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Grizzly Game Review: Sleeping Dogs

Summer is a quiet time for video gamers. With triple-A titles such as Call of Duty and Dishonored not being released until fall, there really isn’t a reason to get excited about summer if you’re a gamer. Of course we have Darksiders 2 which came out earlier this week, but that’s pretty much it.

Or is it?

Sleeping Dogs was also released on Tuesday for PS3, Xbox 360 and PC. The game, once went by the name of True Crime: Hong Kong, was under United Front Games’ development before it was dropped by Activision. The publisher of the infamous Call of Duty  franchise decided that doing something different and switching things up are not part of their repertoire, and thus gave up on the title after pooling in a couple of years’ worth of resources and time. Six months after the game’s cancellation, Square Enix purchased the publishing rights to the game. And a year later, the game was released.

So, does the game make you put your dogs to sleep? Wait, that’s a horrible attempt on a pun, like “I’m gonna perform seppuku to express my shame” level of horrible. It doesn’t even make sense. What’s wrong with me?

How about this:
So, will you be playing Sleeping Dogs for a long time? Or will you be watching sleeping dogs online instead?

That’s much better.

Story

The game puts you in the shoes of Wei Shen, a detective working for San Francisco Police Department. He was seconded (or “lent”) to the Hong Kong police to help investigate a triad known as Sun On Yee. Wei was born and raised in Hong Kong for most of his childhood, and has some connections to triad members in the city. These factors make him a seemingly perfect candidate for undercover work in the gang. So, Wei is assigned a handler and his journey on the fine line between black and white begins.

Yea, we have all heard that story before.

Plot-wise, the game is fairly predictable. The characters range from the good-guy-who-turns-out-to-be-the-big-bad to the asshole-who-turns-out-to-be-cool-cat. You know, the usual stuff. Of course, there are also the dialogues practically made out of cheese:

Handler: I’m shutting the operation down because you can’t handle the stress
Wei: You can’t do it now! They see me as one of them. We’re so close!
Handler: That’s what I’m worried about – you’re one of them.

Obviously, we also have the melodramatic sequences in which the protagonist is not sure of his identity. You know, sound bites of characters from both sides of the law playing in the protagonist’s mind as he drives in the rain to confront a major antagonist and sad music about being lost or something like that playing in the background. It’s pretty much a basic requisite for any form of entertainment that involves police working undercover.

Despite of the story’s predictability and cringe-worthiness, I find it, strangely, enjoyable (though not by any means good). How the journey unfolds feels right, and most of the characters are fairly likable. Characters complement each other very well even though they’re molded straight from the cookie cutters of movies or TV shows dealing with Asian gangs. In this case, they picked the right cookie cutters and baked good cookies. They’re nothing mind-blowing, but they are very solid. The story flows well and is satisfying. Like a well-made sponge cake, it is nothing to be excited about, but you’ll eat it. It’s relatively bland compared to other cakes, but at the very least, it will meet your expectations since there aren’t too many things that could go wrong in a sponge cake. In non-food-analogy terms, the game tells an average story. Since the story is pretty easy to execute, and the writers delivered a solid performance, there aren’t too many flaws to be found in the end product. Your low expectations are easily met.

I still don’t understand the title though. Just thinking about it is wrinkling my brain.

(Note: Per TV Tropes. the title is based on the proverb “Let sleeping dogs lie”. It should be interpreted as “leave something alone as it may cause trouble”.  I still don’t get it though. Does that mean the protagonist should have left his past alone? Whatever. I’m done with this.)

7 grizzly paws out of 10.

Gameplay

Throughout the game, you will be completing around 30+ story missions. There aren’t too many varieties among missions. Most of them feature the player getting from point A to point B in a car, kick some asses, chase someone down on foot, and maybe pick up a gun and shoot some people. They’re fun, but not revolutionary. Early story missions introduced side quests. More on that later.

As far gameplay mechanics go, they are pretty well-done. The cars feel grippy, and are fun to drive. The devs did a great job in creating the sense of speed. Driving down the highway has never been more satisfying. Cars have different handlings. You can tell the difference between driving a van and a coupe. I did not like the motorcycles though. Their handling is not agile enough for me to pick them over cars. You can hop from one car to another as you drive, performing a mid-air high jack of sorts. Personally, I didn’t care for this feature. The cars you purchase from merchants are much faster than civilian cars anyways.

