Tag Archives: Christina Hendricks

Christina Hendricks is Swinging on a Pole in DARK PLACES

Fans of the fiery redhead Christina Hendricks will not be disappointed with one of her newest acting choices. This buxom beauty will be playing the role of Krissi Cates in Dark Places. In the novel that this film will be adapted from, Krissi is a stripper who is down on her luck.

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Mad Men Season 6 – New Trailer and A Whole Lot of Pictures…

April 7th marks the return of the one of television’s greatest shows of all time, and the move from the awesomely classic aesthetic of the early 1960s to the gaudy and unpleasant aesthetic of the late 60s and early 70s. That change will be evident in some of the photos below. Before we get to that though, let’s talk about what we’ve got to expect story wise coming up…

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Science Channel Shows 3 Deleted Scenes from ‘Firefly’

The Science channel’s Browncoats Unite special, which reunited all the cast, revealed something more than reminiscing. Firefly flew onto our screens in 2002, but was sadly shot down after only one season. Joss Whedon, the man behind The Avengers and Buffy the Vampire Slayer created the show, but could not convince Fox to keep it on the air, though he was able to tie up the series in a feature film called Serenity which came out in 2005. Aside from the odd graphic novel or two, fans have suffered from a severe case of Firefly withdrawal. So the release of three deleted clips are a breath of fresh air for us suffocating fans.

The first two scenes are titled You never leave Serenity and Extraction, and both give us more details on the history of the ship Serenity, as well as the battle of Serenity for which it was named. These are quite dark shorts and show the brutality Mal (Nathan Fillion) and Zoe (Gina Torre) suffered through in the battle. It also explains Mal’s devotion to his ship and crew.

http://static.discoverymedia.com/videos/components/sci/3d6b106a1123058efe3f196833cfbb6838f0d069/snag-it-player.html?auto=no

http://static.discoverymedia.com/videos/components/sci/9e96f2f8fb8551f9e45c4281b53f09690f87ef6d/snag-it-player.html?auto=no

The last clip is a more humorous piece titled Women Trouble, where River tries to get Shepherd Book to marry her and her brother together! It also has a young Christina Hendricks from Mad Men fame who gets some tough love from Mal.

These clips are not the new series that Firefly fans truly crave, but these brief scenes are the best we are going to get for now in regards to new content. They are great extras which help to add a little more depth to an already incredible series.

Firefly Cast 1

Grizzly Dailies: Party Down, Ryan Gosling and MORE!!

Party Down Movie Has Financial Backing and a Gung-Ho Cast

Party Down is one of my favorite shows ever and it’s agreed that it was most definitely cancelled prematurely. The brilliant writing, excellent cast, and consistently witty humor was no match for the usual garbage that makes its way to TV which is probably part of the reason why it was cancelled; not enough people “got it”. But that’s okay, because the ones who did are demanding more and it seems like now they’re finally going to get it.

Continue reading Grizzly Dailies: Party Down, Ryan Gosling and MORE!!

Need for Speed Movie Set For 2014

Video-game-to-movie adaptations started in the early 90’s, with Super Mario Bros. Until recently, those movies had an uncanny tendency to flop, hard. However, with Tomb Raider and Resident Evil movies garnering much success, film studios decided it’s a good idea to invest in adaptations again. Hell, Ubisoft set up an entire studio just to produce movies based on their own games.

And of course, they’re never popular with the critics, but as long as they make money, and are remotely entertaining, who really cares?

Unless they’re directed by this guy. I hope he isn’t up to anything lately. Wait, he is.

EA also thought this was a good idea, and decided to sell the movie rights to Need for Speed. DreamWorks execs, perhaps high on coke and feeling overconfident, bought the property. Now, they have announced a release date.

On February 7, 2014, we will get a chance to watch a movie about cars with zero storyline (which in itself is a major understatement). Trust me, I know my Need for Speed games. When you talk about NFS, you don’t talk about their storylines. There was no plot in the first place. If there was any, it mainly revolves around you being a racer, and your need to win money and earn recognition so you can race against an asshole (Underground, Underground 2, Most Wanted, Carbon, Pro Street), who probably screwed you over earlier in the game (Underground 2, Most Wanted, Carbon).  There are also hot female sidekicks solely for the sake of making teenage boys horny. It’s guilty pleasure when the horrible storyline is in a racing game, not so much when it’s in a movie.

