In honor of last night’s Elementary premiere, I have put together a little musical tribute. Enjoy.
Can you hear the fandoms scream? Expressing their hatred with angry memes. They feel that since it was done in England, It can not be done again. – set to the tune of “Can you hear the people sing?”
Going into the show, pretty much all you heard was “It’s not as good as the BBC version. I can’t believe John Watson is a girl. I mean really Lucy Liu is Watson? What are they thinking? Sherlock Holmes lives in London, not New York! This show is obviously going to suck. I can’t believe people will even watch this shit.” [Editor’s Note: Yeah, that was mostly me]
Well, there were enough people that didn’t think it would suck, or were just curious because Elementary premiered to some rather good numbers. I, obviously, watched it as well, and rather enjoyed it.
Was it as good as the BBC version? Well, I don’t know that we can even compare them like that. While Sherlock is a mini-movie, Elementary is a typical procedural- we see a murder, cut to title sequence, meet the cops, find a bad guy, it’s the wrong bad guy, sit around with pensive looks, have a EUREKA! moment, find new bad guy, and of course it’s the right bad guy. [Editor’s Note: My point…] If it’s a good procedural, there is enough storyline between the main characters that keep us coming back each week. I don’t know about anyone else, but I watch NCIS more for the relationship between Gibbs’ team than the actual murders they solve.
Johnny Lee Miller is a believable incarnation of Sherlock Holmes. He’s quirky, witty, quick, and intelligent. And he’s got enough of asshole in him that makes it entertaining. He’s not intentionally an ass, as shown by his attempt to not pour salt into Watson’s wounds, but it’s there, just waiting. As he begins his post “junkie jail”/rehab life, his father has hired Liu as Joan Watson to be his sober companion. Blame it on my sheltered life, I had no idea that such a job existed. He has also decided that instead of just sitting around, he is going to return to a job he did with Scotland Yard- police consultant, this time with the NYPD. We all know what Sherlock Holmes is like, and Miller does it well.
Call me nuts, but I like Joan Watson. I don’t know that the leap from surgeon to sober companion is all that believable, but they did a good job at setting it up. I loved Sherlock’s assessment of how much she likes her job though. Can’t say I’ve ever considered the number of alarms set as an indicator of how much one likes their job, but hey, it was fun. Watching her step into the investigator role was rather ingenious. I was afraid it would be forced but it really wasn’t. And can we discuss the fact that Joan Watson is a baseball fan? I love when a woman is a baseball fan. I do want to ask her opinion on pink uniforms, I’m sure we would both agree on that topic.
If there was no other reason for me to watch this show- it would be this man. I would watch Aidan Quinn do anything. ANYTHING! I’m just hoping he has a longer stint as police captain than he did as a police lieutenant in Prime Suspect.
So- the big question is, would I watch it again? I would. Pilots are always a bit messy. They have a lot of back story to fit into a little bit of time and it makes for, at times, an awkward flow. I thought Elementary was successful in navigating those waters. The murder/investigation story vs. the relationship between Sherlock and Watson was pretty balanced. Both Miller and Liu were believable as the characters. I’m looking forward to seeing if/when Mycroft is introduced as he is one of my favorite characters. I’m the oldest child of some crazy siblings, so I can relate to his pain. What I’m really hoping is that Sherlock will start introducing Watson by a variety of titles, a’la Sean Spencer.
Because there is potential and I’m excited to see how things develop, I’m going to give the pilot episode a 4 grizzly rating.
That wraps up this review- we’ll meet up next week and see what our favorite detective and his sober companion are up to then!
