Tag Archives: Jon Hamm

Batman vs Superman: Casting Rumors, TDKR, and Connections to the Nolanverse?

Since Batman vs Superman(one of the the rumored titles) was announced at San Diego Comic Con last month, the internet has been awash with rumors and speculation about the Caped Crusader. Who will play Batman? Are Warner and DC going for someone young or someone more established? When in Batman’s career will the story be set? Could it be set after Nolan’s The Dark Knight Rises after all, despite all claims to a reboot? Based on certain recent rumors, it certainly is a possibility, which we will take a look at below.

batman vs superman movie logo

Zack Snyder was keen to point out that the quote taken from Frank Millers ‘The Dark Knight Returns’ (which was read by Harry Lennix at the SDCC announcement) was more to establish tone rather than it being a sign of Superman vs. Batman being a direct adaptation of Millers TDKR. Seeing as they have recently touched on that source material already with the awesome DC Animated Feature Batman: The Dark Knight Returns, it makes sense they wouldn’t be looking to dive into that territory again so soon.

Batman vs superman movie

[box_dark]”I want you to remember, Clark. In all the years to come, in all your most private moments, I want you to remember my hand at your throat. I want you to remember the one man who beat you.”[/box_dark]

However, the Independent recently reported that Snyder will be meeting up with Frank Miller to discuss Batman vs Superman, so it remains to be seen what kind of connection the film will have to the hit graphic novel.

Personally, I feel the tone of ‘TDKR’ would fit neatly into the world that Snyder and writer David Goyer created for Man of Steel. It might also slip in seamlessly into the Nolan verse, despite Christian Bale no longer being onboard as the Dark Knight.We already know that this isn’t going to be another Batman origin story, which we don’t really need to see again. One of the failings of The Amazing Spider-Man in my opinion is that it tried to spin a new origin story out of one we had already seen recently.

Man of Steel and The Dark Knight Rises

With Christopher Nolan’s Dark Knight trilogy so embedded in people minds, we certainly don’t need to see another Year One style project.  Heck, if  Goyer and Snyder wanted to, the sudden appearance of Superman could be what initially brings Batman out of his early retirement we saw at the end of The Dark Knight Rises. That would also neatly fit this movie into the world that Nolan created with his Dark Knight trilogy. Now that would be interesting.

If Snyder and Goyer do go with a completely new universe as they have said before, than they will of course need to establish a new character. Within the comics Batman is perpetually in his 30’s, which has allowed for the character to be played by a revolving door of actors over the years, like in the Burton and Schumacher days. This generally negates the need to ever revisit the origin story, and would open many doors for more Batman adaptations in the future if that same mold is followed.

Public Enemies Superman Batman

What initially bothered me about the announcement was the possibility that Batman would just be a glorified cameo. Hopefully this won’t be the case, as I feel there is plenty of fertile ground from the comic book history for Snyder and Goyer to really explore the relationship between Batman and Superman. They need to look no further than Jeph Loeb’s brilliant ‘Public Enemies’ storyline for inspiration.

Man of Steel sets up a great opportunity to put Batman and Superman at odds, while setting up the potentially great friendship they have. Having seen the destruction that is happening in Metropolis caused by these extra terrestrial beings, it seems only natural that Batman would want to investigate the events that occurred, which must have caused hundreds, if not thousands, of deaths. Initially it would be interesting to see Batman and Luthor working together, or at least sharing a vested interest as they rebuilt Metropolis into the futuristic city it’s known as in the comics.

This could lead to a fantastic mid film showdown between Batman and Superman, referring back to the quote read by Lennix and the rumored ‘vs.’ of the title. Once convinced of Superman’s good intentions, Batman could be put at ease. Here is where Luthor’s malevolence could really take over, as he is driven mad with the idea of defeating Superman and Batman, who has seen through Luthor’s veneer. It would make an amazing final act to see Batman and Superman team up against Luthor decked out in his battle suit.

It’s unlikely that Warner and DC will cast Batman too old, as they will want to churn out a few more Batman themed films. Not to mention the ever promised Justice League film that was recently confirmed. Even if it does continue with the continuity established within Nolan’s world, Batman is only roughly mid 40’s. Of course, age isn’t really an issue if they pick the right person, much like Marvel did when they cast Robert Downey Jr. as Tony Stark in Iron Man. So who would make a great Batman?