In case you didn’t know how bad the acting and writing were.

There were a couple of times where EA decided to go with different plots. In Undercover, you play as an undercover officer who is trying to infiltrate a gang, or something. It doesn’t really matter. You race, and then your boss (played by Maggie Q) orders you to take some people out. After a while, you find out that your boss is actually a mole, and you take her down. Wow, that took stupidity to a whole different level.

I never quite understood EA’s logic. Why bother shooting live-action scenes when nobody really cares about the storyline? All that waste of money should have went to my bank account. You know, someone who actually needs the money.

And The Run. How can I possibly forget about this atrocity? This game actually has a negative value of plots. I didn’t know that was even possible until this game was released. Basically, you play this guy Jack, who is in a lot of debt. Jack’s ex-girlfriend (portrayed by Christina Hendricks) tells him that there’s this cross-country race which can net him a whole lot of money. Jack races to pay off debt. Jack pays off debt by winning the race. Seriously, that is it. It’s not a joke. How EA managed to get Christina freaking Hendricks involved is just mind-baffling. I swear to god someone must be holding her husband, or her dog, hostage. No amount of money can convince anyone to be involved in the project. It’s that bad. Don’t believe me? I dare you to watch an entire playthrough of the game and tell me that there is a plot.

Yes, this Christina Hendricks. THE Christina Hendricks who is on Mad Men.

We don’t need any more street racing movies. We have The Fast & The Furious for that purpose. Please for the love of god, don’t do this. Don’t make me suffer through an hour and half of torture.

*gun cocks*
Not Dr Kronner: Jason, you will watch the movie, and you will write a review for us.
Jason: How the hell did you even…
Not Dr Kronner: Shhhhhhhh. If you don’t follow my orders word for word, you will be swimming with the fishes.
Jason: You maybe able to kill this body of flesh, but you can never kill my soul.
Not Dr Kronner: …
Jason: Ha!!! Now you have no leverage over me!!!
Not Dr Kronner: I shall kill this kitty instead.


Jason: What? You don’t kill no kitties. YOU’RE A MONSTER!!!!
Not Dr Kronner: You’re gonna do it now?
Jason: *in tears* Do what?
Not Dr Kronner: Watch the movie and write a review for us.
Jason: Yes. *sniffs* Just don’t kill the kitty.

When the movie is released, you may return to Grizzly Bomb for a full-length review, even though I have no idea how to write a movie review. I’m not the one with the gun. Dr Kronner did not, in any way, force me to do this. I am doing it voluntarily, for you guys and gals, so you won’t have to suffer through the movie.

Sorry, I just had to.

AMC’s Mad Men: Episode 511 “The Other Woman”

It’s 1967, a whole new year for the Mad Men crew, and nothing seems to be more important to the SCDP staff than landing their first big automotive contract in the form of that elusive beast; Jaguar. There are so many people working on the Jaguar pitch that characters we’ve never seen are coming out of the woodwork. Seriously, there are two extra guys in the room with Ginsberg, Stan, Cosgrove and Draper working on the pitch that I can’t ever remember seeing before. The elusive perfect pitch line is not coming easy for anybody but as we soon learn their sale may depend on an altogether different type of pitch. It’s not mentioned lightly that the “car people” are a bunch of sleazeballs, and it quickly comes to the forefront that the lynchpin of the Jaguar deal has a proposition that he says will seal the deal; Joan. If it had been anyone but Pete Campbell taking the meeting you might imagine that the deal would end right there. In fact if it was Don taking the meeting he might have hit the guy right in the face even in the middle of the restaurant. Pete however not only has the nerve to bring it up with Joan, but also to follow-up with a partners meeting to see how much they can raise to bribe her. Thus begins one of the elements of this weeks major theme: upward mobility of the 1960’s woman.