[Editor’s Note – I (Doc) am at a bit of a loss here. I have to disagree with my colleague. I thought the relationship was forced, the characters were boring, and the NYC setting was akin to moving Batman out of Gotham. 2/5 for me. They felt as natural together on-screen as they look in this picture:]
Remakes, reboots and re-imaginings are certainly the hot to trot thing in recent times. I think I can count on one hand the amount of successful, entirely original films that have come out in the past few years. However, that’s not to say that reboots, or remakes can never be good. Just look towards the recent Dredd 3D as a prime example of a great reboot. On the whole though, most remakes are generally looked at with disdain. Horror fans are especially critical of remakes, as they generally all tend to be very passionate about the objects of their affection. Here lies the conundrum of The Evil Dead remake, which was rounding up it’s cast when we previously reported on it.
Welcome back to the Hero Express, your one-stop sometimes SPOILER filled shop through the top five stories in comic based Film & TV news!
Chris Hemsworth & Jaimie Alexander on set of Thor 2: The Dark World!
When I first heard that Alan Taylor (Game Of Thrones, Rome) was going to direct Thor: The Dark World I like many others were hoping that he would add some of the realism of his previous work to the project. The images below do not disappoint, and coincides with Alan Taylor’s previous thoughts on a “more tangible” and “more organic feel” for Asgard. These set pics certainly show a part of the grand scale he is going for.
There are a lot more images in the slideshow at the bottom of the page.. We also have the official plot description for Thor: The Dark World:
Exploring Thor’s relationship with the Asgardian all-father Odin, as well earthbound companion Jane Foster, “Thor: The Dark World” follows the God of Thunder to The Nine Realms beyond Asgard and earth. And as his evil half-brother, Loki, returns for Asgardian justice, a new threat rises. Also rejoining Thor are his fellow Asgardians, Lady Sif, gatekeeper Heimdall and Warriors Three, as they encounter mythical Norse creatures among evildoers.
“Thor: The Dark World” stars Chris Hemsworth, Natalie Portman, Anthony Hopkins, Tom Hiddleston, Idris Elba, Christopher Eccleston, Jaimie Alexander, Zachary Levi, Tadanobu Asano, Stellan Skarsgard, Ray Stevenson, Adewale Akinnuoye-Agbaje, Rene Russo, with Alice Krige & Kat Dennings. And Alan Taylor (“Game of Thrones”) takes over directorial duties from Kenneth Branagh, who helmed the first “Thor” film. From a screenplay by Don Payne and Robert Rodat, “Thor: The Dark World” is set for release on November 8, 2013.
Drew Goddard Wants a Marvel Movie… But Who Doesn’t?
The Cabin in the Woods director has recently shown interest in directing a Marvel film if the opportunity arises. This isn’t necessarily the most shocking news because I and every other nerd around would kill for that opportunity. But considering some of his powerful friends (Damon Lindelof, J.J. Abrams, Spielberg, Joss Whedon) and the success of this years The Cabin in the Woods, his interest in a Marvel film could very easily turn into something serious.
“What Marvel character would I not love to get on? That’s an easier question to answer. I would love any of it and I love Marvel, Joss and what they’re doing. It’s all about finding the right fit. Directing…in order to do your job right, you have to find ways to make it personal, and if we can find the right fit, then I would love to do it.”
Thanos Confirmed For Guardians of the Galaxy and The Avengers 2
Filming on Iron Man 3 is underway and coming out next year, production on Thor: The Dark World has started filming in England as we just told you, and Captain America: The Winter Soldier is set to start production next March. That will mean Guardians of the Galaxy and The Avengers 2 will be the final two films of the Phase Two line-up. Edgar Wright’s Ant-Man should be able to come to production next year …hopefully.
This ugly mug above from what we can gather will be in both The Avengers 2 and Guardians of the Galaxy. Whether that is a small cameo or the main villain is yet to be revealed. My theory at this point is that Thanos will be a small cameo in GotG where we get a first taste of Marvel’s space opera which has been talked about in the Marvel Cinematic Universe before, but I think the main villain will be someone else. The Avengers 2 will probably have the big scary Thanos as a threat to be dealt with by Earths Mightiest Heroes. Just my theory as to what direction they will be taking the Phase Two and where Thanos will play into that.
Feige has all but said Thanos is in the movie.