Josh Brolin, Ryan Gosling, Joe Manganiello, and Jon Hamm as Batman

The rumors we have spoken about state that DC may be searching for an older Batman, with Josh Brolin, Ryan Gosling, Jon Hamm, and Joe Manganiello all rumored (along with a few others) to wear the cowl. However, Warner and DC have denied all the rumors, with a source telling HollywoodReporter.com that the casting process hasn’t even started.

If they were to establish a completely new Batman then my choice of these would be Ryan Gosling (which was also Grizzly Bomb’s choice when we cast the Justice League movie). At 32 he seems the perfect age to carry the mantle of the Bat for a little while, and he has the acting chops, gravitas, and physique to make an imposing Batman. Brolin and Hamm however, would be perfect  for a Batman around the age and point in his life that we find Bruce Wayne in during Miller’sTDKR. So we will have to wait and see a bit more from the film’s development before we can further speculate.

What are your thoughts on the casting rumors for Batman? Excited to see Batman in the Man of Steel sequel or do you want to wait until he appears in a Justice League film? Sound off in the comments section below!

Fanmade photo courtesy of poumap on deviantart
Fanmade photo courtesy of poumap on deviantart
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Mad Men Season 6 – New Trailer and A Whole Lot of Pictures…

April 7th marks the return of the one of television’s greatest shows of all time, and the move from the awesomely classic aesthetic of the early 1960s to the gaudy and unpleasant aesthetic of the late 60s and early 70s. That change will be evident in some of the photos below. Before we get to that though, let’s talk about what we’ve got to expect story wise coming up…

Continue reading Mad Men Season 6 – New Trailer and A Whole Lot of Pictures…

Jon Hamm and Adam Scott star in “The Greatest Event in Television History”

If you have watched Adult Swim at all recently, you probably saw an incredibly vague promo for “The Greatest Even in Television History”, much like this one:

Continue reading Jon Hamm and Adam Scott star in “The Greatest Event in Television History”

AMC’s Mad Men: Episode 512 “Commisions and Fees”

The other shoe finally dropped. That is the inevitable matter of Lane Pryce’s embezzlement came to the attention of one Donald Draper this week, and though the initial confrontation played out as one might expect, the conclusion was shocking. Bert Cooper, thinking Don was trying to assuage Lane’s constant griping about the bonus, brings the canceled check to his attention which leads Don to bring Lane in for proper questioning. The true tragedy of Lane’s transgression is that if pride didn’t get the better of him, and he simply went to Don to borrow the money that he didn’t even wind up stealing everything would have been fine. Through embezzlement and forgery however he has lost the trust of SCDP’s lead man and Don will have nothing other than his resignation and in fact thinks he is doing Lane a favor by giving him a clean new start, and the opportunity to resign without any black marks on his resume. Unfortunately, as is often the case when you get embedded in a nest  of deceit, Lane can’t come clean with his wife who has made matter even worse by purchasing a new Jaguar as a reward to her husband “who never treats himself”. Here is where the brilliance of Mad Men‘s writing comes in. The Jaguar is the perfect symbol for all of Lane’s problems. It is not only a literal symbol of the firm’s success with the client he failed with despite his best efforts, but is also symbolic of the nouveau riche who can afford an impractical luxury car like Jaguar, and the lie he is representing to his wife. If it wasn’t abundantly clear that AMC would never get Jaguar as one of their advertising clients, last night’s episode sealed the deal. In a moment of true black comedy we find Lane trying to kill himself by using the Jaguar to asphyxiate himself, but the car is such a lemon that he can’t even get it to start up and do the job.

It’s too early in the Mad Men era for a Nixon reference, but if Lane Pryce had an exit speech I think it might be somewhat similar to tricky Dick’s exit; “You won’t have {Lane Pryce} to kick around anymore gentlemen, because this is my last {episode}”. Lane’s suicide is the second Mad Men death when characters face off against Don’s tough love and you’ve got to imagine this is going to weigh heavily on Don’s conscience, and it will be interesting to see what happens when word eventually slips out about the true circumstances of Lane’s “resignation”. I’m not sure if this was the case of Jared Harris getting to big for the show or not, but either way it was an expertly crafted character arc, and despite it all you didn’t want to believe that Lane had killed himself until you literally saw the bloated corpse that Don and company cut down from the ceiling.