For Joan, who has an absentee husband who is divorcing her, a young child and nagging mother at home, and 13 years invested in the firm as a secretary, the opportunity of hitting a huge payday for a night of her services provides too much of a temptation. Lane, who is still freaking out about bonuses and the money he embezzled, has convinced Joan that her best bargaining chip is a 5% stake in the company, becoming a minor partner as opposed to a lump payoff. While certainly good advice for her long-term security, it is ultimately underhanded of Lane as he is also highly concerned that if he uses the $50,000 extension to bribe her, he won’t get his bonus and will be found out. It turns out that there “Will be no bonuses this year!” as Cooper booms so it seems like Lane’s fraudulence will be somehow linked to the season finale. Joan’s whole encounter with the sleazy salesman is handled with typical Mad Men brilliance, as we are treated to a bookended scene of Don’s efforts to keep Joan from prostituting herself. In the middle of the bookends we see Don making the sales pitch of the unattainable, which has become attainable (the Jaguar) crosscut with the unattainable (Joan) who has become attainable for a price and the metaphor is complete.

Two of the other women in Don’s life are also making their way forward as best they can. Don and Megan continue their domestic power struggle as Megan’s successful casting call gives her an opportunity to be in a play which is being staged in Boston. The thought of Megan being away for three months ignites the internal conflict of Don’s wish for his wife’s success coupled against his desire for her to be at home in the traditional sense. Megan, in her fiery way, recognizes this and accuses Don of not having thought of her leaving because he never believed she would succeed. Don, as he also proved with Joan, is at heart a good person who wants whats best for the people he cares about comes around to make peace with Megan and her dreams. Megan ultimately doesn’t get the part, and similarly to Joan is herself judged as a sexual pawn as she is ogled and asked simply “to step forward and turn around” in her second casting call.

Lastly we get to this week’s developments with Peggy Olson. It has been a long time coming that Peggy has been feeling more and more neglected, jaded and under appreciated at SCDP. Similarly to Pete Campbell copying Don’s lecherous past, Peggy is also following in the footsteps of her idol and doing what she thinks he would have done. The pact between Peggy and Ken Cosgrove to move on together has been mentioned frequently in the past weeks episodes, and Peggy has flirted with other advertising companies in the past, but the day that no one ever thought was really going to happen has come. After lunching with former Sterling Cooper salesman Freddy Rumsen, Peggy gets herself a meeting with Don’s arch-rival in ‘Cutler, Gleason, and Shaw’ who butters her bread and makes her an exceptionally attractive offer. 

As we learn from Peggy’s heart-wrenching dialogue with Don as she gives her notice, it’s not about the money. Don initially thinks she’s making a power play to get her much deserved raise, but quickly realizes that what Peggy really wants is to make a name for herself out from under the shadow of Don Draper and to further become the model of a self-made woman. Hopefully for Mad Men viewers Peggy doesn’t make herself a stranger as she promises to Don as she is one of the more enjoyable Mad Men characters.

Notably absent from this weeks stories of the burgeoning Women’s Lib movement is Betty Draper. This is because like her counterpart Trudy Campbell, an increasingly rare Alison Brie appearance, Betty is still a throwback to the 1950’s housewife who has built her life around being a debutant and keeping her efforts on the home front. Unlike Trudy however Betty doesn’t seem to relish in it, and will likely experience more conflict between being a housewife or a professional in the Mad Men future.

Overall this was another example of Mad Men at it’s best, interweaving multiple story lines with social commentary in a seamless and cinematically beautiful way. It’s sad to say that there are only two episode of Mad Men left this season so enjoy it while it lasts. Hopefully these last two weeks will be as amazing as this one.

AMC’s Mad Men: Episode 510 “Christmas Waltz”

This week’s episode was called “Christmas Waltz” but really could have been called “Hey remember me? I’m a character on Mad Men who hasn’t gotten much attention lately.” as the episode focused on Lane Pryce, the now seldom seen Harry Crane and the recently neglected Joan. There was even an appearance by the once regular character Paul Kinsey who has turned his devotions to Harikrishna.

