Regardless of your perception on Michael Jackson, he was the biggest pop star on Earth for the better part of three decades, and he totally redefined the music scene in the 1980’s. Maybe Michael Jackson did become white, maybe he did molest kids, but as David Chappelle would say, “He made Thriller. Thriller.“
Continue reading Countdown to Halloween #30: Michael Jackson
IT’S OCTOBER BABY! That means that it’s once again time for Grizzly Bomb’s annual COUNTDOWN TO HALLOWEEN! Last year we ran through some of the greatest Halloween type movies of all time, but this year we’re gonna examine some of the characters that make Halloween the best Holiday of ever. Anyhow, each day we’ll look at a different character as we count down the 31 best of all time. Hope you enjoy.
American Psycho is a piece of pure genius. The book is a perfect example of a lifestyle, which for some is still relevant today: the yuppie life. The dissection of this culture is a joy to behold whether it is through the book written by Bret Easton Ellis or the movie directed by Mary Harron. Ellis, however, has this to say about his masterpiece (taken from Wikipedia).
Continue reading Countdown to Halloween #31: Patrick Bateman
In this article we celebrate everything that comprises those strange pieces of folded paper we call comic books. More specifically we focus on some of the more obscure, weird and just plain out there examples of comic literature. Starting with this Whatmen?!
Boom studios is one of the many indie comics studios that has found a niche audience with their select few titles of popularity. Arguably their most popular was Mark Waid’s Irredeemable, but they’re also known for their Hellraiser, Planet Of The Apes, and Adventure Time comics. Personally I really loved Irredeemable, and thought it was a great book, even if it’s ending was the same ending from All Star Superman #10. But that’s such a brilliant ending I’ll take it again anyway. When it comes to Boom Studios, there’s not much they do make that I can say anything negatively about, so the fact that Paul Jenkins is working on a project with them, is something I’m looking forward to upon announcement alone. So here comes the teaser for the project, whatever it may be:
via [BloodyDisgusting]
So yeah, not a whole lot to go on there at all. But hell, Jenkins has done incredible work on Hellblazer, Wolverine: Origin, and my personal favorite, The Sentry. Not that I like who The Sentry became, but that first 6 issues that introduced us to the character were so creatively meta, well written, and emotional that I still love it greatly, even if The Sentry turned into a whiny crybaby Mary Sue piece of shit. To this day I still think that story of The Sentry could be adapted into one of the best original superhero movies ever made, if you just changed it to an original superhero, and make it a bunch of Marvel analogues, ala Planetary, or The Authority. It’d be a great story about superheroes, rather than just being about superheroes.
As for the teaser? Is it a comic about death? Maybe. I know I’ll be looking forward to hearing just what the hell it is.
Greg Rucka, probably most famously known for his Batman related work, and his New Krypton storyline for the Old DCU, has been pretty vocal lately with his dislike of the way creator relations are currently being handled by BOTH of the big two, voicing his displeasure in a revealing quote over at [ComicsAlliance].
Rucka said that he’s “reached the end of my Work For Hire rope,” adding that “I have spent a lot of my comics career in service of other masters, and I’ve had enough of that for now. I’m sick to death of the way the Big Two treat people.”
He goes on to add some more details about the mistreatment he’s received from both camps, expressing his displeasure pretty pointedly. As a comics fan, it’s hard to disagree with him, because the points he makes are so prevalent, especially with DC. I’ve heard plenty of horror stories over the years about the way writers are treated like meat into a grinder, especially since there’s so many that are chomping at the bit to break into any sort of comics writing mold. The most obvious and glaring point is that the companies keep trying to compete with each other, and play catch up, rather than strive to innovate or go their own way. The most obvious example is the whole Marvel NOW! thing, which is so blatantly a transparent lift of the concept of New 52, it’s maddening. At least with DC, it made sense, because they had a bowl of spaghetti for continuity, but Marvel seems to be doing this purely for marketing reasons, rather than anything creative.
An industry that only looks to constantly play catch up, is inevitably going to stagnate. As innovation dwindles, and brilliant books that try things differently go by the wayside, you’re in danger of having an industry bubble burst. I don’t mean to go all “THE SKY IS FALLING” on anybody, but I’ve found that generally being a pessimist about these kind of things doesn’t hurt. Expect a kick in the balls, and if you get slapped in the face, you win, I always say. Hopefully, Rucka’s words will wake up some abject comics executive, who’ll help creative minds establish their work in a way that’s beneficial to everyone, rather than threaten them with losing their job to 10 more hungry writers, who’ll work for scraps off the DC table.
