David Fincher can do anything he wants in my opinion. If he wants to do Star Wars, let him do Star Wars. If he wants to tackle a full season of HBO television like True Detective, by all means do it. Fincher has this beautiful, yet blunt ability to dig deeper into a story and draw out every wonderful or excruciating detail and throw a spotlight on it. Okay, maybe more excruciating than anything, but his ability to present several angles fleshes out all this stories and makes them memorable at the very least. Gone Girl is no exception. This movie resonated with me for hours after I left the theater. This dark portrait on a marriage, first impressions and snap judgements in a media dominated society enthralled me for the two hours plus in the theater. While it may not ever hit that final gear in gripping the audience, you will walk out of the theater eager to discuss with your fellow moviegoers.
First they had a show in the UK called Spaced, which was a bit hit or miss, but worth a watch. Then, in 2004 the creative team of Nira Park, Edgar Wright, Simon Pegg, and Nick Frost made a movie; Shaun of the Dead. It was a huge cult hit and created for them a loyal fan following here in the states. Three years later they returned to make Hot Fuzz. This was maybe even better than Shaun of the Dead, though met with less fanfare. Shortly after that Wright, Frost, and Pegg made a short without producer Park which was included in the Robert Rodriguez/Quentin Tarantino double feature Grindhouse. In 2011, Pegg and Frost reunited with Park to do the movie Paul, but Edgar Wright this time was not involved. So now, the four of them are all back together again for what looks to be another gem; The World’s End (not to be confused with This is the End).