Countdown to Halloween #21: Jerry Dandrige

Not many vampires these days really do it for me. You have all of the leather clad Underworld vampires, glittery hipster vampires from Twilight and not much else these days. It’s a far cry from actual threatening vampire menaces from Blade and 30 Days of Night. But, to find a true Vampire lord that added equal parts terror and douchey charm into the horror mix, then look no further than Mr. Jerry Dandrige from Fright Night.

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Comic Rack: Hickman’s Avengers Plans, X-Force Loves The 90’s, & Garth Ennis Has A Red Team!

Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…

Jonathan Hickman’s Plans for The Avengers

One of the most distressing things about this new Marvel NOW! thing is the dichotomy of feelings it gives me about Jonathan Hickman. On one hand, I love the idea of a man as brilliant as him writing Avengers stories, that will undoubtedly be amazing. On the other hand, I can’t afford to buy all the books Marvel prints, with their 50 tie ins and side stories and everything. It really seems like If I wanted to buy Hickman’s Avengers, I’d at least have to buy 3 other books to get the full story. And being a total completist nerd, I either go whole hog and get everything, or none at all. In my case, it’s currently none at all, because following DC in this fashion is making my wallet look at me every Wednesday like I’m slowly skinning it in a laboratory. However, reading ABOUT Hickman’s Avengers is still fascinating, and the news of what he’s doing with them piques my interest.

“The conversation shifted to the mysterious “New Avengers” team, which Jonathan revealed consists of the Illuminati, which was introduced in Brian Bendis’ “New Avengers.”“It’s about the guys that very quietly and secretly run the world,” he said. “It’s thematically much different than what’s going on in ‘Avengers.’ The plan that I’ve worked up is that the Avengers are the utopian Avengers. They’re the ideal Avengers, whereas the New Avengers are real-world. They live in the world as it is, which is dark and apocalyptic. It’s very old-school. We’re pretty excited about it. The books will work together, in tandem. You don’t have to read both of them, but if you do, there will be things that echo across the books.”

via [CBR]

This is a classic example of something comics writers say, but never do. “Oh you don’t have to read them both/all/whatever, but there will be bonus story connections between…” blah blah blah. I know this game. I’m not falling for it mister. My wallet shrieks in pain every time I open it now from the trauma of Civil War, and that was YEARS ago.

Cable & X-Force Bring Back The 90’s

I know, I know, we’ve talked about this Cable series before, but sometimes a book is so interesting you just gotta follow up on it when you hear more about it. Especially if it involves Cable. In the 90’s Cable was a pretty big deal. I remember seeing lots of comics with him holding big guns, doing stuff, and having lots of pouches. I know it’s very hip to hate on 90’s pouches, but you know…. It’s fun. I always imagined he had ammo of course, but also just an entire spectrum of things in each pouch. Sort of like an Uber-Bat-Utility Belt. Regardless of pouches though, the thought of a comic being printed today with that ultra macho, pouch-tastic sensibility appeals to what very little bit of nostalgia there is in me to appeal to. Hopeless seems to be taking that idea and running with it.

Newsarama: Dennis, the first thing I wanted to ask about stemming from your first couple interviews on Cable and X-Force is the idea of not shying away from the inherent ’90sness of the characters and concept. Why is it important for you to embrace that, and not run from it? And though obviously the point is to present those things in a modern context, but what kinds of ’90s motifs and practices do you find still work today?

Dennis Hopeless: I think there’s something about badass for badass sake. I was a kid when those early X-Force issues were coming out. My friends and I loved them because they were badass. Everything was high-octane and over the top. It’s the same reason we all loved Schwarzenegger and Stallone and Robocop.”

via [Newsarama]

So I’ll avoid the easy joke of a guy named Hopeless writing a comic about Cable who has a daughter named Hope, and instead just mention how this book actually seems pretty interesting. I’ve never read anything by Dennis Hopeless, but he seems to be doing good work, and I love his name. The fact that he mentions Stallone, Schwarzenegger and Robocop just seals the deal for me. He seems like he gets it, and will actually produce the kind of book Liefeld was always going for, but ended up failing at. It’s the difference between a delicious, fluffy croissant and a rice cake. They’re both mostly air, but one is way better than the other.