Brian Wood is a curious writer for me, personally. First off, the guy has written some of my most favorite comics of all time. Issue #10 of his masterpiece, Local, brought me to tears, and touched me in ways I can barely explain to most people. His other work, is all of differing quality and style, from his massive work on DMZ, to the shockingly different tone of his work on Northlanders, the guy undoubtedly has range.
However, he’s a guy who I’ve met in real life, more than once, both times I went to Comic-Con. It’s one thing to meet someone who’s obviously stressed and trying to cope with the zoo that is CCI, and it’s another to meet a guy who clearly doesn’t really like his fans. I remember being in line, and watching the guy be kind of openly rude to multiple people, begrudgingly signing things, and just generally seeming like he didn’t want to be there. I’d like to think I’m a very understanding person, and I get that after a while it’d be very difficult to be super enthusiastic for each fan you come across when your main prerogative is just getting back to your hotel room and getting some sleep. But it’s another thing when you’re there first thing in the morning, and still have attitude. I gave the guy the benefit of the doubt though, and came back next year, to get him to sign my copy of The New York Four (which is great mind you), only to see him acting the same way again. It was disheartening to say the least.
All personal experiences aside, the man undeniably is a genius and makes great comics, even if he is a bit of a douche. So of course, I’m totally stoked to see he’s working on a sci-fi title dealing with superpowers. The concept of an athlete discovering their superpowers live on television is A-1 dynamite. A stepping stone that could lead to excellence. It’s the sort of thing where I have to separate Brian Wood the man and Brian Wood the writer, and just take his work at face value for the brilliance it is. You can read more about the actual book here.
via [ComicsAliiance]
Those of you familiar with me here at GB, know I’m not the biggest Spider-Man fan in the world. I’ve said before time and time again, he’s my least favorite superhero, out of the big ones. Something about him I just can’t relate to, even when I was a teen struggling with… helping my weird Aunt, or responsibility, or some other boring shit.
Dammit, sorry. I promised myself I would try to stay as positive as possible for this part of the article.
Unlike some other people, of course. They see this as an attempt to revise, erase, and forget the legacy and history of their superheroes in favor of a cash grab. But that’s what the movies are for. I see this as a welcome change to the entirely shitty status quo that is Spider-Man.
I remember way back when Spider-Man was 3 different books a month and they decided to cancel the other 2. This of course meant Amazing came out 3 weeks in a row every month. Which forced Dan Slott to write weird, lame stories that amounted to mostly useless filler at best, and at worst, horrible retcon filled bullshit like the fallout from One More Day. Then they started introducing stupid villains like Mr. Negative and Anti-Venom, which the mere thought of, to me, screams UNCREATIVE.
I know, they’ll just print another Spider-Man title, and the re-numbering means nothing, and it’ll just be the same book with a different name, maybe with some new gimmicky team attached, or something or other. I don’t know, and I don’t care. It’s all pointless really, and in the meantime, i’ll just try to pretend like this is the end.
Shit. I failed at being positive didn’t I? Oh well.
[Supascoot here. My opinion varies greatly from Cheesebadger’s. Spider-Man is my favorite (Marvel) hero. I don’t like the end of Amazing, and some of the rumors about Spidey’s direction afterwards (Spidey with Doc Ock Arms… Seriously) aren’t filling me with confidence. I would be more upset, but Marvel already punched my love of Spidey history right in the balls with One More Day. So… whatever. Back to you, Cheese.]
When I first heard about this, I was pretty shocked to hear about it. It seemed like something out of a bad made for TV movie:
Two buddies make a project together. Project gets big. One buddy gets all the credits, lets the fame change him. Leaves previous buddy by the wayside. Previous buddy asks for due credit and compensation, but is unable to reach his old buddy, as he’s now a megalomaniac monster, drunk on his own fame and power. Lawsuits are made, friendships ruined forever. Tragedy. Roll credits.
Which is more or less the situation with Kirkman and Moore, from my point of view anyway. It seems history has a way of repeating itself, what with this happening between Siegel, Shuster, and DC, or arguably even Stan Lee and Jack Kirby. When it comes to partner projects, it’s hard to tell if even your best friends since childhood, (literally in Kirkman/Moore’s case) can be trusted. Unlike those previous examples however, both Moore and Kirkman came to a resolution that seems to be good for all parties involved. I know I’m not privy to many of the personal details but having suffered from the fallout that can come from collaborating with friends on projects and watching those projects fall through, along with the friendships, this story hit a nerve for me. I’m glad they came to an agreement, but I can’t help believe it was at the cost of their friendship. Potentially anyway, but lord knows neither man will actually actively comment on their personal lives in this manner, because who else but me would care?