I must admit I was a bit confused by some of this weeks elements and I’m not sure how much was my own failings, and how much was the complexities of Mad Men and their room of writers. First the episode starts with Lane talking to his British lawyer who informs him that he is in desperate straights financially and needs to come up with $8000, a hefty sum at the time. (More than a top-of-the-line Jaguar {$5600}) I couldn’t quite follow what the money was for (back taxes?), but it’s hardly important, and we see Lane’s desperation to make good on his debts while trying to avoid outright embezzlement. As the bonuses that he has concocted are delayed again and again, Lane finds himself trapped at episode’s end having already forged Don’s name for a check he now shouldn’t have had for another month. It will be interesting to see how this develops. Will Don ultimately be more upset that Pryce acted criminally desperate or that his British pride kept him from telling Don the truth of the matter and ask for help? I would expect the latter. This week’s next ultimately unimportant confusion for me was Don and Joan’s “Ali Khan” reference. Don has rescued Joan from the office after she has been officially “served” by her douchebag husband. After cutting a check for a brand new Jaguar to tool around in, Don and Joan find a bar in which to down a few drinks and wax nostalgic. The whole scene is oddly mixed with the music from the bar being realistically loud in the sense that it’s hard to hear Don and Joan’s conversation very well. What’s clear is their sexual tension but their flirtation is that of two people who know that their time has passed and they have reached a level of mutual respect and admiration for each other right down to Don attempting to set Joan up with the gentleman across the bar. Don, for his trouble, is greeted by an infuriated Megan at home who is just another in line trying to figure out where Don’s motivations are coming from these days. It seems she can handle his love for advertising, but can’t handle his new-found casual attitude towards work much better than Pete Campbell can.

The other major storyline of the week involved the aforementioned Season-Three-Era Crane/Kinsey centered drama. Kinsey’s only real talent apparently is recruiting for the Harikrishnas, something that doesn’t fulfill his soul. We learn that he has been in and out of every ad agency in town and his ultimate dream is settling in with his new love Lakshmi and writing for the up and coming TV serial Star Trek. He has turned to Harry for his television connections and hopes that he can get his script passed on. All of Kinsey’s heart-felt trust in Harry is misplaced as it is Crane who quickly double stabs him in the back. Lakshmi, played by an actress who will one day play the lead role in “The Juliette Lewis Story”, forces her way into Harry’s office in an attempt to sexually and physically blackmail Harry so that Kinsey will remain with the Harikrishnas. Unfortunately for poor Paul Kinsey he is getting played from all sides as Lakshmi only wants him for his recruiting talents and Harry shows his true cowardice by buying away his problems by sending Kinsey away to Los Angeles with false hopes, crushing both his dreams simultaneously.

Next week we should be getting more into the meat and potatoes of the season’s upcoming conclusion as we wait to see what lies in store for SCDP in 1967, and what goes better with steak and mashed than a stiff finger of Scotch?

3 out of 5 Grizzlies

Review AMC’s Mad Men: Episode 505 “You’re My King”

This weeks episode of Mad Men should probably really have been called “Pete gets his ass whooped”, but that would have ruined the surprise of what is especially rare in Mad Men; an “action” scene. The central theme for the week seemed to be the balance between the usefulness and inadequacies of men and who better to focus on than one petulant Peter Campbell. Pete’s biggest problem is not that he is a whiny, conniving little twerp in a slight frame, but that he compares himself to Don Draper.

First under the microscope this week is the P in SCDP, Lane Pryce. As one of the figure heads of SCDP Lane feels his position in the company is somewhat useless, so it is fortuitous when he meets the American Jaguar representative whom he hopes he can bring under the SCDP advertising umbrella. It should be noted that the English pronunciation Jag-Ewe-Arr is used prolifically and it was all I could do to keep from adding a “Yeahh Baby Yeaaah” every time it was mentioned. Unfortunately for Lane his client is more of an Austin Powers type Englishman than a proper gentleman, and all sales technique handed down from Roger is wasted.