The other big developments of the week revolved around Don lighting a fire under his own ass and Sally Draper becoming a woman. Don isn’t happy with the direction that SCDP has taken on and wants bigger fish to fry. As he says, “I don’t want Jaguar I want Chevy!” which leads Roger to set up a meeting with Ken Cosgrove’s father-in-law, the Devil incarnate, aka Ray Wise aka the chairman of Dow Chemical. Ken has long been against SCDP getting involved in his family business, but he concedes on two main factors. That he has been “dragged” on board, and that in no way can Pete Campbell be involved in their business, chalking up Cosgrove as yet another of Pete’s inter-office enemies. We won’t find out until next week whether or not his tactics were sound but Don’s approach to winning Dow Chemical was to literally yell at them and berate them for being happy with 50% market success, and it’s as much of a speech for himself and SCDP as it is for the client.

Roger, for his part, is happy to see the feisty old Don Draper as his LSD induced free thinking has begun to fade. We also get to experience another typical Don and Megan squabble when Don forgets to inform her that Betty is dropping Sally off at the apartment:

  • Don: (Demeaning comment)
  • Megan: (Bitchy response)
  • Don: (Some serious shit happened)
  • Megan: (Let’s kiss and make up)

That’s pretty much how Don and Megan interaction go these days as she feels defensive and marginalized, and he feels defensive and overly stressed. It’s always hard to tell what’s going to happen in the Mad Men teasers, but it seems like there might be some new wedge between Don and Megan coming and you wonder if the loss of Lane might push Don back into his self-destructive ways.

Meanwhile we get a fun little aside with Sally and her weirdzo boyfriend Glen this week as when she realizes she will have the apartment to herself Sally convinces Glen to come to the big city for a visit on the sly. These two characters both have been subject to creepy sexual undertones over seasons past so it was a relief that when Glen arrives at Sally’s apartment his greatest desire is to go to the Museum of Natural History.

There we are treated to the awkwardly sweet interactions of Glen’s dry jokes about the exhibits, and the exploration of what their relationship actually is. All of this is interrupted when Sally, feeling ill, makes a startling discovery in the bathroom and then freaks out and takes a cab back to the suburbs and her mom, leaving Glen in the lurch. This whole sequence is yet another fine example of the quality of writing in this show as the awkwardness of youth is naturally captured. Having Glen be as concerned over completing his book report as he is about finding Sally just feels so natural to their ages. Sally freaking out and providing her mother with another bitch chip to play against Megan also feels very natural as despite young Sally’s mistrust of Betty when important things happen it’s still her mother’s arms in which she seeks comfort.

Next week, regrettably is the season finale of Mad Men, and it should be a good one. In the past two weeks of what is normally a pretty even keeled show as far as dramatic changes are concerned they have had Peggy Olson leave SCDP and Lane Pryce kill himself. What kind of bombshell did they leave for the last week?

AMC’s Mad Men: Episode 511 “The Other Woman”

It’s 1967, a whole new year for the Mad Men crew, and nothing seems to be more important to the SCDP staff than landing their first big automotive contract in the form of that elusive beast; Jaguar. There are so many people working on the Jaguar pitch that characters we’ve never seen are coming out of the woodwork. Seriously, there are two extra guys in the room with Ginsberg, Stan, Cosgrove and Draper working on the pitch that I can’t ever remember seeing before. The elusive perfect pitch line is not coming easy for anybody but as we soon learn their sale may depend on an altogether different type of pitch. It’s not mentioned lightly that the “car people” are a bunch of sleazeballs, and it quickly comes to the forefront that the lynchpin of the Jaguar deal has a proposition that he says will seal the deal; Joan. If it had been anyone but Pete Campbell taking the meeting you might imagine that the deal would end right there. In fact if it was Don taking the meeting he might have hit the guy right in the face even in the middle of the restaurant. Pete however not only has the nerve to bring it up with Joan, but also to follow-up with a partners meeting to see how much they can raise to bribe her. Thus begins one of the elements of this weeks major theme: upward mobility of the 1960’s woman.

For Joan, who has an absentee husband who is divorcing her, a young child and nagging mother at home, and 13 years invested in the firm as a secretary, the opportunity of hitting a huge payday for a night of her services provides too much of a temptation. Lane, who is still freaking out about bonuses and the money he embezzled, has convinced Joan that her best bargaining chip is a 5% stake in the company, becoming a minor partner as opposed to a lump payoff. While certainly good advice for her long-term security, it is ultimately underhanded of Lane as he is also highly concerned that if he uses the $50,000 extension to bribe her, he won’t get his bonus and will be found out. It turns out that there “Will be no bonuses this year!” as Cooper booms so it seems like Lane’s fraudulence will be somehow linked to the season finale. Joan’s whole encounter with the sleazy salesman is handled with typical Mad Men brilliance, as we are treated to a bookended scene of Don’s efforts to keep Joan from prostituting herself. In the middle of the bookends we see Don making the sales pitch of the unattainable, which has become attainable (the Jaguar) crosscut with the unattainable (Joan) who has become attainable for a price and the metaphor is complete.

Two of the other women in Don’s life are also making their way forward as best they can. Don and Megan continue their domestic power struggle as Megan’s successful casting call gives her an opportunity to be in a play which is being staged in Boston. The thought of Megan being away for three months ignites the internal conflict of Don’s wish for his wife’s success coupled against his desire for her to be at home in the traditional sense. Megan, in her fiery way, recognizes this and accuses Don of not having thought of her leaving because he never believed she would succeed. Don, as he also proved with Joan, is at heart a good person who wants whats best for the people he cares about comes around to make peace with Megan and her dreams. Megan ultimately doesn’t get the part, and similarly to Joan is herself judged as a sexual pawn as she is ogled and asked simply “to step forward and turn around” in her second casting call.

Lastly we get to this week’s developments with Peggy Olson. It has been a long time coming that Peggy has been feeling more and more neglected, jaded and under appreciated at SCDP. Similarly to Pete Campbell copying Don’s lecherous past, Peggy is also following in the footsteps of her idol and doing what she thinks he would have done. The pact between Peggy and Ken Cosgrove to move on together has been mentioned frequently in the past weeks episodes, and Peggy has flirted with other advertising companies in the past, but the day that no one ever thought was really going to happen has come. After lunching with former Sterling Cooper salesman Freddy Rumsen, Peggy gets herself a meeting with Don’s arch-rival in ‘Cutler, Gleason, and Shaw’ who butters her bread and makes her an exceptionally attractive offer. 

As we learn from Peggy’s heart-wrenching dialogue with Don as she gives her notice, it’s not about the money. Don initially thinks she’s making a power play to get her much deserved raise, but quickly realizes that what Peggy really wants is to make a name for herself out from under the shadow of Don Draper and to further become the model of a self-made woman. Hopefully for Mad Men viewers Peggy doesn’t make herself a stranger as she promises to Don as she is one of the more enjoyable Mad Men characters.

Notably absent from this weeks stories of the burgeoning Women’s Lib movement is Betty Draper. This is because like her counterpart Trudy Campbell, an increasingly rare Alison Brie appearance, Betty is still a throwback to the 1950’s housewife who has built her life around being a debutant and keeping her efforts on the home front. Unlike Trudy however Betty doesn’t seem to relish in it, and will likely experience more conflict between being a housewife or a professional in the Mad Men future.

Overall this was another example of Mad Men at it’s best, interweaving multiple story lines with social commentary in a seamless and cinematically beautiful way. It’s sad to say that there are only two episode of Mad Men left this season so enjoy it while it lasts. Hopefully these last two weeks will be as amazing as this one.

AMC’s Mad Men: Episode 510 “Christmas Waltz”

This week’s episode was called “Christmas Waltz” but really could have been called “Hey remember me? I’m a character on Mad Men who hasn’t gotten much attention lately.” as the episode focused on Lane Pryce, the now seldom seen Harry Crane and the recently neglected Joan. There was even an appearance by the once regular character Paul Kinsey who has turned his devotions to Harikrishna.

I must admit I was a bit confused by some of this weeks elements and I’m not sure how much was my own failings, and how much was the complexities of Mad Men and their room of writers. First the episode starts with Lane talking to his British lawyer who informs him that he is in desperate straights financially and needs to come up with $8000, a hefty sum at the time. (More than a top-of-the-line Jaguar {$5600}) I couldn’t quite follow what the money was for (back taxes?), but it’s hardly important, and we see Lane’s desperation to make good on his debts while trying to avoid outright embezzlement. As the bonuses that he has concocted are delayed again and again, Lane finds himself trapped at episode’s end having already forged Don’s name for a check he now shouldn’t have had for another month. It will be interesting to see how this develops. Will Don ultimately be more upset that Pryce acted criminally desperate or that his British pride kept him from telling Don the truth of the matter and ask for help? I would expect the latter. This week’s next ultimately unimportant confusion for me was Don and Joan’s “Ali Khan” reference. Don has rescued Joan from the office after she has been officially “served” by her douchebag husband. After cutting a check for a brand new Jaguar to tool around in, Don and Joan find a bar in which to down a few drinks and wax nostalgic. The whole scene is oddly mixed with the music from the bar being realistically loud in the sense that it’s hard to hear Don and Joan’s conversation very well. What’s clear is their sexual tension but their flirtation is that of two people who know that their time has passed and they have reached a level of mutual respect and admiration for each other right down to Don attempting to set Joan up with the gentleman across the bar. Don, for his trouble, is greeted by an infuriated Megan at home who is just another in line trying to figure out where Don’s motivations are coming from these days. It seems she can handle his love for advertising, but can’t handle his new-found casual attitude towards work much better than Pete Campbell can.

The other major storyline of the week involved the aforementioned Season-Three-Era Crane/Kinsey centered drama. Kinsey’s only real talent apparently is recruiting for the Harikrishnas, something that doesn’t fulfill his soul. We learn that he has been in and out of every ad agency in town and his ultimate dream is settling in with his new love Lakshmi and writing for the up and coming TV serial Star Trek. He has turned to Harry for his television connections and hopes that he can get his script passed on. All of Kinsey’s heart-felt trust in Harry is misplaced as it is Crane who quickly double stabs him in the back. Lakshmi, played by an actress who will one day play the lead role in “The Juliette Lewis Story”, forces her way into Harry’s office in an attempt to sexually and physically blackmail Harry so that Kinsey will remain with the Harikrishnas. Unfortunately for poor Paul Kinsey he is getting played from all sides as Lakshmi only wants him for his recruiting talents and Harry shows his true cowardice by buying away his problems by sending Kinsey away to Los Angeles with false hopes, crushing both his dreams simultaneously.

Next week we should be getting more into the meat and potatoes of the season’s upcoming conclusion as we wait to see what lies in store for SCDP in 1967, and what goes better with steak and mashed than a stiff finger of Scotch?

3 out of 5 Grizzlies

Review AMC’s Mad Men: Episode 509 “Dark Shadows”

Before we get to this weeks episode, that despite it’s name has no goofy vampires played by Johnny Depp, we must quickly go over the happenings in Episode 508 “Lady Lazarus” which missed it’s review last week. (sorry)

We start the week with Peggy playing her increasingly frequent new role of being a jealous bitch. She is upset that Megan has had such an easy time being a copywriter and doesn’t seem to be enjoying her success. After taking a verbal scalding Megan decides it’s not only that her father doesn’t believe in her capitalistic ventures, but also that Peggy is right that her heart isn’t in it which leads her to quit SCDP to return to what she believes she is destined for; acting. Don is not pleased but he hides it well, from Megan anyways. At this point if Megan curled up to him and said “Don, I think I’m going to drive across country in the nude murdering and pillaging as I roam because that’s the best thing for me!” you almost feel he would grudgingly agree with her.

The other big development of the week comes in the form of Pete Campbell’s continued emulation of the Don Draper of old. When he finally meets the wife of his train companion, a sexy turn by Gilmore Girls’ Alexis Bledel, Pete eventually caves to her advances and has a one-night fling. We quickly learn the difference between Don behaving badly and Pete behaving badly however. Campbell becomes a puppy and quickly becomes absolutely obsessed with Beth Dawes, following her around and even entering her home on the pretenses of buying life insurance from her husband. She insists it was a one time thing, but ends the episode by giving Pete a glimmer of hope in his schoolboy heart by drawing a heart in the fog of her windshield as he sheepishly looks on.

As the episode closed, we are given a brief moment where, in an attempt to get Don up to speed, Megan buys him the newest Beatles album – Revolver. This scene is present to help display just how out of touch Don is, and it wasn’t a cheap example either. According to the New York Time, the show’s producers had to drop $250,000 to play the track. Which is probably why it picks back up during the credits. Waste not…

In “Dark Shadows” we see a little bit more of what is becoming an increasingly disturbing fact; Don is getting old and losing his touch. As we’ve come to learn, Don has lost touch with modern music and “what kid’s like these days” and has been so head over heels with Megan that he hasn’t been putting in the office time either. At the beginning of the episode he look over the copy work and realizes for the first time what everyone else knows. His hand isn’t in any of it. Thus when it’s time for Don to make the pitch to the Sno Cone execs and the choice is between Ginsberg’s series, which people seemed to prefer over Don’s Sno Cone eating devil. Guess which ad piece got left in the cab. Don’s ad piece isn’t bad, in fact it’s good enough to make the sale but that’s not the point. It’s the first time we see Don’s cracks when it comes to advertising. He sounds lame as he tries to sell the devil’s creepy voice and has clearly become out of touch with not just the youth of the day, but the youth of his own office. This also opens up a new Mad Men rivalry between the young and the old where we find an ignoble and emboldened Michael Ginsberg flying in the face of the man he once so admired. It will be interesting to see how Don handles this new metamorphosis into the figurehead role that has already claimed Sterling and Cooper. As Don regresses it will also be interesting to see if the absence of Megan from his everyday office life will sully the sheen of new love and open the door for the Don of old’s philandering ways.

Speaking of old dogs learning new tricks, Roger has become a little fed up with being strictly a schmoozer and wants to take his rivalry with Campbell to a new level by actually bringing in client of his own, namely Manishewitz wine. As Roger is technically still married to a honest to goodness Jew he enlists Jane’s help to impress his client at his upcoming dinner meeting. He also enlists the other reigning Jew on the SCDP staff, wonderboy Ginsberg, to make him look smart with a winning advertising proposal. The meeting goes well but Roger still manages to make a mess of things when he rekindles the romance with Jane ruining her attempt to start a new life in the blackmail induced new apartment that she was hoping to keep free of memories of their marriage. Roger also manages to piss off an increasingly perturbed Peggy Olsen by using Ginsberg instead of returning to her for his back alley advertising needs.

We also see a little bit from Megan and one of her acting class friends reading scenes for an audition for the show…Dark Shadows. Which they railed. Kind of funny. This whole scene was simply to show Megan finally realizing how people see her, fair or not.

The other major storyline of the week ,or “Dark Shadow” if you will, involves the nest of jealously between Don, Megan, chubby Betty and Sally. Betty has joined the relatively new Weight Watchers in an attempt to regain her control over her appetite, and while the lessons from her meetings seem to help her attitude at home, she can’t help but be blinded by jealously when she sees Don’s immaculate New York apartment inhabited by his svelte and sexy new wife.

Her weapon of choice, as always, is the young Sally Draper who is more than willing to become catty and petulant when she feels shes been lied to by Megan. Betty’s scheming ultimately backfires however when Megan recognizes her meddling and keeps Don from flying off the hook which allows a more aware Sally to turn the whole ordeal into a hurtful jab towards her mother. If Mad Men lasts long enough for Sally Draper to televise her teen years then watch out! She’s only 10 or 11 on the show, but already has all the attitude and maliciousness of a teenager with the “bad boy” boyfriend to boot.

Mad Men seems to really be hitting it’s stride season and it seems there will be no end to frustrations and controversy in the SCDP office. Jared Harris will finally make his return next week as he has been noticeably absent from the series since his dust-up with Campbell. We should also expect a lot more of Pete and Beth in more that the fantastical version that aired this week as it seems that Pete’s obsession is coming to a head. With only four episodes left in the season you can feel the tension ramping up in the Mad Men world and we should be in for a great last few weeks.


Quote of the Week – Betty Draper:

“I’m thankful I have everything I want, and that no one else has anything better.”