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Breaking Bad: 508 “Gliding Over All” Review

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Well, folks, it’s all led up to this. For eight weeks, our heart rates have been unfairly raised and our expectations shockingly shattered. It’s been quite the ride, and it’s not even over yet, but this 6 month break will probably be the cause for a strange decrease in my blood pressure. Fresh from the murder of Mike, Walter and Todd are getting ready to burn his body and discard of all his things when Jesse, who is still not aware of the murder, walks in.

They quickly hide the body and him and Walter speak briefly about what to do regarding the nine men in prison who are now willing to rat them out. Walt says he’ll deal with it and that Jesse’s vote is no longer valid. Walt then meets with Lydia to get the names of the nine men in prison. After doing so AND making a deal with her regarding international distribution, Walt utilizes Todd’s uncle and his prison connections to take out the nine different men in three different prisons in only two minutes. In what is possibly the most hilarious murder montage ever showcased on Breaking Bad (yes, there is more than one), each man is brutally knifed down by multiple men to the tune of a classic jazz standard. It’s brilliant.

Meanwhile, Skyler and Marie talk about how the kids continue to stay with her and Hank. Skyler obviously wants her kids back, and to prove her point, she shows Walt the money they’ve made since they started their business up. A number is never specified, but it looks to be about $20 million dollars. Walt obviously does some serious thinking and makes some decisions he never thought he had to make. Giving Jesse the $5 million he was promised, Walt promises Skyler that he’s out of the business completely.

*SPOILERS*

But, of course, nothing is ever as it seems. In the final scene, which is almost dreamlike in its construction, the entire White/Schrader family is together, but after Hank decides to take a quick dump in the bathroom, he finds a book signed W.W. In a flashback, we see a scene from Season 3 that recounts him and Walter doing a search for Heisenberg. He finds something signed W.W. and says, “Walter White,” to which he replies, “You got me.” Well, now, he’s really got him.

This final episode of the half season is one of my favorites, if not my favorite, so far. While there isn’t a whole lot of Jesse or Saul and no Mike whatsoever, Walt’s attempt to keep everything under control makes for riveting television, and Jesse Plemons’ addition to the cast is one that I was skeptical about at first but now welcome with open arms. The directing, writing, lighting, and acting were all spot-on and top-notch. The final scene, though partially expected, was still a surprise and has me wishing I could fast forward my life to next Summer for the 2nd 1/2 premiere. Five seasons in and I’m as hooked as ever.

5/5 Bears

Movie News & Opinions

Heart Attack Claims Michael Clarke Duncan at Age 54

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I cannot think of anything to begin this with other than this is sad news. Michael Clarke Duncan passed away Monday at the young age of 54. Duncan suffered a heart attack seven weeks ago, and never recovered. The actor was dating reality TV star Omarosa Manigault-Stallworth, who according to TMZ, provided life-saving efforts when Duncan had his heart attack.

The actor had a short, but impactful career. Duncan’s first big role was in Armageddon in 1998, where he played Bear. Following that, in 1999, he played my favorite role of his, John Coffey in The Green Mile – the film adaptation of the Stephen King book. Coffey is a man accused of killing and raping two young Louisiana girls, but is innocent of the crime. While on death row, knowledge of his magic comes to light. He can literally heal with his hands. His 6’5″, 300+ pound muscular stature was perfect for the role. This movie was one of my favorites because it is one of the only book-to-film adaptations that I ever liked. I read the Green Mile books (there were 6 in the set), and the film was just as great in my opinion. As you know, that is not usual. I believe that the success of the film was a direct result of Michael Clarke Duncan’s Oscar-Nominated performance.

Michael Clarke Duncan’s talents will be greatly missed. Rest in peace.

TV

Doctor Who: 701 “Asylum of the Daleks” Review

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The Doctor returns and straight away he is in a spot of bother. Following a distress call from Skaro he is set up and kidnapped by the Daleks as well as Rory and Amy who are now having severe relationship woes. In fact they were just about to get divorced! They are summoned to the parliament of the Daleks which they expect to be the end of their lives. Instead the Daleks say two words. Save us.

