So in a week filled with overnight lines and shoulder-to-shoulder crowds, Comic Con was crammed with hundreds of panels and booths. The one I had the most fun at though, was the one that closed out my weekend. Starting at 3:30 on Sunday afternoon, in a room of around a thousand people, I saw a panel of Sci-Fi geeks who seemed like they were truly enjoying themselves. The group, moderated by Mark Altman (Free Enterprise) has been doing this panel since 2002, and it seemed pretty unanimous that this was the best version to date. The whole idea is to nominate a bracket full of famous Sci-Fi Starships, and argue out who would win each matchup in the bracket.
Altman’s panel included the lovely Madison Dylan in her full-out Star Trek Geek glory, dressed as an ‘Orion slave girl’, and playing Altman’s ‘Vanna White’ as she worked the board. Among the panelists Thor and X-Men: First Class writer Ashley E. Miller, Rob Burnett who just finished an extensive documentary for the ‘Star Trek: The Next Generation 25th Aniversary Blu Rays‘, Star Wars Comic Book writer and artisit Chris Gossett, Clone Wars writer Steve Melching, former Millennium writer Kay Reindl, and Geek Magazine executive editor Jeff Bond. Mr. Bond, who has, what I’m sure his wife would call “an excessive amount” of Starship models, worked with Geek Magazine to create a poster of all the ships built to scale. The poster, which will be available in the upcoming 2nd issue of Geek (on Newsstands in August), was distributed to the audience as a guide.
Once it got started, it quickly turned into a comedy routine as the panelists tore apart the ships almost as quickly as each other. The level of comfort between them was obvious, and made for a good viewing experience. And I’m not just saying that because I was seated next to Nikki Griffin, who was in the midst of a rather convincing ‘Emma Frost’ Cosplay.
Here is some lucky son’abitch posing with Madison and Nikki…
The headline stealing real event of the day though came near the end of the panel (which by that point had run more than 30 minutes over) when renowned astrophysicist Neil DeGrasse Tyson emerged from the audience to comment.
Tyson as he is know to most of the internet…
This was not planned, and the spontaneity of the whole thing left even the most veteran panelists star struck…
It’s funny, as I was sat there, watching the girls on either side of me (Nikki Griffin and my friend Anna in her Sookie Stackhouse Cosplay) totally Geek out over Dr. Tyson’s appearance, I think it was still a little lost on me just how special a moment I had witnessed. Rob Burnett popped such a nerd boner I thought he was gonna flip the table. And now, in the few days since, while collecting my thoughts (and traveling) this story has blown up all over the place. I think the Hollywood Reporter put it best though:
“For all of its overblown, over-inflated, hyper-stimulated mania, sometimes the San Diego Comic-Con can deliver a moment of glorious inspiration, one that reminds us why we love the things we love and how that love knits us together. And that Kirk’s Enterprise is just friggin’ cool.”
And with influence from Trekkies like Altman, Madison Dylan, Jeff Bond, Rob Burnett, and Dr. Tyson – it’s not surprising that they out voiced Star Wars loyalist Steve Melching to end with the original ‘Enterprise’ won out the whole bracket this year.
This is one of Jeff Bond’s models featured on the poster…
I like continuity in my serialized shows. I feel it harkens back to the comic books where everything is set in the same universe, and that you need to invest into the characters and the environment because you never know where they might pop up again. Obviously, in the Femme Fatales universe, everything is beginning to really take shape in how they tie together. We are starting to get callbacks from previous episodes or seasons and I dig it. The current episode of Jailbreak reflects that.
This is it, folks. The final season of “Breaking Bad” is underway and fans couldn’t be more excited and devastated at the same time. It’s been a long and hard journey for Walter White, which means it’s been a nail-biting and intense past couple years for us at home. The final season starts with a bang. If you didn’t get a chance to watch “Breaking Bad” last night, here’s what you missed:
The episode begins with Walter White in an unspecified state eating at a Denny’s on his 52nd birthday…alone. He’s looking pretty roughed up and he’s actually sporting a full head of hair for the first time in literally years. He makes small talk with Lisa, the waitress serving him, and she reveals that he’ll get his meal free with valid identification. He reluctantly agrees and hands her a license. She responds with something to the effect of, “New Hampshire, huh? You’re a long way from home.”