Garth Ennis Assembles A New ‘Red Team’

After wrapping up his long running series The Boys, Ennis doesn’t look like he’s taking any breaks. The man certainly is full of ideas, and this new mini-series he’s developing sounds like one of the more tame ones, compared to the usual shock tactics he’s famous for.

In Red Team, Garth Ennis and Dynamite described “up-and-coming artist” Craig Cermak team for this new seven issue limited series that features a Major Crimes task force in the NYPD who make a bad call that leads to lots of drama. The team decides to murder a suspect, and things don’t go well after that. Dynamite described the series as “in the tradition of The Wire and The Shield” in a press release.”

via [Newsarama]

Aside from Preacher, I’ve always thought that Garth Ennis worked better with his mini-series. The Boys trailed off around issue 23 in my opinion, and never really recovered for me since. His mini-series have always appealed to me. I like the idea of him returning to another reality themed book, and think tackling a concept like a task force in the real world could work well for him. The guy has the chops to do more down to earth, gripping stuff in him. He did it really well for his Punisher run way back when, and Battlefields is the only modern example I can think of. I’ll be looking forward to this one because I know it’ll be done in 7 issues, and for a guy like me that’s comforting from a monetary standpoint, but disappointing if I end up REALLY liking it. Everything’s a catch-22 for me. Shit.

Mark Waid Is Taking On The Green Hornet

Now that Mark Waid has made himself a bigger deal with the success of Irredeemable, it seems his name has some clout to it that will bring more attention to what he’s doing. Specifically, Green Hornet. A character who is pretty famously non-popular. Not that he’s UN-popular, which means people hate him ala Aquaman. He’s just non-popular. Like… Red Tornado. Most people haven’t heard of him, but those who have probably don’t have any strong feelings about him. You’d have a hard time being pressed to list a seminal Green Hornet story the way you would with nearly any other superhero. That being said, perhaps Mark Waid will give Green Hornet his.

“It should come as little surprise that I have an affinity for all costumed crimefighters no matter if their adventures are ‘period pieces’ or not–heroism is heroism regardless of whatever year’s on the calendar,” said writer Mark Waid in a press release.  “With this Green Hornet project, which I’ve been percolating on for more than ten years, I’m able to meld my love of the Hornet’s legacy with a little bit of Citizen Kane and a lot of Lawrence of Arabia to tell a story never before told–the dark years of the Hornet’s later career and the one mistake he makes that nearly costs him everything.”

via [Newsarama]

So… Green Hornet will make newspapers in the desert while freeing slaves? And go sledding? Or something? Okay so I’ve never actually seen Citizen Kane (I know), but still. The man at least knows what he’s trying to accomplish. They even made that Green Hornet movie a year ago didn’t they? Then there was Kevin Smith’s comic, right? So maybe this whole thing has been building to this. Perhaps The Green Hornet will finally get his due? Being unfamiliar with his character in almost every dimension makes it hard for me to feel anything about this other than bemused indifference. I really loved Irredeemable though, so maybe it’ll be good. It’s weird, it’s almost like I have to try to purposely make an effort to like Green Hornet. I’m hoping soon I’ll be able to change my mind about him. Or not. Whatever.

Frank Cho Brings Us Savage Wolverine

Frank Cho is one of those names that’s known in particular for one thing. Cheesecake. No, not the delicious dessert, but rather the term for gratuitous shots of gorgeous, lusty, busty women posing seductively in some manner. Personally I have no problem with this. Who doesn’t like beautiful, busty, buxom, bouncing babes busting out of their brassieres? (+5 Alliteration skill)You know what else everyone loves? Wolverine. Now thanks to Frank Cho, we’ll get a book with BOTH!

See?