Regardless of how I feel personally on the matter, it’s good to know that credit is given where it is due, and all of the other particulars could be put by the wayside. Unfortunately, The Walking Dead is still a terrible TV show, and I’ve never looked to a new season of a show with regretful disdain more than the upcoming third season. I fully expect it to be shit, especially in contrast to the perpetually great comic book. Hopefully this sort of thing won’t happen again, and the comic won’t be affected in any way, because it’s still my #1 read at the top of my pull list every month, for 4 years straight.
You can read more about the actual details of the lawsuit and the settlement here.
That’s it for this edition of Comic Rack. We’ll see you next week.
A simple tale involving a man who is a super cop, whose only goal in life is to fight injustice. This is Officer Downe, a bad ass law enforcer who is currently on a mission to stamp out all the illegal activities of Fortune 500, an infamous crime syndicate with animal heads who run things behind the scenes. Because of all the trouble Downe is causing them, the group enlist the aid of killer for hire Zen Master Flash and his team of highly trained assassins. Unfortunately for them, Officer Downe is no ordinary policeman.
via [Newsarama]
Frankly this shouldn’t surprise anyone. Iron Man gets a new armor every other week. That dude is constantly fiddling with his armor, always looking to improve or maintain it in some new way. He’s like that kid you knew in school, who kept modifying his toy models, or appliances, until they barely even resembled what they were anymore. Sure man, you added a series of remote-controlled LEDs, spring-loaded shelves, touch sensitive paneling, and an automatic motion sensor, but goddamnit it’s just a TV, now every time I walk by it turns on at max volume, the shelves fly out and I get hit in the calves. Did anyone else know that kid? Do you know what I mean? No? Right. Well regardless, his “new” armor, doesn’t really look that new.
It looks like a bigger, dumber version of his Hulkbuster armor. And we all know how successful that was at busting Hulks. Wait, what’s that? How many Hulks did he bust? Zero? Zero Hulks busted? C’mon Stark, get it together! Stop putzing around with your armor and get your head in the game! I WANT THOSE HULKS BUSTED NOW.
via [ComicsAlliance]
When you tell people about Cerebus, it’s one of those things you almost don’t believe. A guy wrote a parody fantasy epic, about an Aardvark, that becomes an example of a fantasy epic that it’s parodying, spirals into a societal and political satire, mutates into an insane polemic, and eventually becomes a document of its own author literally going insane, writing and drawing his own mad ravings into a published comic? So when people tell me they want to read it, I tell them that not only is it all of those things, but it’s incredibly LONG. How long? 300 issues, 6000 pages long. It’s a daunting task to try to read it, and even if you had the will, the books are hare to find, because there’s 13 of them. Even if you did feel like reading the slow, steady descent into madness by a comics writer/artist, you’d be hard pressed to find all 13 for the complete story.
Which is why it’s interesting to hear that Fantagraphics, a publisher long known for their brilliant, eclectic line up of independent comics, has been trying to get Dave Sim to commit to letting it be repackaged and republished. He’s being non-committal at the moment, but seems to be going back and forth on letting it happen, or never allowing it ever. Fantagraphics wants to republish it, hopefully in an attempt to get it into a form that’s a bit more manageable than 13 goddamn thick ass books you could kill a small dog with. If you haven’t read Cerebus, I don’t blame you. It’s dense, it’s weird, and towards the middle it’ll almost definitely offend in one way or another, but if you like insane ideas, concepts, and insane polemic stories that revolve around an animated Aardvark, I suggest you track it down.
via [Newsarama]
Yes that’s right. Captain America has been elected into office. Why? I’m not sure exactly, but Sam Humphries, the writer of The Ultimates, has said this:
“Captain America is not going to behave like any other president behaves… He takes the oath of office and barely takes a breath as he goes to hot spots. . . . Cap is out there because he’s so concerned about the state of the Union that he doesn’t have time to think about the State of the Union.”