They continue talking and a mysterious man enters from the background. He’s out-of-focus but the camera follows him, leading us to believe that he has some importance in this scene. Sure enough, a few seconds later Walt makes his way to the bathroom. He slips the man an envelope and the man slips him some car keys. The unnamed man asks Walt if “it” is leaving the country. Walt replies, saying that “it” isn’t leaving town. He leaves the restaurant quickly, leaving a $100 bill under his untouched plate of food.
In the parking lot, Walt grabs a duffel bag full of something that isn’t revealed. He finds the car to which the keys he was just handed belongs, and in the trunk is an M60 with upwards of a thousand rounds. An instruction manual is placed neatly under the gun, and after staring at it, putting the duffel bag in the trunk, and closing the door, the main credits roll.
Going back to present day, the White family is in a frenzy over the death of Gus, Walt’s former boss. Skyler is on the phone with Walt and asks him what’s going to happen next. Walt replies with, “We’re safe.” She asks if he knows anything about Gus’ death, only to be met with statement, “I won.” Going back to the White household, Walter cleans up everything he used to make the bomb, and puts the Lily of the Valley plant, the one he used to poison Brock, in his trunk just in time for Skyler and Walter Jr. to come home. In the bedroom, Skyler confesses to Walt that she’s relieved he’s alive, but that she’s scared of him. She leaves the room and Walt says, “Oh shit.”
Cut to Hank and Merket in Hazmat suits investigating the remains of Gus’ underground lab, which has now been turned into a big pile of nothing. Two unrecognizable bodies have been left, and after Merket tells Hank that he’s allowed to say, “I told you so,” Hank sees a charred piece of metal and plastic. The two theorize what it could be and Hank ends the scene with, “Maybe a camera?” We then see Mike, who is still recovering from his wounds. He’s being told that Gus is dead and he speeds away in his car.
A few miles down a dirt road, he runs into Walt and Jesse, almost running into them. After planning to shoot Walt, Jesse convinces Mike that he has something important to say. Reluctantly lowering his gun, Mike listens to Walt who says that they’ve all been caught on the cameras. The only way to clear their names completely would be to erase all the memory from the computer. The only way to do that, of course, would be to steal the computer…or would it? In the midst of an argument between Mike and Walt, Jesse chimes in with the idea of a magnet. Magnetic forces usually destroy computer hard drives, but where can they get a magnet big enough to do the job?
The junkyard! The three bald-headed criminals visit Old Joe who says that they can put his car compactor magnet into a U-Haul truck and park it in front of the police station. They can then turn on the magnet, destroy the computer, and be out of there before anyone sees them. Meanwhile, Saul visits Skyler at work to reveal the news that Ted Beneke, who was thought to be dead at the end of Season 4, is in the hospital and has “just woken up”.
She pays him a visit but is shocked to see his condition. He’s attached to a metal head brace that is literally drilled into his head. His head is shaved and he looks like he hasn’t slept in days. In a surprisingly touching scene, Ted promises Skyler that the only thing the police know about is the fact that he tripped and fell. It was a freak accident and he swears that because of his wife and kids, he wants no trouble and won’t ever breathe a word of what happened. Call me crazy, but I don’t see things ending well for Mr. Beneke.
Back to Mike, Walt, and Jesse, they’re able to successfully destroy the computer (at least they’re pretty sure they did), and make it away without being caught, but Walt turned the magnet on so high that they truck tipped over. They’re forced to ditch it and make it away in Mike’s car. When asked why he knows the computer was destroyed, Walt simply says, “Because I say so”.
The next morning the cops go through pieces of evidence piece by piece. They get to the laptop and report it as damaged and in pieces. We see that the frame of one of Gus’ photos was also broken during the incident. It’s revealed that bank account information that had previously gone unnoticed was hidden behind the picture, written in pen in the lining of the frame.
