one day play the lead role in “The Juliette Lewis Story”, forces her way into Harry’s office in an attempt to sexually and physically blackmail Harry so that Kinsey will remain with the Harikrishnas. Unfortunately for poor Paul Kinsey he is getting played from all sides as Lakshmi only wants him for his recruiting talents and Harry shows his true cowardice by buying away his problems by sending Kinsey away to Los Angeles with false hopes, crushing both his dreams simultaneously.
Next week we should be getting more into the meat and potatoes of the season’s upcoming conclusion as we wait to see what lies in store for SCDP in 1967, and what goes better with steak and mashed than a stiff finger of Scotch?
ABC, NBC and CBS’s fall schedules overall seem disappointing to me, some more than others (I’m looking at you, ABC!) There are a few that look promising. Nevertheless, here they are… the good, the bad, and the honky-tonk. (SupaScoot here. I’ll give you my thoughts along the way with the pictures cause I like to step all over other people’s articles. Sorry Michelle... I’m not sorry)
ABC
Last Resort:
This is a thriller that takes place in a submarine 500 feet beneath the ocean’s surface, and then an exotic island. This, I will not be watching. The ocean terrifies me.
This show looks absolutely terrible. Nashville is about a washed-up country singer who pairs up with a young country star. Not only does the plot sound terrible like a Lifetime movie… but it stars Hayden Panettiere. Pass.
Nothing about this looks good. Except Connie Britton. You look good, Connie.
How to Live with Your Parents for the Rest of Your Life:
I know that I sound cynical, but this show doesn’t look like a winner. I love Sarah Chalke, but I am already bored with the plot. A single mom moves in with her parents. It’s all been done. [Doc: Drink 7-Up]
Holy shit. Jon Dore? Orlando Jones? Becky 2? This should be like electric dynamite… but won’t be.
666 Park Avenue:
This one looks like it might be interesting. 666 Park Avenue is one of those “Be careful what you wish for” shows. I know that’s been done, but this seems slightly more exciting than that. An apartment building, which is run by evil and supernatural forces, exchanges all of your hopes and wildest dreams in exchange for your soul. I will probably watch this.
Mistresses:
It seems this show has been pushed to next summer. There’s not much to say about it, just that it has a scantily clad Alyssa Milano and lesbians. Oh hey, look! It won you over.
No. Bad ABC. Bad ABC. Although… I do like girls. Okay, I’ll watch.
Zero Hour:
This is a conspiracy show, which means I will most likely check it out. Zero Hour is about a man who is the editor for a magazine for skeptics for 20 years, and then is pulled into a bizarre conspiracy.
Hey, it’s that guy. With conspiracies.
Family Tools:
A guy takes over a small business. Is there more to this? I hope so.
Oh come on. Reba was good in ‘Tremors’. That was it. Let it go.[/caption]
The Neighbors:
This show is about a family who, after moving into the suburbs, realizing all of their neighbors are aliens. This might be funny.
This is based on a true story of a Las Vegas sheriff bringing order to the sin city. Vegas takes place in the 1960s, and stars Dennis Quaid. You can count on me watching this.
This is a TV movie about Sherlock Holmes cases in New York City. It looks completely uninteresting to me, but then again, it has neither singing nor Mariska Hargitay.
[Doc – I’m with Scoot here, eff this show. Go watch SHERLOCK.]
Made in Jersey:
While yawning, let me tell you about the plot of Made in Jersey. This show is about a young, hard-working female lawyer who competes with her colleagues by using her sass and resourcefulness. It sounds oddly similar to the plot of “Single Female Lawyer” from Futurama.
Here is the full schedule:
MONDAY
8:00-8:30 PM HOW I MET YOUR MOTHER
8:30-9:00 PM PARTNERS
9:00-9:30 PM 2 BROKE GIRLS
9:30-10:00 PM MIKE & MOLLY
10:00-11:00 PM HAWAII FIVE-0
TUESDAY
8:00-9:00 PM NCIS
9:00-10:00 PM NCIS: LOS ANGELES
10:00-11:00 PM VEGAS
An unlikely group sets out to save the world after a fifteen year blackout. It sounds like it could be good, but it is unlikely.
Go On:
This show stars Matthew Perry as a cocky sportscaster. I actually am intrigued by this. I may give it a shot.
Good luck, Chandler. Eighth time’s a charm or something like that. Anyone else tired of feeling sorry for him?
Chicago Fire:
A thrilling drama about firefighters and their lives and troubles in Chicago. Since Dick Wolf will be producing this one, I will be watching it.
Nope.
Animal Practice:
A veterinary Scrubs? This show seems like it could be funny. There is a monkey, which is enough to make me see at least two episodes.
Me too.[/caption]
Guys With Kids:
Ah, the age-old funny story… giving a man a baby. How will they remain cool? How will they continue their love life? How will they juggle video games and feeding their children? I am bored.
Nope. I dislike children and their playthings.
Here is the full schedule:
MONDAY
8 p.m. — “The Voice”
10 p.m. — “Revolution”
TUESDAY
8 p.m. — “The Voice”
9 p.m. — “Go On”
9:30 p.m. — “The New Normal”
10 p.m. — “Parenthood”
Before we get to this weeks episode, that despite it’s name has no goofy vampires played by Johnny Depp, we must quickly go over the happenings in Episode 508 “Lady Lazarus” which missed it’s review last week. (sorry)
We start the week with Peggy playing her increasingly frequent new role of being a jealous bitch. She is upset that Megan has had such an easy time being a copywriter and doesn’t seem to be enjoying her success. After taking a verbal scalding Megan decides it’s not only that her father doesn’t believe in her capitalistic ventures, but also that Peggy is right that her heart isn’t in it which leads her to quit SCDP to return to what she believes she is destined for; acting. Don is not pleased but he hides it well, from Megan anyways. At this point if Megan curled up to him and said “Don, I think I’m going to drive across country in the nude murdering and pillaging as I roam because that’s the best thing for me!” you almost feel he would grudgingly agree with her.