Which is a statement that the more I read, the less sense it makes. Cap is so worried about us, he can’t worry about us? What kind of backwards motivational logic is that? In no way am I trying to slam Cap. In fact, I think his character is one of the best, and his sense of non-jingoistic, true patriotism, love for civil freedom and all of the things that America should stand for, but currently doesn’t, are what make his character great. In a real life situation, of course I’d elect a man like Steve Rogers for president, but unfortunately, men like him don’t exist. It’s fitting that something like this would only happen in a comic book, because it’s just as realistic as shooting lasers out of your eyes, or having adamantium bones. I have no doubt that Cap will be the president the marvel universe needs, rather than the president the marvel universe deserves, (everything can go back to Batman, FYI), but the thought in and of itself, in a vacuum, is quite humorous. What is he gonna throw his shield around when discussing foreign policy with a bunch of diplomats? Punch a skrull in the face hard enough that Health Care Reform happens?
Plus, Mr. President America doesn’t have the same ring to it, if we’re going by military rank.
Supascoot, here, I’m jacking some of CheeeeEEEEEeeesssse’s space because I am sickened by his disdain for Marvel and feel the need to represent a little bit. There, I said it. Now I apologize for my aggressive behavior as it’s very un-Canadian of me. Where was I? Right, Marvel stuff. Pretty much all the teasers Cheesebadger told you about last week are explained here. By me.
Cable makes his triumphant return along with a brand new X-Force written by Dennis Hopeless with art by Salvador Larocca and Frank D’Armata. I have always loved Cable, and by extension X-Force. This is good news. And an interesting lineup for the team. Domino (An X-Force Alum) Colossus (De-Juggernauted), and Doctor Nemesis (From the X-Club). It was also the WANTED teaser that was released last week. This makes me assume they are wanted for some reason. They will be hunted by the Uncanny Avengers, who are actually led by Cable’s uncle, Havok.. You gotta love time travel. Would you like to know more?
So what’s to come of Uncanny X-Force? Remender is moving on from the title and a new creative team and story is on its way. Sam Humphries and artist Ron Garney will be bringing us Psylocke and her team of ‘killers’ (yes, this was the KILLERS teaser released last week) in a story that takes place 6 month’s after the end of Remender’s run. On the team will be Storm (not a killer), Puck (Alpha Flight… not a killer), and Spiral (from any tale involving Mojo or Longshot. She’s a killer) with a few additions in the future. It also features the return of Bishop as the villain of the book. Would you like to know more?
Another series by Hopeless and artist Kev Walker will be Avengers Arena. Originally presented as the SURVIVE teaser last week, Avengers Arena is basically Battle Royale with Avenger’s Academy, The Runaways, Darkhawk and more all flung together on Arcade’s Murder island. Sound’s awesome right? Even better? The cover is a homage to Battle Royale, so you can put your nerd claws away and stop telling people they stole the idea. Would you like to know more?
And finally, the LIGHTNING teaser from last week which Badger thought was Punisher and I thought was the Thunderbolts turns out to be… a team of Thunderbolts that feature the Punisher. Put together by the Red Hulk, it also features Elektra, Venom, Deadpool, and a few more to be announced when the issues drop. This sounds like a great team book full of death. Written by Daniel Way with art by Steve Dillon, the team will be, well killing stuff I would assume. Lot’s of stuff. I can’t wait. Check out that cover. Would you like to know more?
That does it for me. You can have your article back now.
Thanks Scoot, but you forgot one teaser. In fact, it’s potentially the most important one of all:
Another in a series of teasers for Marvel NOW!, this one is a bit more current. The word on the street, so to speak, was that it was hinting at the return of the fabled Marvelman/Miracleman character. For those unfamiliar, Marvelman was a superhero that had some brilliant stories written by both Alan Moore and Neil Gaiman, and for reasons I don’t entirely understand, has been stuck in legal limbo, unable to be re-published for all to enjoy again and again. Issues of the original run are hard to find, and some can be costly, so the thought of bringing back his character, either into the current Marvel Universe, or simply just releasing a trade collection of those seminal Moore/Gaiman stories, would be AMAZING. Unfortunately, that may not be the case, and the teaser is probably having to do with Spider-Man. Current writer Dan Slott has said that what he’s planning to do for Spider-Man #700, will be referred to as the “Most Shocking Book Of 2012”. Considering the teaser, it’s release date of January, which lines up with the time Spider-Man #700 will be coming out, it’s most likely gonna be goddamned Spider-Man. I know, it’s not popular to dislike Spider-Man, but I just find him so uninteresting lately. I liked him a lot when I was younger, so maybe he’s a superhero geared towards the young? Maybe I am just some terrible asshole hater? Either way, if this teaser turns out to be Marvelman, I’d be happy.
I’m gonna copy Scoot’s weird, Starship Troopers/Propagandistic thing here, and say; Would you like to know more?
Grizzly Bomb 