Saul tells Walt about Skyler helping Ted to pay off the IRS. He’s upset Saul never told him about her giving away more than $600,000 of his money to the man she was sleeping with, despite Saul explaining that it’s just good business. When Walt starts yelling at him, Saul says “we’re done.” Walt walks behind the desk and gets in his face: “Were done when I say we’re done.” Walt tells Skyler he heard what happened to Ted. She says Ted won’t talk and Walt proceeds to lean in for a hug. In an equally chilling and terrifying moment, he says “I forgive you.”
This is a great and dynamite start to the final season and I’m literally on the edge of my seat waiting for the next episode. The directing is the best “Breaking Bad” has to offer. By not overdoing the innovative shots the show is known for, the suspense is heightened even more than it needs to be due to its gorgeous photography. The music fit the mood perfectly. Specifically, a scene where Walt tries to hide all the bomb-making materials ended with a deeply haunting and fascinating fade out that reminded me a lot of the score for Insidious.
As for the cast, everyone is back and ready to play. Bryan Cranston becomes more and more intense every season, and his voice is close to resembling that of Christian Bale in The Dark Knight. Jesse’s importance to the show is becoming more defined and I feel like he’s going to play a pivotal part in the series’ climactic scenes. All in all, “Breaking Bad” is off to a great start and I can’t wait to see what the rest of the season has to offer.
Hey there, people. It’s me again. Comic-Con has been rather quiet when it comes to video games. Just like day 1, nothing much happened in that area of nerdism so I decided to combine day 2, 3 and 4 into one article.
A Mass Effect anime will invade our television sets soon
Mass Effect: Paragon Lost is an anime series which is set right before the event of Mass Effect 3. The plot centers on James Vega (voiced by the corny Freddie Prinze Jr.), telling the story of his team’s encounter with the Collectors aka the bad guys in Mass Effect 2. Here’s a brief description of the storyline taken from the official website:
Mass Effect: Paragon Lost is the prequel to the highly-anticipated Mass Effect 3 and follows the early career of Alliance Marine, James Vega. Vega leads an elite Special Forces squad into battle against a mysterious alien threat known as The Collectors. Stationed at a colony in a remote star system, Vega and his soldiers must protect the civilians from a ruthless invasion determined to capture the population for unknown purposes. Learn more about the Mass Effect universe with an unprecedented glimpse into the haunted past of Mass Effect’s newest hero!
If you ask me, I don’t really give a shit about the anime. Given how crappy the ending is, there is no reason for me to care. Plus, the animation looks pretty bad. We’re talking about “made using Flash by a bunch of middle-schoolers” level of disaster. Don’t get me wrong. Flash can look fantastic when done right, but Paragon Lost does not seem to be the case. But what do I know? Some people liked the ending. That includes our very own CheeseBadger, who is oh-so-sarcastic all the time. Maybe some of you will enjoy this. As for me, I’ll pass.
By the way, the anime is coming out in November this year.
Oh, there’s also this Mass Effect 3 DLC tease
Word on the street is that BioWare released a teaser. Some speculate it’s for an upcoming DLC. Apparently the story is set underwater and there will be Atlas’s (the Cerberus robot thingy). I’m not holding my breath for this one. Here’s an interesting question: was that pun intended?
(We’ll update this post as soon as we find the teaser on Youtube.)
The Last of Us introduces a new, bearded character
The trailer shows Joel, Ellie and the new character getting into a building after fending off the zombies, or whatever they’re called. I mean, technically speaking, they have some fungal infection in their brains or some crazy ass shit like that. That part isn’t so zombie-like, but since they’re acting as if they’re high on bath salts, we’ll just refer to them as zombies. They’re crazy, and I think they eat people. Let’s not pretend they’re anything other than zombies, aight?
Anyways, this mysterious figure, Bill, handcuffs Ellie and points the gun at Joel. The men get into an argument as Ellie breaks free to hit Bill with the steel pipe she was handcuffed to. Joel stops her after the first hit and the three talk things out. In short, Bill is the typical “trust nobody” type of guy who’s reluctant to help the protagonists in zombie movies. He’ll probably end up being eaten because he’s not a team player. Now all we need are some token (insert stereotypical minority ethnicity here) guy/gal, a dumb blonde, and a dickish beefcake to make the most predictable zombie video game ever. I am still intrigued by the story though.