The new series will start off, appropriately enough, in the Savage Land. Shanna the She-Devil, who Cho previously worked on in the Shanna the She-Devil limited series, will guest star in the series’ opening story arc, which features a stranded Wolverine waking up in the Savage Land with no memory of how he arrived. “The story takes place in the forbidden area of the Savage Land where an evil ancient god slumbers,” said Cho. “Wolverine and others accidentally unleash it, while trying to get home.”

via [ComicsAlliance]

I know this might rile up some weird Wolverine fanboys who don’t want their cheesecake mixing with their Wolverine…salad. Or whatever. All I can say is why not? Why not make a book with Wolverine fighting dinosaurs in the Savage Land, assisted by a busty,  scantily clad sidekick who stabs dudes with her spear? Must everything be so dark all the time? The book sounds like it’ll be a hoot, and most importantly, actually interesting. A lot of writers get so caught up with making Wolverine such a gritty, broody, dark mother f-er they lose sight of the potential to just make him a badass awesome character who gets shit done. Best he is at what he does and all that. Plus boobs! Boobs! If you can’t get behind that, man… I dunno how to help you.

That’s it for this week! Be sure to check out more Comic Rack here!

WWE Monday Night Raw Recap & Review 10/8/12

*Pictures and accompanying text by Cheesebadger!
Cheesebadger here! Sometimes I like to get different viewpoints on Raw from different people, just to make sure I’m not insane. I think it’s beneficial every once in a while to let somebody else give their opinion, so this column isn’t just “F–K SHEAMUS” every damn week. That being said, my friend Tressa is an avid Raw/WWE fan, and has plenty of great opinions about the show, so I’m happy to have her share them here. Now enough of me, you’ll get more of my inane commentary next week! Take it Tressa!

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GB’s VHS Vault: The Truth about the Jaws Sequels

Jaws is an amazing film. I think most people would be hard pressed to argue with that fact, and if nothing else Jaws made almost everyone afraid to go into the water.

The VHS and poster art is a work of genius, so simplistic and yet so powerful. It is also a great example of summing up an entire movie. People swim, Jaws eats them. Aside from how they beat the shark, that’s pretty much the movie in a nutshell. It is the Jaws sequels I want to cast my beady eye over this week and the slap dash approach they took with VHS marketing. Like a lot of series, this line of movies went from great to dire until they decided to knock the whole franchise on the nose and send it on its way (that’s how you distract a shark for a few minutes you see, by hitting its nose, so that comment is actually quite clever!).

Jaws 2 decides that Jaws was such a winning formula they should just copy and paste it into a new plot line. So not much has changed, it follows Sheriff Brody again, and people still will not listen to him about there been a pesky shark roaming about. The man paid his dues, surely they should cut him some slack. Anyway the cover is pretty standard; it has blonde looking happy, water skiing until old Bruce (the sharks nick name from Jaws) 2 pops up behind her. This is where I start to get a bit pedantic people, as it’s the same shark. Now I know this may come as a shock, but not all sharks look exactly the same, sure similar – but not identical. Does the shark from Jaws have a bloodline that covers the entire frikking ocean? I know it’s iconic and all, but come on.

In the first Jaws film the shark is coming from the bottom of the ocean to the top to get the woman. But here the shark is already behind the woman in question, and she is facing us directly, not swimming sideways. So the angle of the shark looks all wrong. He should be facing the front of the cover, so we see his eyes and teeth or at least his fin poking out. It just looks like the shark has torpedoed himself out the water like a missile, and it seems that the water-skier would have noticed that. Most of the shark attacks I have seen (well on TV at least) always have the sharks pop out the water at a slight angle, so it can get a better grip of its food. Not the case with this shark, he is a drama queen and must make an entrance. The funniest thing I found about this is, if he is coming in at that angle he will land down onto the water pretty quickly, creating the biggest shark belly flop known to man or beast.