Now we learn that not only will the Mad Titan Thanos be featured in the Guardians of the Galaxy movie — but The Avengers 2 as well.
We previously reported that Thanos creator Jim Starlin was in talks with Marvel about “something,” with it theorized that it was over the rights to Thanos.
Now, a Cosmic Book News regular, Armand Rock, has confirmed through Jim Starlin that Thanos will be in the Guardians of the Galaxy movie and The Avengers 2.
You know Max Landis, the Chronicle writer and son of the great John Landis (The guy who has done pretty much everything). It looks like he will be getting a new TV Show on Fox. Vigilant will also be produced by Howard Gordon (24, Homeland), and is a police drama featuring a crime fighting vigilante. On Monday, it was revealed that Fox has officially picked up the show.
The basic premise of Vigilant is this: a 20-year old, female “social outcast” becomes a vigilante in order to take down criminals and corrupt police officers. Before bringing up the failure that was The Cape, know that Landis doesn’t think of Vigilant as a superhero show. “Vigilant comes at the whole equation of what a “vigilante” in a very different way, the writer recently tweeted. “It has more in common with The Wire than Smallville.” Several tweets like the one quoted were posted by Landis in the wake of the Fox announcement hoping to convince everyone that his show won’t simply be a superhero tale.
I really liked Chronicle and the way Landis represented the human side of the character. I hope he brings this skill of character development to the small screen with him. The show has great potential but also comes with some competition this year from a couple of potential superhero based shows like Joss Whedon’s S.H.I.E.L.D. and FX’s long in production Powers. Then there is the fact that it is being produced by Fox, which I don’t have a problem with but I do worry that they may just cancel if it doesn’t instantly become a hit.
Kick Ass 2 Set Photos: Jim Carrey, Donald Faison, and Bad Touching?
Well, we have yet another anticipated super hero film with a butt load of Kick-Ass 2 set photos (Butt, ass…Okay, not my best work). But still we get to see the main cast and finally get to see what all the new additions look like. Noticeably we have Doctor Gravity, Mother Russia and Colonel Stars.
Why is Hit-Girl kissing Kick-Ass?Donald Faison as Doctor GravityOlga Kurkulina as Mother Russia
Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…
Boom Studio’s & Paul Jenkins Teaser
Boom studios is one of the many indie comics studios that has found a niche audience with their select few titles of popularity. Arguably their most popular was Mark Waid’s Irredeemable, but they’re also known for their Hellraiser, Planet Of The Apes, and Adventure Time comics. Personally I really loved Irredeemable, and thought it was a great book, even if it’s ending was the same ending from All Star Superman #10. But that’s such a brilliant ending I’ll take it again anyway. When it comes to Boom Studios, there’s not much they do make that I can say anything negatively about, so the fact that Paul Jenkins is working on a project with them, is something I’m looking forward to upon announcement alone. So here comes the teaser for the project, whatever it may be:
So yeah, not a whole lot to go on there at all. But hell, Jenkins has done incredible work on Hellblazer, Wolverine: Origin, and my personal favorite, The Sentry. Not that I like who The Sentry became, but that first 6 issues that introduced us to the character were so creatively meta, well written, and emotional that I still love it greatly, even if The Sentry turned into a whiny crybaby Mary Sue piece of shit. To this day I still think that story of The Sentry could be adapted into one of the best original superhero movies ever made, if you just changed it to an original superhero, and make it a bunch of Marvel analogues, ala Planetary, or The Authority. It’d be a great story about superheroes, rather than just being about superheroes.
As for the teaser? Is it a comic about death? Maybe. I know I’ll be looking forward to hearing just what the hell it is.
Greg Rucka Tells It Like It Is
Greg Rucka, probably most famously known for his Batman related work, and his New Krypton storyline for the Old DCU, has been pretty vocal lately with his dislike of the way creator relations are currently being handled by BOTH of the big two, voicing his displeasure in a revealing quote over at [ComicsAlliance].