More Resident Evil 6 details
Yoshiaki Hirabayashi, Resident Evil 6’s producer, has released more details on the game.
Jill and Claire will not be in the game. Claire will be mentioned.
You can switch camera to your character’s right or left.
For those hardcore players, the hud display can be switched off.
Weapons are scattered throughout levels. No purchases are necessary.
You no longer have worry about your AI partner’s inventory. He/She will pick up various items based on his/her needs.
Swapping items is possible when you’re playing online co-op.
Weapons are not individually upgraded. Instead, you upgrade weapons, among many other skills, through the allocation of skill points.
As of current, the game is not going to support Playstation Move.
I swear to god Laura Bailey and Troy Baker were in every single thing that came out in the last twelve months. Both of them played the Boss in Saints Row The Third (Caucasian female and male respectively), as well as different supporting roles Mass Effect 3 (Laura as the asari lieutenant at the beginning of Priority: Thessia, I think, and Troy as the notoriously comical Kai Leng), and many more. Just look at their IMDB profiles yourself. Here’s Laura’s and here’s Troy’s.
They’re both quite attractive. Just saying…
A Deadpool video game is coming out…
And surprisingly, he’s not voiced by Nolan North, or is he? Oh wait, he is. All that I care about is Deadpool himself actually showed up in Comic Con to announce the game himself, and that was awesome.
The game is being developed by High Moon Studios and will be published by Activision. Anyways, here’s the teaser:
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The gameplay itself doesn’t look particularly interesting. It’s seems like another third-person hack-&-slash / shooting. Perhaps the witty dialogue may just be the game changer. Who knows? It’s too early to tell.
I hope you’ve enjoyed our Comic Con coverage. Big shoutouts to all of you who read the articles. I know it sounds corny but you are the reason why we’re doing this. We don’t get paid. Please keep following us on Facebook or Twitter (or start now if you haven’t already done so) for more pop culture opinions.
Hot off the heels of Money In The Bank is tonight’s Raw, opening with a quick recap of the events from the PPV. Obviously, John Cena won the main event at MITB, and managed to grab the suitcase and guarantee himself a title match against CM Punk in the foreseeable future. Hopefully this doesn’t mean we’ll get a weird repeat of last years “Summer of Punk-WWE Style”, with the roles reversed and now somehow John Cena is the underdog again. CM Punk enters at the top of the show and starts a promo declaring himself once again, as the Best In The World, and echoes his famous pipe bomb promo nearly a year ago. Not in the way where he was sick of the hypocrisy and the inability of the WWE to utilize its talent effectively, but in the general “I’m the best” sense, which is a bummer, because last year the people were really clamoring for the heart of Punk’s message. Some said that it was even the dawn of a new age of wrestling, called the “reality era”, but that’s pretty much gone down the drain in the last year. As much as I like Punk, he’s really over promised and under delivered when it comes to being an “Agent of Change”, as he claimed to be. Granted the focus has shifted for the better from the All-Cena-All-The-Time-Fest it used to be,but the fact remains that things haven’t changed dramatically as he claimed they would or should. I can’t blame him though, because he’s not the one in charge of the company, nor is he the biggest WWE monetary draw (Cena still is, unfortunately), who could have enough clout to order some legitimate creative changes. But I digress, after going on a bit about how he’s overcome all the odds he’s faced in his title reign,(echoes of Cena? A smart booker would play up this thematically if they were going to re-ignite the Punk/Cena feud.) Big Show enters the stage, and steps into the ring, mic in hand.