The shooting mechanics are so-so. They’re just there because open world games set in modern times need guns. You have a reticle and you shoot people. There are pistols, submachine guns, assault rifles, shotguns and grenade launchers.  That’s pretty much it. They don’t feel all that different. You can get into slow motion if you hit X (on the PS3 controller) as you vault over cover. That’s generally how I eliminate the baddies. Bullet time is somewhat over-powering if you ask me. A skilled player can take out quite a number of hostiles in one use.

The fighting mechanics, however, are other-worldly. Picture Batman: Arkham Asylum’s system on steroids.  Unlike Arkham Asylum, you can grapple your enemies in this game, and you need to hit a different button to counter enemy attacks. You can’t chain up insane combos in this game like you can in Batman, but I would take the melee combat system in this title over the other. Why? The combat in Sleeping Dogs is very fluid and much more brutal. You have the usual melee weapons as well. Most importantly, you can use the environment to your advantage. Grappling your enemy and hauling his ass into the spinning blades of a fan cannot be more satisfying. Or drop a car engine on him if you feel like it. Hell, you can throw him off a building if given a chance. It has the hands down most awesome hand-to-hand combat in open world games.

The parkour style on-foot chases are decent. Basically, you hold down the X button to run, and when the screen prompts you to vault or climb, hit the X button. It’s not Assassin’s creed though, since you can only climb low walls. It’s not like you can get to the top of a 10-storey building by just climbing up the side of said-building.  The pursuits are fun due to the diversity in environments. Running through the crowded night market of Hong Kong chasing after a gangster is pretty mesmerizing.

When it comes to side quests, the game offers a decent amount of those. Obviously, there are the usual street races, which are fun because they’re short and the driving mechanics are great. There are also the random encounters, which are diverse in objectives, though most of them follow a similar structure – the usual get to a certain point, do some stuff, and get paid. You may also pursue a romance if you so desire. Romantic interests appear as contacts on your phone after certain missions. You can invite them out for a date. Afterwards, you’ll receive some sort of reward. Most of them reveal the locations of hidden items on the map. These relationships are incredibly shallow since you won’t be able to contact them anymore after that one date (and in some cases, not see them ever again throughout the story). I have no idea why the devs were bothered enough to include this feature.

Speaking of hidden items, there are different types of those. There are health shrines, which boost 10% of your health for every five you find. You can also look for lock boxes, which grant you a generous sum of cash, or clothing items, or even a firearm. You are also asked to keep an eye out for security cameras. These cameras are located all across town and you’re asked to hack them on location. Hacking them will lead to potential drug busts. There are also statues which you can keep an eye out for during missions. These statues, when brought back to the wushu academy, can give you new fighting abilities. The rewards are immediate and adequate enough for you to actively seek out for them.

The critics are in love with the leveling up. To me, it just seems like a no-brainer. You have the cop XP and the thug XP. The former requires you to drive carefully throughout missions and not harm innocent civilians. The latter asks for you to be brutal towards your foes. (Perform an environment attack for example.) They do not contradict each other. There is the face meter as well, which keeps track of your progress on side missions. The more side missions you complete, the more you progress on your face meter. For each level of face you gain, you will unlock perks such as reduced prices of clothes and cars.

Customization options are limited to clothes. Wearing different sets grant you different perks as well. Some increase your XP and some reduce the price of cars. You can also purchase cars from merchants. They are generally faster than the generic civilian transport. Either case, there is nothing too special about them.

Powerups are available in food stalls. Different types of food grant you different temporary abilities. Consuming a can of energy drink will enhance your melee damage whereas eating a bowl of curry fishballs will increase your rate of health regeneration. They are readily available at all times, even during missions.

In conclusion, the gameplay is fine. It will last you somewhere over 20 hours. There is nothing innovative, but there are also little wrongdoings. The game is just fun to play. The complaint will be the devs were playing it a little too safe.

7.5 grizzly paws out of 10.

Presentation

Presentation is where this title shines. Having spent the first 16 years of my life in Hong Kong (which is a shit hole if you ask me), I am glad to report that Sleeping Dogs is a fairly accurate portrayal of Hong Kong. The game covered only one of three major areas of Hong Kong and only four of eighteen districts. Despite of these shortcomings, you can clearly tell the devs did their research. There is a balanced mix of eastern and western architectures across the city. Each district has a distinct feel to it and is a good representation of its real life counterpart. The narrow roads on the slopes of Central and the neon lights in North Point brought me a sense of nostalgia. Certainly, street vendors selling food do not happen anymore and the back alleys are much cleaner in reality, but there is no complaint from me. As a matter of fact, their inclusion gives the city an early-90’s feel, when nasty alleys and food carts were everywhere.