Rucka said that he’s “reached the end of my Work For Hire rope,” adding that “I have spent a lot of my comics career in service of other masters, and I’ve had enough of that for now. I’m sick to death of the way the Big Two treat people.”
He goes on to add some more details about the mistreatment he’s received from both camps, expressing his displeasure pretty pointedly. As a comics fan, it’s hard to disagree with him, because the points he makes are so prevalent, especially with DC. I’ve heard plenty of horror stories over the years about the way writers are treated like meat into a grinder, especially since there’s so many that are chomping at the bit to break into any sort of comics writing mold. The most obvious and glaring point is that the companies keep trying to compete with each other, and play catch up, rather than strive to innovate or go their own way. The most obvious example is the whole Marvel NOW! thing, which is so blatantly a transparent lift of the concept of New 52, it’s maddening. At least with DC, it made sense, because they had a bowl of spaghetti for continuity, but Marvel seems to be doing this purely for marketing reasons, rather than anything creative.
An industry that only looks to constantly play catch up, is inevitably going to stagnate. As innovation dwindles, and brilliant books that try things differently go by the wayside, you’re in danger of having an industry bubble burst. I don’t mean to go all “THE SKY IS FALLING” on anybody, but I’ve found that generally being a pessimist about these kind of things doesn’t hurt. Expect a kick in the balls, and if you get slapped in the face, you win, I always say. Hopefully, Rucka’s words will wake up some abject comics executive, who’ll help creative minds establish their work in a way that’s beneficial to everyone, rather than threaten them with losing their job to 10 more hungry writers, who’ll work for scraps off the DC table.
Brian Wood’s New Original Title From Image Comics!
Brian Wood is a curious writer for me, personally. First off, the guy has written some of my most favorite comics of all time. Issue #10 of his masterpiece, Local, brought me to tears, and touched me in ways I can barely explain to most people. His other work, is all of differing quality and style, from his massive work on DMZ, to the shockingly different tone of his work on Northlanders, the guy undoubtedly has range.
However, he’s a guy who I’ve met in real life, more than once, both times I went to Comic-Con. It’s one thing to meet someone who’s obviously stressed and trying to cope with the zoo that is CCI, and it’s another to meet a guy who clearly doesn’t really like his fans. I remember being in line, and watching the guy be kind of openly rude to multiple people, begrudgingly signing things, and just generally seeming like he didn’t want to be there. I’d like to think I’m a very understanding person, and I get that after a while it’d be very difficult to be super enthusiastic for each fan you come across when your main prerogative is just getting back to your hotel room and getting some sleep. But it’s another thing when you’re there first thing in the morning, and still have attitude. I gave the guy the benefit of the doubt though, and came back next year, to get him to sign my copy of The New York Four (which is great mind you), only to see him acting the same way again. It was disheartening to say the least.
All personal experiences aside, the man undeniably is a genius and makes great comics, even if he is a bit of a douche. So of course, I’m totally stoked to see he’s working on a sci-fi title dealing with superpowers. The concept of an athlete discovering their superpowers live on television is A-1 dynamite. A stepping stone that could lead to excellence. It’s the sort of thing where I have to separate Brian Wood the man and Brian Wood the writer, and just take his work at face value for the brilliance it is. You can read more about the actual book here.
Those of you familiar with me here at GB, know I’m not the biggest Spider-Man fan in the world. I’ve said before time and time again, he’s my least favorite superhero, out of the big ones. Something about him I just can’t relate to, even when I was a teen struggling with… helping my weird Aunt, or responsibility, or some other boring shit.
Dammit, sorry. I promised myself I would try to stay as positive as possible for this part of the article.
Unlike some other people, of course. They see this as an attempt to revise, erase, and forget the legacy and history of their superheroes in favor of a cash grab. But that’s what the movies are for. I see this as a welcome change to the entirely shitty status quo that is Spider-Man.