The Daleks have a problem. They have a planet; a planet that’s a prison full of insane and imperfect Daleks. The Daleks find it offensive to actually kill any form of hatred (which these Daleks have in spades) so they leave them on this planet.  The planet however also has a problem (it’s not a good day to be a Dalek hey?); a ship has crashed landed there and there is now a small hole in the force field which means Daleks can now get out. The force field can only be turned off from the inside!

Another problem is that the Daleks are to bloody scared to send anyone to sort it! They have no trouble sending the doctor and co down there mind which they do by shooting them at the planet! So, their mission is two fold. They need to survive long enough to turn off the force field letting the Daleks blow up the planet and they need to rescue the trapped and quite brilliant Oswin who is stuck on the planet too (hers being one of the ships that crashed landed there). To make matters worse there is a nano bots in the air that turns anyone who encounters it into a Dalek hybrid, which sucks for Amy as she loses the wristband she was given to keep the nanobots out. Will Amy turn Dalek, will they rescue Oswin and will they manage to escape the planet of Daleks before the Daleks blow it up?!

Right from the start this episode grabs you and does not let go. The Doctor is made to look a dark and brooding character mostly seen in shadow on the walls. This Doctor is all business but bitter, a man who does not want to be the adventurer he once was. This adds an amazing amount of tension to this first opening scene. This follows through most of the episode with the Doctor near the end becoming more like the Doctor we know from series past. So a lot of this episode involves the Doctor finding the joy of actually been the Doctor again. It’s also about rekindling relationships with Rory and Amy needing a disaster like this to get them to open up about their feelings and actually tell one another they love each other. This first episode is also a historic one been the first episode shown in the UK, Canada and the U.S. at the same time!

The last series lost some of its magic near the end. The Doctor got very moody and the fun seemed to go from it. The series lost its way with a mix of topsy-turvy time travel stories, romantic sub plots and a general lack of fun! Writer Stephen Moffet is still finding his feet with the doctor I think. Some episodes were spot on, some not so much. For this episode he has streamlined it down to the basics. Daleks the old favorite are the bad guys, Doctor and co run about trying to stop a disaster. And it works. Basic approach really gets you gripped into the story again.

An episode called the Asylum of the Daleks is always going to conjure up scenes of grandeur. This is a more low key affair. Aside from the numerous Daleks at the start from all different time frames there are only a handful of Daleks at a time. In fact this episode plays a little like a zombie flick, enclosed spaces, Daleks popping out around corridors, etc. Again this thinned back approach works so much better than the special effects heavy last series.

There are some incredible scenes here to (SPOLIER ALERT). Rory getting trapped in a hall full of insane sleeping Daleks who wake up very slowly (very much like a scene from The Birds), the doctor and may finding a crew member who does not know he is a Dalek, zombie Daleks, an amazing scene in intensive care with Daleks surrounding the Doctor and a great end scene which is very much like Jacobs ladder. The shock to this episode is the reveal of Oswind been an actual Dalek with a human mind who still thinks she’s human and one of her final acts being to wipe the Daleks memories of any knowledge of the Doctor.

This reveal caught me off guard but the signs are all there if you look for them! It’s actually a touching scene which tugs at your heart strings quite a lot. Jenna-Louise Coleman is a very engaging character in this episode, very witty and funny as well as been very smart. This is her first appearance but she will return in the Christmas special. Her sacrifice leads to the final scene with the Daleks completely confused about who is on their ship shouting “Doctor Who” while they make there get away! It’s a great little ending to a nicely laid out episode.

Sure there are some ropy bits especially Rory and Amy talking about the nanobots sucking out love (don’t ask!); the big hole in the plot of why build a planet you can only get access to from the inside and then dump Daleks on it if you are going to blow it up in the end anyway! But overall these are minor problems. The main thing is it’s a lot of fun which the last series lacked. Overall a great start to the new series and I cannot wait for episode two. Here’s a sneak peek of it.

3.5/5

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Possible Return of Terriers?!?!?! Yes Please.