Complementing the city’s sights are the sounds. There are many interesting dialogues going on between pedestrians and they are surprisingly good reflections of the current Hong Kong culture. Some of the swear words / phrases are surprisingly explicit (which is a plus in my book). Well, I’m sure most of you don’t understand Cantonese, so this may not be a point of interest to you. Either case, I must applaud the devs for putting in all that hard work in making the city feel authentic.

I must also compliment the voice acting in Sleeping Dogs. The devs somehow managed to involve big time Hollywood actors in the project. Names such as James Hong, Will Yun Lee, Lucy Liu, Tom Wilkinson, Kelly Hu, and even our beloved Emma Stone appear on the credits.  They did a fantastic job in giving lives to the characters they were playing. Sadly, the devs have underused many of these talents. Most of them appeared in no more than a couple of missions only to be ditched and forgotten. For any Emma Stone fans out there, she appeared in only two missions and her character was never mentioned again. Anyways, I must also give credit to the rest of the cast – the ones voicing the nobodies on the streets. They were responsible for making the in-game city alive.

http://www.youtube.com/watch?v=2NzBC2N7yAo

When it comes to soundtrack, the game covered a good number of genres. From Canto pop to Chinese oldies to American hip hop, they have it all. Don’t ask me if I like the Chinese tracks in the game. I listen to English music exclusively. Modern day Canto pop consists of incredibly one-dimensional love songs only. Anyways, the soundtrack doesn’t blow fishes out of water. It’s solid, but it’s also nothing special.

9 grizzly paws out of 10.

With that said…

The game is good. It is nicely executed but lacks in innovation. Without a doubt, it’s much better than its predecessor, True Crime: New York.

7.5 grizzly high fives out of 10

I don’t do round-ups.

Should you buy it?

Not now. As good as the game is, it is not on the level where Square Enix can command 60 bucks. Grand Theft Auto IV was perfection in presentation and Saints Row The Third was creativity at its finest. Certainly, the presentation of Sleeping Dogs is almost on a phenomenal level, but it is not enough to overcome the shortcomings in gameplay.

It’s a good, clean punch but not a knock out.

Rent the game or wait till a price drop (to somewhere under 40 bucks).

Grizzly Review: The Amazing Spider-Man

It has a few flaws, but for a first installment of the rebooted Spiderman franchise it is better than any of the original films, especially Spiderman 3! The characters especially where far better this time around with Andrew showing Toby how to play Peter Parker. I will be looking forward to the next films in this great new Spiderman reboot. But I would love to see flaws I found fixed, they are so small though that a sequel would be able to see and fix them.

The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father’s former partner. As Spider-Man is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

To start off let’s talk about the acting. The acting was very passionate which was a little surprising as it’s a super hero film, but you could really feel the emotional responses from its main characters (Andrew Garfield, Emma Stone) when various emotional scenes play out, beyond that would be a spoiler. Now for the main character who’s name I forget, nah only joking its Peter Parker (Andrew Garfield) who I must say is the best interpretation of New York’s friendly neighbourhood Spiderman I have seen in a film. But as his competition is a cheap 80s film and Toby Maguire it was an easy win.

The best part about Garfield was that he looked and sounded the part, nerdy kid from Brooklyn. He was a teenager who had enormous power and treated it like a toy as you would. But my main compliment to this Peter Parker was that he made jokes even during battle’s which was always missing from the last Spider-man.

Sadly the thing many of us worried about was it feeling too soon for a reboot and it was lingering about. Mainly I would say in the origin of his powers but I don’t see how it could be avoided, at least with this film they tried to explain a very clever excuse for the radioactive spider what with using spider silk to create super strong cable.

Think I have talked enough about people and their silly human emotions. Now let’s talk about something more fun like the visuals. The special effects, physical props and visual landscape shots where excellent viewing as expected of a web slinger film. There’s nothing quite like being taken around New York through the eyes of Spiderman.

The lizard looked good and I am one those people who commented on him not having a snout but thinking about it now am not sure how they would get him to talk using a snout without it looking absolutely stupid, but at times the lizard looked more creepy than scary (Picture above for example).The best thing I felt about this films look was the way that the set of action scenes and spidey web slinging took place at night which was what Spiderman should be doing since he fights crime and it’s easier to keep a secret identity when you are fighting crime at night (don’t ask me how I know that).