Jaws 3, alas does not change the formula either. In its defense though, it does at least show two sharks (which is a big part of the movie one a baby, one its mum) on its VHS sleeve, and it does show the SeaWorld staff having a good time until the shark chases them. Maybe if they spent more time sorting out the SeaWorld pipes they would have noticed the damn sharks, but that’s beside the point. The shark is actually going in the right direction this time, with its fin just been visible. It makes it a lot more credible and to be honest a lot more scary. The artwork is pretty good here too, so it is a definite improvement. The SeaWorld resort is plainly seen in the background and it looks huge, which makes it a little bit more believable that two sharks would pop in for a visit. This was 3D in the cinemas and the Jaws 3 logo makes it look as such, which also adds just a little bit more originality to it. My VHS copy however does not have 3D capabilities, so it puts me in a foul mood to think I missed 3D Jaws. Overall in cover and plot at least they tried something different. What they did not do however, is get rid of that bleeding shark image! Even worse on this one – it’s not even in the water, it’s just hovering over the resort like some mega shark waiting to attack. In all fairness maybe they were going for a metaphor on how the shark is like a spectre of death hovering over the resort until it has its revenge, probably not though.

This brings us to Jaws 4The Revenge. Wait I thought the last film was about shark revenge. Well ignore that, as this film brings us right back to sheriff Brody’s family. He is dead now, shark induced heart attack (or maybe boredom as I would get sick of sharks popping up every two seconds). His wife thinks that a shark is stalking them. Is it? Who cares that’s not what I’m here for, I’m looking at the VHS cover. And boy this is a slap dash affair. There are two different covers for this. The US one which is the best, actually looks pretty good. It has a woman, alone on a ship, ready to fight a ticked off shark. It even breaks the trend of completely ignoring the human cast involved in the film, by having them on the bottom of the front cover.

Maybe they put them on so we knew who to blame when everyone who watched this thought it was a turd sandwich. The other cover, which is also the promo poster for the movie sucks. It is the exact same cover as Jaws 2 but it has removed the girl entirely. Even the people who make the VHS covers were sick of having teenagers on the cover! All they have done is add a few splashes around the shark mid rift to make its jump out of the water scarier. But it’s not, because the shark looks like an idiot. He is in the middle of the ocean (there is no land present anywhere on the sleeve) and there is no one there, he is actually chasing nothing so why the big entrance? A Shark Prima Donna yet again, making a big entrance but this time for no body. It actually just looks stupid. And no extra points for using the shark as the A in Jaws – The Return, it’s not clever and it reeks of desperation. The viewers thought so to, as this nose-dived at the box office and killed the series. So what have we learnt from this? Well Jaws 4 needed better VHS art (or a better plot I’m not sure).

Just for giggles I’m including the unofficial sequel Jaws 5 – Cruel Jaws. It was a TV movie shot by Bruno Mattei which focused on a tiger shark (so not the right shark then) kicking off and doing the usual shark things these movies do. The cover is hilarious though. It is the exact same cover as Jaws 4 only more crudely drawn and with an explosion in the background, because everyone loves sharks and explosions right? This may be my favourite cover actually! But all this bitching and moaning aside I should not complain. Without these films we would not have had some of the amazing rip offs (like the above mentioned film) which would warrant an article themselves. We would also not have had the CGI shark flicks of today. Hell some companies would go bust if it was not for the fact you can mix a shark up with pretty much anything (Two headed shark, Shark man, Dinoshark and Sharktopus been fine examples). I don’t know if I could live in a world that did not have these. So for that reason alone I salute the awful VHS covers of the Jaws franchise and thank them for kicking off a run of awful shark movies.

Countdown to Halloween #22: Edward Scissorhands

Once upon a time, Tim Burton did what he does very well and gave us the movie Edward Scissorhands.  The hero of this movie was, as you can guess, Edward Scissorhands, a man created by an eccentric inventor (Vincent Price) who died before being able to give him regular hands.  Edward is taken in by the Boggs family, and he falls in love with their teenage daughter, Kim (Winona Ryder).  However, due to mistrust from neighbors and many unfortunate situations, Edward’s character is called into question and he is eventually forced to go live alone again, but not before Kim lets him know that she loves him back.

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Conveyors of Common Sense…

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