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When I started Grizzly Bomb, it was largely done with one focus – Terriers. I had fallen in love with the show and was devastated when I learned that no one else was watching it. My first several articles revolved around an attempt to raise awareness and hopefully boost ratings for the show about the two PIs and their quest to save their beach community. We were far too small however to actually make any kind of impact at the time. Ultimately, the show was canceled. Now there are a lot of things that could be blamed for the show’s fate – poor initial marketing by FX being chief among them. They flooded the channel with advertising, but people simply did not know what the show was about, myself included. I only gave it a chance because it was on FX, a station that seemed to be made specifically for me as I loved their entire schedule at the time. It also didn’t hurt that I was a fan of both Donal Logue and Michael Raymond-James, and that Shawn Ryan (The Shield/The Chicago Code) was the man behind it all.

Continue reading Possible Return of Terriers?!?!?! Yes Please. →

Movie News & Opinions

Another Take on the Robocop Updates…

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It’s no secret here at GB we’re fans of RoboCop. Something about the combination of humanity, steel, justice, and violence [in Detroit] that’s perfectly captured by RoboCop speaks to our heart of hearts. Which is what makes the following news pretty surprising, that unlike previously reported, Hugh Laurie will NOT be playing the villain of the remake. Taking his place is Michael Keaton, who I’m positive is a familiar name to all of you out there.

via [Deadline]

“Michael is the final addition to the amazing cast we have assembled for this film and it is so great to have the last puzzle piece in place. It is thrilling that everything has come together to bring this innovative new vision of RoboCop to life. We’ve got a great script, a great cast, some killer ED-209’s and I can’t wait to get Alex Murphy back on the streets,” said Padilha.

Now, I love Michael Keaton, and I’m positive he’ll do a great job, but the fact Hugh Laurie left before he even started isn’t a good sign. Actors leaving projects before they begin is almost never a good thing for pre-production. Along with that slightly disheartening blow, is a much greater one, hearing that apparently the studio behind Robocop is making things “Hell” for director Jose Padilha. According to his close friend and Director of City Of God, Fernando Meirelles, Padilha is having the stereotypical, Studio-Makes-Things-Impossibly-Difficult-For-Director woes.

via [Screenrant]

Here’s Meirelles’ quote, translated from his native Portuguese:

“I talked to José Padilha for a week by phone. He will begin filming Robocop. He is saying that it is the worst experience. For every 10 ideas he has, 9 are cut. Whatever he wants, he has to fight. ‘This is hell here,’ he told me. ‘The film will be good, but I never suffered so much and do not want to do it again.’ He is bitter, but it’s a fighter.”

Out of every 10 ideas, 9 are cut? Ouch. That really sounds rough. To make things worse, the script was reviewed recently, and Drew McWeeny of Ain’t It Cool News posted a series of tweets describing some of the plot points and ideas behind the film, including the idea of “re-vamped” Robocop suits.

via [Screenrant]

I’ll share this one detail. In the film, when Murphy is turned into Robocop 1.0, it’s described “a high-tech version of the ’80s suit.”

Then they show a focus group scene where criminals laugh at the design. “He looks like a toy from the ’80s!”

So they redesign him to look “meaner” as Robocop 2.0, who passes focus group approval.

So they not only make sure to include the original design, they also point out it’s dated and stupid. *facepalm*

Hold onto your sides for more hilarious “Robocop” details. They outsource his construction to China. #seriously

And we meet the ED-209s in the field in Iran, where they’re used to subdue suicide bombers. #ineedallthedrinksnow

Ahhh… now they just dropped Robocop 3.0 onto an Al Queda training camp to see what he does.

“He should be programmed to incapacitate in all scenarios.” “Agreed. Let’s keep him PG-13, Dr. Norton.” No. No. No. No.

By page 54, they are already onto Robocop 4.0, who looks like a “cop on steroids painted metallic blue.”