My favorite scene without giving anything away would be the fight scene in the high school between the lizard and Spiderman, because it shows a great physical fight which plays with the effects and also shows a lot of the Spiderman humour whilst in the fight, which was never used in the original Spiderman. But of course this scene also includes my favorite Stan Lee cameo yet (you’ll see) The Avenger cameo was good this one is better.

What I liked about this films origin of the hero and the villain was that both a very much in development today, for example splicing technology used on the lizard has been in development a lot recent with plants to make super strong and big vegetables. Now another good point we see more spider-like creativity with Spiderman, this time for example in the pic above he sends out webbing in all directions and senses for vibrations much like a tarantula does to catch its prey plus he makes his own web shooters, I love clever stuff like that and it’s more true to the comics. Finally it’s a small flaw but it grinds my gear, why didn’t Uncle Ben state the legendary life lesson for Peter “With Great Power Comes Great Responsibility” to be far there was some variation of those words but I don’t see why they couldn’t just do the damn line! But finally it’s a good film with strong characters.

4.5 grizzlies

The Amazing Spider Man – 2 AM Text Review

My buddy Aaron is a bartender for a certain movie theater here in Michigan, and on occasion, the theater will have advanced employee screenings for movies a couple nights prior to the film’s release. These are his thoughts on The Amazing Spider Man

Aaron: Watching spiderman was like watching the drunkest guy at the bar hit on the hottest waitress at the bar at the end of the night. – 3:08 AM

Aaron: It’s actually pretty entertaining, there’s a lot of misguided effort, but some how, you find yourself rooting for the guy because he’s trying so  – 3:10 AM

Aaron: hard. – 3:10 AM

Aaron: And more than likely, he’ll try again next week. So, yeah, Im definitely lookin forward to the sequal.  – 3:12 AM

 Abraham Lincoln: Vampire Hunter – 2 AM Text Review

Ted – 2 AM Text Review

‘The Amazing Spider-Man’ Looks…Good?

It’s that time again where an old-yet-familiar intellectual property gets the time tested, sometimes proved, sometimes failed reboot. As many of you are assuredly aware, The Amazing Spider-Man gets brought to the silver screen, only now it’s more of an adaptation of the Ultimate Spider-Man comics, in which he was younger, in high school, but still trying on the tights. This Spider-Man seems to be focused around getting us to watch this origin story yet again. This time they’re dangling the elusive prospect of “hidden secrets” about Spider-man we’ve never seen before. From what the preview material would have you believe, it has something to do with his parents and how they died, and implies they were murdered. Were his parents cruel Colombian drug lords? New Yorker mob hits? Genetic scientists experimenting on human/spider DNA fusion? Well, probably not that last one, I hope. Whatever the reason,  they’re deliberately trying to bring some freshness and possible subversion of expectations this go ’round.

This Spider-Man totally loves dubstep bro. WUB WUB WUB.

I have to admit, I’m still skeptical about the direction of the whole thing. For every moment or line that they get right, another rubs me the wrong way. I suppose it’s a feeling similar to the much ballyhooed “event fatigue” that many Marvel fans claimed to be suffering from, starting with 2006’s Civil War, continuing now with Avengers VS X-Men. I think we’ve had a lot of Spider-Man in our media, from that terrible third movie and it’s subsequent terrible third video game, to the main Marvel comic being published 3 times monthly, to the Ultimate comics where he “dies”, to the current Spider-man movie being a re-telling of a re-telling. They say you can only skin a cat so many ways, although why they say that I don’t know, because that’s a creepy idiom, but I believe it stands in this case. That’s not to say that I don’t find the interpretation of this actual Peter Parker and Spider-Man character welcome. The wisecracking Spider-Man/shy Peter Parker dynamic is kept, and done much better than it was. On the flip side, you’ve got things like the Lizard, who is a B-villain at best, who has been mentioned many times by the internet crowd out there, to look like a Ninja Turtle.

Pizza Power!

All that being said, the one thing I’m definitely looking forward to, is finally getting some good acting from a female lead in these movies. Kirsten Dunst could never hang, (oh god awful pun) but Emma Stone seems certainly more than capable of pulling off Gwen Stacy, which is a story I’m glad to see come to fruition, as the famous issue from the comics concerning her and Spidey is one of the best. I know spoilers are a big point of contention here on the internet, but when the story she’s famous for centers around and is literally titled “The Night Gwen Stacy Died”, I don’t think it’s too bad to say I’ll be looking forward to Andrew Garfield finding the right balance of pathos and energy to mourn his doomed new girlfriend. Check out an interview with both Peter and Gwen over on Splashpage. Spider-Man is British now. DEAL WITH IT.