I remember way back when Spider-Man was 3 different books a month and they decided to cancel the other 2. This of course meant Amazing came out 3 weeks in a row every month. Which forced Dan Slott to write weird, lame stories that amounted to mostly useless filler at best, and at worst, horrible retcon filled bullshit like the fallout from One More Day. Then they started introducing stupid villains like Mr. Negative and Anti-Venom, which the mere thought of, to me, screams UNCREATIVE.
I know, they’ll just print another Spider-Man title, and the re-numbering means nothing, and it’ll just be the same book with a different name, maybe with some new gimmicky team attached, or something or other. I don’t know, and I don’t care. It’s all pointless really, and in the meantime, i’ll just try to pretend like this is the end.
Shit. I failed at being positive didn’t I? Oh well.
[Supascoot here. My opinion varies greatly from Cheesebadger’s. Spider-Man is my favorite (Marvel) hero. I don’t like the end of Amazing, and some of the rumors about Spidey’s direction afterwards (Spidey with Doc Ock Arms… Seriously) aren’t filling me with confidence. I would be more upset, but Marvel already punched my love of Spidey history right in the balls with One More Day. So… whatever. Back to you, Cheese.]
Kirkman and Moore Lawsuits Arrive At Mutual Satisfaction
When I first heard about this, I was pretty shocked to hear about it. It seemed like something out of a bad made for TV movie:
Two buddies make a project together. Project gets big. One buddy gets all the credits, lets the fame change him. Leaves previous buddy by the wayside. Previous buddy asks for due credit and compensation, but is unable to reach his old buddy, as he’s now a megalomaniac monster, drunk on his own fame and power. Lawsuits are made, friendships ruined forever. Tragedy. Roll credits.
Which is more or less the situation with Kirkman and Moore, from my point of view anyway. It seems history has a way of repeating itself, what with this happening between Siegel, Shuster, and DC, or arguably even Stan Lee and Jack Kirby. When it comes to partner projects, it’s hard to tell if even your best friends since childhood, (literally in Kirkman/Moore’s case) can be trusted. Unlike those previous examples however, both Moore and Kirkman came to a resolution that seems to be good for all parties involved. I know I’m not privy to many of the personal details but having suffered from the fallout that can come from collaborating with friends on projects and watching those projects fall through, along with the friendships, this story hit a nerve for me. I’m glad they came to an agreement, but I can’t help believe it was at the cost of their friendship. Potentially anyway, but lord knows neither man will actually actively comment on their personal lives in this manner, because who else but me would care?
Tony Moore cares…
Regardless of how I feel personally on the matter, it’s good to know that credit is given where it is due, and all of the other particulars could be put by the wayside. Unfortunately, The Walking Dead is still a terrible TV show, and I’ve never looked to a new season of a show with regretful disdain more than the upcoming third season. I fully expect it to be shit, especially in contrast to the perpetually great comic book. Hopefully this sort of thing won’t happen again, and the comic won’t be affected in any way, because it’s still my #1 read at the top of my pull list every month, for 4 years straight.
You can read more about the actual details of the lawsuit and the settlement here.
That’s it for this edition of Comic Rack. We’ll see you next week.
In the year 2018, a promotional space shuttle flies out to the moon to – well, to do some promoting, what else? However when they arrive they notice that a huge base has been constructed by the Nazi party (who fled there after the war). One astronaut meets a sticky end (loses his brains through the back of his spacesuit), but the remaining astronaut is captured. The Nazis believe this man is the leader of the mission but in fact he is a black model named James Washington, which confuses the Nazis and makes them wonder if they are under attack from united forces. To keep him on their side they turn James Arian, which sucks for him, as now his skin is bleached white. He is obviously not best pleased but it’s either this or death so he plays along. Finding out that Washington’s phone battery can charge their death ship the Gotterdammerung, officers Renate Richter (earth expert) and Klaus Adler (wannabe ruler), with white Washington in tow, go to Earth to see if America is planning an act of aggression and to nick some phone batteries.
Grizzly Bomb 