He’s pretty mad about losing MITB, and very politely, and eloquently says that if he had won, he’d cash in the contract, and take the belt immediately from Punk right then and there. Punk counters by pointing out that no matter how much destruction Show leaves in his wake, he loses, and lost again last night. They then argue about the fans, Punk claiming the fans respect him for winning, and Show mentions how fickle and forgetful the WWE fandom can be, and says that they don’t really respect Punk at all. While he does make an excellent point, Punk then tells Show off, and reminds us that Show, despite being very logical and consistent with his character motivation, is also ultimately a bitter man, who chokes when it comes to the literal main event. Show tells Punk that in their forthcoming match tonight, he will knock him out, and Punk could lose the title tonight to John Cena, who could cash in his contract.
I’m pretty sure I’ve made it known I’m not a fan of Kofi Kingston and R-Truth as champions, and I’m dying to see somebody with actual tag team presence and chemistry get the titles and give them actual meaning again. The Primetime Players have a simple gimmick, and their in ring ability is competent, and with time I’m sure they could build up to become a great team. My main problem with them, is that they totally don’t need AW. They made a point recently to tell us that he wears a mic at ringside, although I must have missed the reason why. I don’t know why we need to hear AW shout his Odin-Voice over the sound of everything else, because his comments are useless and inane. He’s loud, obnoxious, and not in an entertaining, good heel heat sort of way. Tag Team matches can be goddamned amazing, and while the presence of the titles being back and cared about is refreshing, they need to follow through and make us care about the division as a whole.
The match itself was a pretty by-the-numbers Kofi Kingston/R-Truth match, that was pretty boring to watch and mostly was there to only establish the Primetime Players as a force, and to develop AW’s douchey character further.
Backstage, we see AJ and Daniel Bryan talking about last nights MITB championship match. AJ says she called it down the middle, (which is more or less true), but then surprisingly, Daniel Bryan expressed seemingly genuine regret for how he’s treated AJ in the past, and admits he used AJ as a scapegoat, because he was so wrapped up in beating CM Punk. He comes close to confessing something to AJ, until Eve interrupts them, says that there will be a tag match between her, a partner of her choice, and Daniel Bryan & AJ. She then insults AJ, and leaves. AJ asks Bryan what he was going to confess, and he says it can wait until after their match.
A part of me wants him to admit he truly does love her, and wants her back, and then they’ll get married and live happily together forever, but then I remind myself this is goddamned wrestling, and hope he’ll just apologize, agree to be friends, and he encourages AJ to go take the Diva’s championship, re-christen it the WOMAN’S Championship, and retire the whole stupid “Diva” division forever. Let’s get some actually talented women in the ring, and have them wrestle for longer than 2 minutes at a time. Let’s keep the skimpy Diva outfits though, let’s not go crazy.
Alberto Del Rio lost his championship match last night, because Sheamus is riding hard on his current push, which still seems divisive between fans, and I’m sure I’ve hated on Sheamus enough in this column so I’ll just stop now and say BOO. Anyhow, ADR makes quick work of Zack Ryder, and submits him with the rolling cross armbreaker. He starts to go into his usual post match attack, until Rey Mysterio’s music comes on, and he runs into the ring. ADR starts stomping on him wildly, which made me giggle gleefully, because the thought of Mysterio returning to that big of a pop from the audience, only to get his ass kicked would have made my week. But my dreams often never come true, and Mysterio lands the 619 on ADR. ADR then quickly gets up from it, because the 619 is stupid, and he and Ricardo leave, walking together backwards up the ramp, shouting rebuttals to Mysterio. In a perfect world, ADR would be the World Heavyweight Champion, and we’d see him and Mysterio feud, with Sin Cara stuck somewhere in the middle. Luchador wrestling is awesome, and there needs to be more of it in the WWE.
Why they didn’t combine these into one, slightly longer youtube video, I’ll never understand.
Heath Slater’s favorite Raw moments are the last few weeks, which is appropriate, because those are pretty much his ONLY notable Raw moments. His fights with all the past WWE legends have been great moments of nostalgia, and have consistently been a bright spot. When we return to the actual ring, Slater talks about how he knows someone is going to come out, and sure enough, Rikishi walks out. Which surprised the hell out of me, since, I genuinely thought he was dead. Seriously. I was shocked to see him walk out. Rikishi then superkicks Heath Slater, stink faces him, and then pins him with his ass. After a quick celebration, the lights go out, and when they come back up, the Uso’s, who are Rikishi’s kids, are standing in the ring with Rikishi. They then begin dancing, just like Too Cool and Rikishi did years ago. It was a fun moment, but I’m not sure you’d call Rikishi a WWE Legend just yet, nor was Too Cool such a long time ago that I would wax nostalgia about it, but regardless it was entertaining.