Lane must turn to the “A-team” in Don, Roger and Pete to reel his client in and “show him a good time”. It quickly becomes abundantly clear that Lane’s client is looking for more than a sales pitch which makes it Roger’s time to shine. Other than setting the groundwork for one of the more hilarious reason for losing a client, his wife discovers “chewing gum in the pubis”, we get to see Peter compare himself side-by-side with the new Don Draper and here is where his youth shows. Pete feels like Don is being hypocritical and unfair by judging his indiscretions at the brothel, while giving Roger a free pass.

What Pete is missing is that Don was holding him to a higher standard than Roger, and is almost fatherly in his hope for Peter to make better life choices than his own. If anything this reveals that at some level Don actual cares for Pete. And maybe no scene in the history of the show said more about Campbell then when he is instructing his “lady friend” as to what character she should play in the bedroom – hence the episode’s title: “You’re My King”.

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Review AMC’s Mad Men: Episode 504 “Mystery Date”

For those who wondered what historical time frame Mad Men was currently operating in, we got a pretty definitive answer Sunday night as much of the episode revolved around a murder case that occurred in July of 1966. We first get news of the infamous murder case when Peggy’s Time magazine photographer friend crashes the copy-writer meeting to show off the grizzly photos she’s collected from the crime scene. We get a taste of all of the societal elements being touched upon in this week’s episode in a nice little package. The re-introduction of Peggy’s professional lesbian feminist friend let’s us know that we will be seeing elements of the women’s rights movement. The discussion of how the murder case is trumping stories about the race riots in Chicago is a tip off that we will be dealing with more of the civil rights movement, and finally we get the juxtaposition of attitudes about the murder case itself as Ginsberg is horrified by everyone’s giddy fascination with the explicit photos. Before we follow through on these topics and visit the first true “Holy Shit” moment of the season lets get move on to bigger and better things, ie. Joanie.

Greg has returned from Vietnam to the anticipatory arms of Joan and his newborn son but we soon learn that he’s returning for another year of duty, as a volunteer no less. The somewhat hapless doctor has found a place where he is important and respected and is eager to return. Joan doesn’t take guff from anyone and lets face it, Kevin isn’t really Greg’s son anyhow, so she promptly shows him the door. Goodbye Greg, good luck in the late 60’s Vietnam, I bet his return in a year won’t be so damn proud and patriotic. As we see in the teaser at the end of the show Joan will soon be returning to the office where the awkwardness between her and Roger can resume.

Meanwhile at SCDP Roger is again caught with his pants down as he is completely unprepared for the upcoming Mohawk Airlines meeting, and he is forced and coerced into bribing Peggy to get his campaign in order. I missed the mark when it came to a potential Peggy/Roger romance last week, but their exchange was peppered with a bunch of great one liners.

Continue reading Review AMC’s Mad Men: Episode 504 “Mystery Date”

Mad Men: Season 5 Premiere

It’s been a year and a half since the finale of Mad Men season 4 and about the same amount time has passed in the Mad Men world bringing the show up to sometime in 1967. The episode begins with one of Sterling Cooper Draper Pryce’s competitors throwing bags of ice water from their office building onto the marching civil rights protestors below which in turn sets off a series of plot points which will inevitably lead Mad Men along the course of the Civil Rights movement. But first let’s catch up.

Because a lot of time has passed there are some seemingly major events that were missed including Don Draper’s wedding to his new wife Megan whom he suddenly proposed to at the conclusion of season 4. Based on the reception Don gave to Megan’s surprise 40th birthday party in this episode I’m guessing their wedding was probably of the Vegas style anyhow. Last season we also learned that Joan was pregnant and it was the result of a rekindled affair with Roger Sterling while her husband was overseas in Vietnam. In season 5 we catch up to her post-pregnancy and get further insight into her cattiness as she is tortured by her mothers “help” with the baby. Somehow they managed to get through the episode without any breastfeeding jokes but not without Roger exclaiming ‘There’s my Baby!” after Joan visits the office quickly amending his statement wryly with an added [and some child as well]. Having a baby in the office winds up being a vehicle for multiple uncomfortable moments as it is passed from person to person until Peggy is left alone with the child only to run into Pete in the hallway where they resurrect the family that never was.

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