Wot? Why, you Mewling Quim you.

The other good thing, that not many seem to be mentioning, is that Marc Webb is directing the movie, which may or may not excite and/or frustrate you, depending on what you thought of 500 Days Of Summer. I loved the movie, and thought it was a brilliant and accomplished directorial debut, although I admittedly really really love Joseph Gordon-Levitt. The guy has done a lot of music videos for… well terrible bands like P.O.D, My Chemical Romance, Jimmy Eat World and even Hoobastank. So I will be expecting a terrible soundtrack from the movie, if his work is any indication of his musical tastes. The amount of videos he’s directed indicates that he is capable of working with a broad spectrum of creative input and meshing it into a whole, which is something Spider-Man definitely needs. Fresh ideas like the creative depiction of POV aerial work as well as a more realistic approach to his web slinging will help keep it from the cheesy looking CG-fest every web slinging scene was in the previous three.

Check out 6 Minutes of footage, for as long as it stays up:

Despite the inherent tiredness of yet another Spider-Man movie, it definitely appears this one is shaping up to take back its source material and forge its own identity in our theaters. It could possibly pave the way for other, better films where we can see our favorite villains given a new life with their proper due, instead of being quick afterthoughts. *COUGH* VENOM *COUGH* I am cautiously optimistic about the movie, and initially I would have dismissed this, though the talent involved, and the direction it’s taking has proven to look interesting. The final verdict on it being Amazing however, will have to wait until it’s July 3 release.

Trailer Roundup: The Watch, Killer Joe, Fat Kid Rules The World & More!

It’s time for my favorite part of the year. What time is that you might ask? Well, it’s the time of year when we get the previews for all the summer and fall movies coming out for the year. But why do you get excited just for summer and fall movies, you might ask? Well, simply put, they’re just better. Summer films are meant to entertain, while the fall fare is all Oscar bait and leftover blockbusters that didn’t make the cut so you’re either getting A-grade quality or C-grade cheesiness, both of which are very enjoyable.

In this edition of Trailer Roundup, trailers for what might win Best Picture at the Oscars or Worst Picture at the Razzies will share the stage to be consumed for your film-going pleasures.

The Watch (RedBand)

Formerly known as Neighborhood Watch, the film has gone through some major marketing changes due to some recent current events.  The film follows an ‘urbanite’ who moves to a new community and joins the Neighborhood Watch, who soon find out that they are in the midst of an alien invasion. It looked hilarious back before the marketing switch, and it looks even better now that they are focusing on the aliens. – SupaScoot

Stars: Ben Stiller, Vince Vaughn, Jonah Hill, Richard Ayoade, Billy Crudup, Rosemarie DeWitt, Will Forte, and R. Lee Ermey

Release Date: July 27, 2012

Bait

In this R-rated gorefest from unknown director Kimble Rendall, Bait 3D follows a group of tsunami survivors who are trapped in a supermarket. And not because of the water. No, there’s a 12-foot killer shark lurking in the surrounding waters, and the only chance of survival they have is waiting for the water levels to die down. Does this sound stupid? Yes. Is the trailer stupid? Yes. But is it going to be a shark-filled, gore-filled, dead-person-filled, cheesy-dialouge-filled piece of awesome shit? Absolutely.

Stars: Phoebe Tonkin, Alex Russell, Xavier Samuel, Julian McMahon, Sharni Vinson, Cariba Heine, and Lincoln Lewis

Release Date: September 6th, 2012

Argo

I think we can all agree that Ben Affleck is a better director than he is an actor. So his newest film, which he directed I might add, looks pretty great. I love movies about movies, and that’s what Argo is… kind of. According to IMDb: As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador. That risky plan you might ask? Make a fake movie. Argo looks to be the most entertaining war story of the year.

Stars: Ben Affleck, Alan Arkin, John Goodman, Michael Parks, Chris Messina, Victor Garber, Bryan Cranston, Kyle Chandler, Taylor Schilling, Michael Cassidy, and Clea DuVall

Release Date: October 12th, 2012

The Possession

It seems like we’ve just got the preview for this year’s biggest stinker. Produced by Sam Raimi of all people, The Possession follows a little girl who purchases a mysterious antique box at a local garage sale. Unbeknownst to her, the box is home to a malevolent spirit that possess her body, and it’s up to her parents to stop it. The problem isn’t that it looks poorly made, it just looks so derivative. It’s even “Based on a True Story”. I can’t wait until the day Hollywood runs out of true stories to tell.

Stars: Jeffrey Dean Morgan, Kyra Sedgwick, Madison Davenport, Natasha Calis, Grant Snow, Agam Darshi, Quinn Lord, and (not even joking around here) Matisyahu

Release Date: August 31st, 2012

Killer Joe

Alright, everyone. This is where shit gets serious. Matthew McConaghuey in an NC-17 movie directed by William Friedkin based on a play by Tracy Letts? Count me the hell in. Oh yeah, and the movie co-stars Emile Hirsch and Juno Temple, two of the best young actors working in Hollywood. After accumulating a hefty debt, a young man hires a hit man to kill his evil mother who has a $50,000 life insurance plan on her. Thing is, the hit man is a maniacal wacko who instead accepts the boy’s sister’s hand in marriage instead of monetary payment. Things get a little crazy, apparently.

Stars: Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Church

Release Date: June 29th, 2o12

Fat Kid Rules The World (RedBand)

In Fat Kid Rules The World, Troy is a morbidly obese and depressed teenager who, after attempting suicide, is saved by street performer and teenage drug addict Marcus. The two form a bond and start a punk band together, bringing Troy both confidence and fame as he realizes his impact on the world. But when Marcus’ drug addiction becomes a problem, it’s up to Troy to help him live to see another day. From the trailer, it seems like this will be a great quirky coming-of-age film that will appeal to all demographics.

Stars: Jacob Wysocki, Matt O’Leary, Billy Campbell, Sean Donovan, Jeffrey Doornbos, Vivan Dugre, Julian Gavilanes, Russell Hodgkinson, and Matthew Lillard

Release Date: TBD

The Host

Stephenie Meyer adaptations have a reputation for being… complete and total shit. Much like the adaptations of Nicholas Sparks, moviegoers appreciate none-too-much the sappiness and artificial fluff that comes with a love triangle between a human and a vampire and a werewolf. So, it’s rather surprising that the teaser trailer for Meyers’ most recent adaptation, The Host, looks halfway not shitty. Starring Saoirse Ronan, the film is about a dystopian future where there is no crime, no hate, and no conflict because of a parasitic alien soul that invades peoples’ bodies… I think.

Stars: Saoirse Ronan, Diane Kruger, William Hurt, Frances Fisher, Max Irons, Jake Abel, Chandler Canterbury, and Scott Lawrence

Release Date: March 29th, 2013

The We and the I

Michel Gondry understands the human condition better than a psychologist, so it’s fitting that he would make a film about a bunch of seniors during their last bus ride home from school. The premise is fascinating and seems to me like a film that would be adapted into a play or vice versa. From the trailer, it seems like the portrayal of these kids is extremely accurate, and I’m quite excited to see how their different personalities play against one another in a film that takes place in such a confined space.

Stars: Meghan Murphy, Alex Barrios, Brandon Diaz, Joe Mele, Lady Chen Carrasco, Patricia Jade Persaud, Jonathan Scott Worrell, and Raymond Rios

Release Date: TBD

Beasts of the Southern Wild

This trailer for the Sundance Film Festival favorite looks to be equal parts The Tree of Life and Where the Wild Things Are, except possibly even more magical than those two combined. The story follows a six-year-old named Hushpuppy who goes in search of her mother after learning of her father’s deteriorating health. Along the way, she meets a fascinating cast of characters who all teach her something about life. To be honest, this is possibly one of the most gorgeous trailers I’ve ever seen and I truly can’t wait to see this film.

Stars: Quvenzhane Wallis, Dwight Henry, Levy Easterly, Marilyn Barbarin, Jonshel Alexander, Kaliana Brower, Joseph Brown, and Nicholas Clark

Release Date: TBD

That does it for this edition of the Trailer Roundup!

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Japanese Trailer for ‘THE AMAZING SPIDERMAN’

So, sometimes in the haze of all the hype surrounding The Avengers, Marvel is also putting out another movie this year that looks pretty solid – Ghost Rider 2 The Amazing Spider-Man. And I’m not just saying that because Dennis Leary is playing Gwen Stacy’s dad. After the disaster that was Spiderman 3, I’m glad they didn’t wait too long to reboot things and get that taste out of my mouth.

Anyway, much like with The Avengers, the Japanese trailer gives us some previously unseen footage, and had got me a bit more pumped for that movie than I was yesterday. Anyhow, without further ado, here it is…

Continue reading Japanese Trailer for ‘THE AMAZING SPIDERMAN’