Eve’s partner turns out to be the The Miz! I was surprised by this because I expected her to choose some typical “strong guy” like Kane or something. I’m so happy to have The Miz back it’s ridiculous you guys. Of course, as much as I love The Miz, he’s small fry compared to the True Best In The World Daniel Bryan. Miz gets the upper hand though, and tags in Eve. Eve puts AJ through a couple strong moves, wearing her down, until she turns things around on Eve, and goes for a pin, that Miz distracts the Ref from. After that, AJ kicks The Miz off the apron, and Eve attempts a roll up on AJ, but once again, the Ref is distracted by Miz, who tries to run into the ring illegally. While the Ref is distracted, Daniel Bryan rolls Eve and AJ over, reversing the roll up pin, and the Ref counts the pin before Miz can interrupt.
I actually really liked this match, despite it’s length, because seeing Daniel Bryan and AJ work together, in a smart, resourceful way, was awesome. After the match, Daniel Bryan grabs a mic, and begins to make his confession to AJ. He builds it up big, and confesses his love for her. AJ looks surprised, and troubled, but Daniel Bryan goes the full nine, and even presents her with a ring, and proposes again. AJ stands there, looking perplexed and worried, and Daniel Bryan slips the ring on her finger. AJ looks tearful, begins to nod, and accepts, saying yes, and they then kiss. The crowd seemed to hate this, which I don’t understand. I guess seeing a couple overcome their obstacles and problems to unite in the name of love is unappealing to them, but I found the whole thing really adorable. I’m kind of big softie when it comes to relationships and happy couples, so seeing both Bryan and AJ YES-ing together, joyfully, was refreshing and cute. Plus it was relatively short, unlike last week’s 20 minute plus Soap-Opera-Fest, so it was a good example of a romantic storyline getting wrapped up in a satisfying way. The part of me that wanted to see this, got exactly what it wanted.
Now, I’m hoping this isn’t the WWE’s way of putting the Bryan/Punk feud to bed, but if it is, let’s please see Bryan/AJ doing lots more together, but in the ring. They made a great intergender tag team, and them working together, to, I don’t know, let’s say: Win the Tag Titles and give women wrestlers something else to aspire to gain other than a purple and pink bedazzled belt with a butterfly on it, would be awesome. All in all, seeing AJ and Daniel Bryan overcome their past differences and working together, and potentially getting (kayfabe) married, was great. Let’s seem them satisfy that other part of me, that wants a legitimate Women’s division. I could make a gross joke about AJ satisfying any other parts of me, but she’s an engaged woman now, and I AM A MAN OF HONOR. I respect their fake love.
Ryback is now finally done working through nameless, faceless jobbers and is taking on more in-house jobbers. So of course why not have him take on the WWE’s resident in-house jobber, Jack Swagger? Swagger at first gets a good lead on Ryback, and nearly puts him in the ankle lock, but Ryback counters and then triple powerbombs him. The entire time however, the bell never rang, so the match never officially happened, so after Jack Swagger got Ryback’d, Ryback just started saying his catchphrase, demanding more succulent man flesh via the cry of “FEED ME MORE.”
In my mind, Ryback says everything this way. He’s like The Hulk:
“RYBACK WANT MORE MATCHES. RYBACK’S BICEPS NOT VASCULAR ENOUGH. RYBACK MUST PUMP FOR MORE TONE. RYBACK NEEDS PROTEIN SHAKE. RYBACK WATCH GLEE NOW.”
Yeah, In my mind, Ryback is a proud and out Gleek. He agrees that the first season was the best though, and it’s not nearly as good as it used to be. My mind-Ryback is weird. And a little gay.