That… That whole thing sounds pretty awful, and really seems to be “borrowing” the idea of the Iron Man Mark 1/2/etc armor pretty heavily. I know the whole movie is supposed to be contemporary, and that’s not really the issue I have, but the thought of watching a scene of people in a focus group, talking shit about the classic, totally awesome ’80s RoboCop suit, seems really disingenuous and insulting to the RoboCop franchise in totality. Part of his appeal is his unique look, and to strip it down, or make it more streamlined or modern, would really leave a sour taste in fans’ mouths.

Plus, there’s this concept art floating around the web, which in all likely hood is fake…

It makes me cringe to look at, because it’s SO generic and boring. This is what the nameless villains in any random dystopian movie should be wearing, NOT RoboCop. I know it’s just a concept art, but if this is the direction the studio is steering Padilha towards, I wouldn’t be surprised to have to be writing a report about his leaving the project in a month or two. Hopefully all of this negativity is for naught, and we’ll end up with a great movie out of it, but so far, things aren’t spelling out an easy beginning.

TV

Get Ready for ‘American Horror Story: Asylum’

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Would it be too bold to say that American Horror Story gave us some of the most entertaining horror we have ever seen on television? With 17 Emmy nominations, I feel it’s an appropriate statement. However, this is the same show in which a man was murdered and then sodomized with a fire poker. That isn’t exactly water cooler talk for the next day at the office, now is it? So where did these nominations come from, and how did it earn such a broad fan base?  It’s likely because AHS is such a strong representation of the entire horror genre, and that’s been recognized. The first season ended in December, and since then fans have anxiously awaited their horrific thirsts to be quenched, and now we finally have a date to look forward to. Season two is scheduled to premier on October 17th at 10/9c.

Season one got our attention with its devilish, mysterious nature. To sum it up, great writing that was shot well forced even those that hate the genre to not only engage in the program, but enjoy it. I myself am a self-proclaimed fanatic of horror so I find it interesting how often I have heard people say, “I hate horror movies, but I love that show.”

So what was it that you loved about season one? Was it a guilty pleasure? Did it have something to do with young Moira portrayed by Alexandra Breckenridge? Did the Friday Night Lights fans need some more of Coach’s wife Connie Britton? Maybe you just loved the classic struggles of the Harmons and all their foibles. If you can’t wait to see what happens to our beloved ghostly Harmon family, prepare for a blatant, and somewhat obvious spoiler. Season two, appropriately titled American Horror Story: Asylum, is set in a new location with few returning cast members. When starting from scratch, it is hard to assess how the new season will stack up. What do you say we try anyways?

From what has been reported, these rumors could very well be spoilers.

Season 2 takes place during the 1960s in a New England Mental Hospital called Briarcliff. The Hospital is run by returning actress Jessica Lange as Sister Jude. Given her expected intimate relationship with new cast member Joseph Fiennes, I suppose it is uncertain if she is truly devote. When I see a nun in a mental hospital, I can’t help but think of the forced conception of Freddy Kruger. Anyone else? No? Okay, so I may have watched The Nightmare on Elm Street franchise too many times.

Without the return of iconic figures such as Rubberman, the canvas is fresh for new terrors. So say hello and welcome to, “BloodyFace.” With origins unknown we know he/she/it is a murderous psychopath who has an affection for wearing human skin. Other expected plot points will reflect upon aliens, and Nazis.

Other new cast members include James Cromwell, Chloë Sevigny, Franka Potente, Clea Duvall, and Adam Levine. Yes, that Adam Levine. Apparently he was capable of putting the button down for a while on The Voice so he could become part of the on camera couple known as, “The Lovers.”

We certainly have more information this time around then the first season marketing campaign gave. Was this necessary to gain viewership again? Are we still going to be blown away with what is revealed? I would think so considering the trailers serve more to keep me awake at night rather than tell me anything too specific. There are now eleven teaser trailers of different names to spark as much intrigue as possible. (1) Special Delivery, (2) Blue Coat, (3) Hydrobath, (4) White Rose, (5) Ascend, (6) Glass Prison, (7) The Bucket, (8) White Rave, (9) Taste, (10) Bandages, and (11) