Tag Archives: London

Movement on Edgar Wright’s ‘Ant-Man’ Movie?

So the Ant-Man movie, I’m hearing mixed reviews all over the shop about this flick. People are excited about the prospect of another Edgar Wright movie, but don’t seem pleased that it’s a film about a guy who talks to ants and shrinks down really small. ‘Ant-Man’ was a founding member of ‘the Avengers’ in the Marvel Universe, and has been through many revamps (the most recent been him taking on the costume and name of his deceased ex-wife and having a strange relationship with a robot that has his dead wife’s memories!).

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James Bond is Back for Round 23 – ‘Skyfall’ Casting News

Filming began on November the 7th for the 23rd Bond film entitled Skyfall – quite frankly, a ridiculous title in my opinion, but eminently better than Quantum of Solace (Which despite terrible reviews, wasn’t that bad). This is a little round up of the facts…

In case you missed our last casting update, here is an overview of what we know so far. Daniel Craig is returning as Bond – his 3rd time – as is Dame Judi Dench – her 7th time as M. They are joined by director Sam Mendes (American Beauty). All three of these things are good news as  they are all excellent.

Ben Whishaw will be playing master of gadgets Q. Skyfall will be Whishaws 4th film with Daniel Craig, appearing as he does in The Trench, Enduring Love and Layer Cake. This will be the first time the character has appeared since 2002’s Die Another Day – where he was played by John Cleese. It will also be the first time Q has been younger than Bond. Whishaw is an accomplished actor and I’m sure he’ll be great.

This will be French actress and model Berenice Marlohe‘s  first international film. She will play Severine, who will be – according to the actress – “glamorous” and “enigmatic”. How good an actor she is I don’t know, but she certainly looks ever inch the Bond girl. Naomie Harris (perhaps most famous for her role in the Pirates of The Caribbean movies, and has also appeared in 28 Days Later and A Cock & Bull story) is to play a character called Eve. Early reports speculated that the character would be Miss Moneypenny, though this is looking less likely now.


Javier Bardem the brilliant actor from No Country for Old Men (as well as Collateral and Jamon Jamon) is to be the films main villain, which is something we know he can pull off. Helen McCrory, is most famous for playing ‘Narcissa Malfoy’ in the Harry Potter movies. But she was also ‘Cherie Blair’ in The Queen, and appeared in the Doctor Who episode Vampires of Venice. She is now set to play a character called Claire Dowar. Playing so far unspecified roles are Swedish actor Ola Repace (Wallander), the legend that is Albert Finney and self-professed Bond fan – and all round fabulous actor – Lord Voldemort Ralph Fiennes (Nanny McPhee & the Big Bang, Wallace & Grommet: Curse of the Were-Rabbit and Schindler’s List).

There has already been filming in London. Other locations are apparently going to be Istanbul, China and Wales. Skyfall will be released next year as part of the year long celebrations for the 50th anniversary of the release of Doctor No, and the start of the Bond franchise. It’s due to premiere in London on the 26th of October. General US release dates are currently said to be between 23rd of October and the 7th of December – the UK on the 26th October and the US the 9th of November.

In Case you Missed It: Like Crazy

Love has been represented on film since cameras could capture imagery. For hundreds of years, love has been the sole representation of many artists through all kinds of artistic mediums. Music, paintings, sculptures, and even buildings have been created due to love.

So, why is it that love can’t be honestly captured through cinema? Is it because “love knows no bounds” and is impossible to represent through a picture? Or is it because we really don’t want to know what love actually is, rather a more, well, romantic version of it.

Like Crazy, which is director Drake Doremus’ debut film, is about a pair of college students who fall for each other during their senior year. Jacob (Anton Yelchin) is an aspiring furniture maker, while Anna (Felicity Jones) is hoping to make it as a journalist. The two meet after Anna leaves a romantic, and somewhat long, note on Jacob’s car. They go on a date, and the chemistry is immediate. For the rest of their final year at college, they’re inseparable, but when graduation rolls around, Anna has to go home because her student visa has expired. She’d have to be out of the country and out of Jacob’s arms for two and a half months. Not able to bear this almost insurmountable amount of time, she decides that she’s going to stay, and Jacob stupidly agrees.

The two spend the rest of the summer together, until she really has to go back for a family member’s wedding. When she tries to come back to the states, though, she is denied access due to violation of her prior visa. She is sent back to London alone and heartbroken. The film then fades to what we can presume is a couple of months later since Jacob and Anna don’t seem to be talking much anymore. Finally, Jacob breaks down and goes to London to visit her, where again the two are madly in love. During the end of their holiday together, Anna suggests that Jacob be allowed to see other people for “his benefit” because she feels like he’s “not able to live the life he wants to.” Jacob is hurt by this, and goes back to the states lonely and heartbroken (sensing a pattern here?).

The film proceeds to fade again to what the audience must presume is months later again. Jacob is now with a girl named Sam (Jennifer Lawrence, oddly enough, as Yelchin’s love interest for the 2nd time this year, after the far superior ‘The Beaver’). Anna is alone, and begs Jacob to come back and marry her because she’s so madly in love with him. Jacob then stupidly agrees again, breaks Sam’s heart, and goes and marries Anna.

They are then separated again for six more months while Anna’s visa application processes. When the six months are up, they go to get everything validated, only to find out that her visa is still not eligible for validation to due the first incident. Angry and annoyed by this, they have another huge fight, which prompts them to divorce.

Jacob goes back to the states lonely and heartbroken yet again.

You guys know the drill by now. Film fades, Jacob is back with Sam, and Anna is with Simon (Charlie Bewley), a neighbor that was a little too friendly with Anna when Jacob wasn’t with her. Both Simon and Sam seem exponentially happy with their relationships whereas Jacob and Anna still aren’t fulfilled even though it clearly looks like they are. I know you must hate me by now as I’m giving away the entire plot, or shreds of what can be called a plot, but I feel required to for numerous reasons.

For one, Like Crazy is a mostly aimless film. Written only in outlines, and having the cast improvise all of the lines, Like Crazy is simply a selection of scenes rather than a coherent story. At first, I thought that the improvisational approach the film took was both experimental and innovative, but seeing how conventional the story is, and how bland the characters are, it seems more like a lazy cop-out than an artistic decision. Our protagonists are borderline unlikable in the way that they toy with the feelings of not only each other, but also all the other people around them. Anna’s parents, whose roles end up being more of an extended cameo than anything, have the most fascinating and funny scenes in the film. They represent a much happier, more decisive couple that knew what they were getting into before they rushed to get married.

In my opinion, Sam was a much better match for Jacob than Anna, but love does what it wants, and in this case, it kicked her heart in the ass, twice I might add, which I felt was extremely unfair to her character. As for Simon, he was also a great guy who truly cared about Anna’s well-being and future. Not that Jacob didn’t, but I felt like Simon took a much more proactive approach to life than Jacob did.

In defense of Like Crazy, the performances, music, and direction were all fantastic, but its lackluster and frankly boring story, as truthful and real as it may seem to be, drags its 89 minute running time to extraneous and unfair lengths. Like Crazy plays out like a hybrid of (500) Days of Summer and Going The Distance, but neither as funny, entertaining or insightful. If you want to see love in all different forms, go to a wedding. There’s more drama, more dancing, and free food.

2/5 Bears

New Creepy Trailer – The Woman in Black (Starring Daniel Radcliffe)

I can’t tell whether I want to see this movie because it looks legitimately good, or if it’s to see if Daniel Radcliffe can have a career after his decade long stint as Harry Potter. I think he can if he just doesn’t wear glasses again. Ever. There’s not an opportunity to really see him acting in this trailer, but he sure does a good job looking horrified….not that it counts for much.

Here’s a short plot description from the Jane Goldman written script:

Young lawyer Arthur Kipps (Radcliffe) leaves his son in London to settle the legal affairs of the recently deceased Alice Drablow. He discovers a series of inexplicable accidents and suicides have forced the parents of her village to barricade their children indoors, as if protecting them from an unseen foe. When Arthur stays the night all alone at the Drablow’s foreboding house, he hears the screams of a drowning child and sees decaying children listlessly wandering the marshes. He will soon discover these haunting figures share the same date of death, and the same killer.

Sounds pretty jacked up. But watch the trailer to get a real tingling down your spine:

Yeah, I hate that effin’ monkey with the maracas. He can go to hell. But this movie looks like it’s worth a watch. The movies have been saturated with a plethora of ghost/haunting movies since The Sixth Sense, and the majority have sucked it pretty hard. So let’s find out if the adaptation of Susan Hill’s 1983 novel of the same name is any good come 2012.