Vickie Guerrero then announces Dolph Ziggler’s entrance, and he walks in, MITB suitcase in hand. He gets in the ring, and says that he’ll be the next World Heavyweight Champion, and starts saying how he’s better than Bret Hart, Stone Cold, and The Rock. The entire time, Vickie parrots key words from his promo, until he is interrupted by Jericho. Which makes sense, because Jericho HATES it when you start saying you’re better than anyone, because that’s HIS THING DAMMIT. Before Jericho can speak, Ziggler starts breaking down Jericho, saying he hasn’t won anything in a long time. He lays the insults on thick, and challenges Jericho’s assertion that he is the Best In The World At What He Does, saying all Jericho does is lose. All salient points by Ziggler, that really seem to get under Jericho’s skin. He continues taunting Jericho, until Jericho busts out a brutal Codebreaker on the Zig Zag Man. He then leaves without saying a word. He’s probably not returning to the silent, Troll-ey Jericho that he was when he first debuted, but it’s nice to see Jericho as a face again.
I forgot JTG was still employed by the WWE. Not to sound like a total smarky jerk, but how the hell is JTG getting Raw airtime, and Dean Ambrose is still in developmental territory? But whatever, this match is another in the line of Funkasaurus matches where we see a smaller wrestler hit Funkasaurus’ weak spot, which we all know is his knees. JTG spends a minute or two working on the knee, and Funkasaurus’ knee hurts him SO BAD until it suddenly doesn’t. Then he slams him, and lands a cross body splash, wins the match and starts dancing with a bunch of children they invited up into the ring, his knee having miraculously healed in mere seconds.
Earlier, Big Show said that after he defeats CM Punk in this match, John Cena could cash in his MITB contract and take the title from him, and then implied the fans would turn on Punk at this point. Now while I wouldn’t put it past Cena to cash in the contract this way, and try to play it off as him overcoming adversity and Never Giving Up™ somehow, I just think if that happened, people would be pretty pissed. I know I would be.
This was the only match of any significant length, and thusly the only one deserving of an actual description beyond “This guys wins”, because reading about it would take as long as watching it. So the match begins, and Punk approaches the match carefully, clearly picking his moves out thoughtfully, trying to find a way to gain the edge on Big Show. Show uses his size though, and tackles Punk repeatedly, stands on him, and generally makes Punk miserable. Punk fights back valiantly, and gets a breather after shoving Show into the ring post. He throws a series of hard kicks, but they’re ineffective against Show, who once again slams CM Punk to the ground, whips Punk around the ring, and slams him into the mat again and again. Punk, ever resilient, jumps on Show’s back, and slaps on a sleeper hold. Show counters it into a huge sidewalk slam, and attempts a huge splash, that Punk dodges. Punk starts to gain momentum by using the ropes, but Show counters again with another huge slam. He cocks up the WMD, but Punk ducks and throws 3 huge kicks at the back Show’s neck, and then follows it up with 3 more high knees to the head. A huge irish whip is countered by Punk, and Show goes down, Punk then climbs to the top rope, and lands his Macho Man elbow drop. Show kicks out, and then chokeslams him violently. Punk manages to get a foot on the ropes, and Show starts beating Punk in the corner. Show then assaults the Referee, resulting in a disqualification. Punk wins, but Show continues beating Punk. John Cena then runs in, with his MITB suitcase in tow. Show leaves the ring, and Cena grabs a mic.
Cena starts to mention that he’s got an announcement to make regarding his MITB contract. Show interrupts him, and taunts him. He starts talking about how the belt is Cena’s, encouraging him to cash it in now. Cena, being ever-predictable, says he’ll cash in the contract at the 1000th Raw. He goes on to say that his “huge announcement” was actually him hitting Big Show in the face with the suitcase. I mean, he doesn’t say that, he just does it. I don’t know how an announcement can be an impromptu attack, but whatever. It makes no sense, but seeing Cena and Punk hold up their respective trophies (belt and suitcase), was neat. The show ends on them agreeing to have their match next week, and fades into a promo for the 1000th episode of Raw.