The other big development of the week comes in the form of Pete Campbell’s continued emulation of the Don Draper of old. When he finally meets the wife of his train companion, a sexy turn by Gilmore Girls’ Alexis Bledel, Pete eventually caves to her advances and has a one-night fling. We quickly learn the difference between Don behaving badly and Pete behaving badly however. Campbell becomes a puppy and quickly becomes absolutely obsessed with Beth Dawes, following her around and even entering her home on the pretenses of buying life insurance from her husband. She insists it was a one time thing, but ends the episode by giving Pete a glimmer of hope in his schoolboy heart by drawing a heart in the fog of her windshield as he sheepishly looks on.
As the episode closed, we are given a brief moment where, in an attempt to get Don up to speed, Megan buys him the newest Beatles album – Revolver. This scene is present to help display just how out of touch Don is, and it wasn’t a cheap example either. According to the New York Time, the show’s producers had to drop $250,000 to play the track. Which is probably why it picks back up during the credits. Waste not…
In “Dark Shadows” we see a little bit more of what is becoming an increasingly disturbing fact; Don is getting old and losing his touch. As we’ve come to learn, Don has lost touch with modern music and “what kid’s like these days” and has been so head over heels with Megan that he hasn’t been putting in the office time either. At the beginning of the episode he look over the copy work and realizes for the first time what everyone else knows. His hand isn’t in any of it. Thus when it’s time for Don to make the pitch to the Sno Cone execs and the choice is between Ginsberg’s series, which people seemed to prefer over Don’s Sno Cone eating devil. Guess which ad piece got left in the cab. Don’s ad piece isn’t bad, in fact it’s good enough to make the sale but that’s not the point. It’s the first time we see Don’s cracks when it comes to advertising. He sounds lame as he tries to sell the devil’s creepy voice and has clearly become out of touch with not just the youth of the day, but the youth of his own office. This also opens up a new Mad Men rivalry between the young and the old where we find an ignoble and emboldened Michael Ginsberg flying in the face of the man he once so admired. It will be interesting to see how Don handles this new metamorphosis into the figurehead role that has already claimed Sterling and Cooper. As Don regresses it will also be interesting to see if the absence of Megan from his everyday office life will sully the sheen of new love and open the door for the Don of old’s philandering ways.
Speaking of old dogs learning new tricks, Roger has become a little fed up with being strictly a schmoozer and wants to take his rivalry with Campbell to a new level by actually bringing in client of his own, namely Manishewitz wine. As Roger is technically still married to a honest to goodness Jew he enlists Jane’s help to impress his client at his upcoming dinner meeting. He also enlists the other reigning Jew on the SCDP staff, wonderboy Ginsberg, to make him look smart with a winning advertising proposal. The meeting goes well but Roger still manages to make a mess of things when he rekindles the romance with Jane ruining her attempt to start a new life in the blackmail induced new apartment that she was hoping to keep free of memories of their marriage. Roger also manages to piss off an increasingly perturbed Peggy Olsen by using Ginsberg instead of returning to her for his back alley advertising needs.
We also see a little bit from Megan and one of her acting class friends reading scenes for an audition for the show…Dark Shadows. Which they railed. Kind of funny. This whole scene was simply to show Megan finally realizing how people see her, fair or not.
The other major storyline of the week ,or “Dark Shadow” if you will, involves the nest of jealously between Don, Megan, chubby Betty and Sally. Betty has joined the relatively new Weight Watchers in an attempt to regain her control over her appetite, and while the lessons from her meetings seem to help her attitude at home, she can’t help but be blinded by jealously when she sees Don’s immaculate New York apartment inhabited by his svelte and sexy new wife.
Her weapon of choice, as always, is the young Sally Draper who is more than willing to become catty and petulant when she feels shes been lied to by Megan. Betty’s scheming ultimately backfires however when Megan recognizes her meddling and keeps Don from flying off the hook which allows a more aware Sally to turn the whole ordeal into a hurtful jab towards her mother. If Mad Men lasts long enough for Sally Draper to televise her teen years then watch out! She’s only 10 or 11 on the show, but already has all the attitude and maliciousness of a teenager with the “bad boy” boyfriend to boot.
Mad Men seems to really be hitting it’s stride season and it seems there will be no end to frustrations and controversy in the SCDP office. Jared Harris will finally make his return next week as he has been noticeably absent from the series since his dust-up with Campbell. We should also expect a lot more of Pete and Beth in more that the fantastical version that aired this week as it seems that Pete’s obsession is coming to a head. With only four episodes left in the season you can feel the tension ramping up in the Mad Men world and we should be in for a great last few weeks.
Quote of the Week – Betty Draper:
“I’m thankful I have everything I want, and that no one else has anything better.”
Our friends over at Femme Fatales are ramping up for a 2nd season and they’ve got some trailers out. We showed you the preliminary one from 2011’s Comic Con a while back, but these ones are full of new footage and more Lilith!