So all achievements aside, this 1000th episode of Raw thing is going to be terrible. So far they’ve announced that it will have everything in it BUT wrestling.The only two confirmed matches are some vague IC title defense by Christian, and the WWE title match between Punk and Cena. Amongst that though, will be the return of DX, The Rock, Brock Lesnar’s stupid announcement, The Daniel Bryan/AJ wedding (that was fast), Charlie Sheen for some reason, and probably loads of other stupid, boring video packages and special guests. I predict 10 minutes of wrestling for that show. The rest will be 2 hours and 50 minutes of filler and uselessness. But hey, I could be wrong. At the very least, I’m looking forward to the Daniel Bryan/AJ wedding, because I’m a big baby. Other than that though… Well. I’ll try to remain positive.
Those Lord of the Rings fans who went there and back again to Comic-Con International were rewarded for their line-waiting devotion.
This past weekend Peter Jackson took to the Hall H stage with screenwriter Philippa Boyens and actors Martin Freeman, Ian McKellen (it should be noted he received a standing ovation), Richard Armitage, Andy Serkis, and Elijah Wood, who was a surprise guest. The panel started with a showing of the latest behind-the-scenes video blog that Jackson has been faithfully providing fans via the official Facebook fan page. Then Jackson revealed a full 12 and a half minutes scenes from both parts of The Hobbit, An Unexpected Journey (out this December) and There and Back Again (December 2013). A detailed description of each scene revealed can be found at Cinemablend.com or on Entertainment Weekly’s Inside Movies site.
Several seemingly minor yet key announcements and decisions rolled out during the panel.
First, Jackson chose to avoid screening his clips using 3D and 48 frames per second, a decision most likely based on the mixed reaction he received when he did this at Cinema-Con; this may have been in his best interest as the scenes were welcomed far more openly than they were at the previous convention.
Also, Jackson noted that he had shot enough footage to create extended editions of the films or possibly produce a third film. The Internet has been filled with these speculations for the last few days, but Variety says otherwise. A studio representative said there was no “planned surprise,” and that “The plan was always for two” (Variety.com). Time will reveal how this pans out, but Jackson may have to just settle with some whopping extended editions.
A third announcement that should excite the women (or invoke the wrath of LotR die-hards) comes in the form of another female elf named Tauriel played by Evangeline Lilly. Philippa Boyens wanted more “feminine energy” in the films: “We believe it’s completely within the spirit of Tolkien” (Wall Street Journal). Come December, we’ll see whether or not this is true.
Finally, a fan questioned Jackson on his intentions for a Silmarillion movie. Entertainment Weekly reported that Jackson said he wouldn’t live long enough to pull it off, and he hinted that the Tolkien estate, owning the rights to the Silmarillion, does not like his movies (Entertainment Weekly). Despite being some of the biggest films of all time, The Lord of the Rings films do not always stay true to Tolkien’s books, and this has apparently been scorned by not only the books’ fans but also by the author’s estate itself. Here, too, is a situation that will undoubtedly unfold more clearly the closer we get to December.
Despite my chagrin at the inclusion of a previously unwritten female character (yes, I did just say that, and I support strong women in movies and everything), and my distaste for Jackson’s occasional twisting of Tolkien’s stories, I feel that audiences will have a lot to look forward to in terms of cinematography, acting, and yes, even script adaptation for the two Hobbit installments. The films previous to these have always provided pure entertainment, stunning visuals, powerful themes and messages, incredible scores, and unforgettable interpretations of long-loved characters (remember Ian McKellen’s standing ovation?). I don’t doubt that The Hobbit: An Unexpected Journey and There and Back Again will meet these expectations, and frankly, I just want to see Smaug interpreted on the big screen.
If this article wasn’t enough for you, you can view the majority of the panel on YouTube. Though several users have already uploaded their videos, this one seems to be the best quality overall. Don’t expect to see the clips from the upcoming films; Comic-Con is very strict about not allowing attendees to videotape or post film clips. If you want to be that impatient, go google it yourself.
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Grizzly Bomb 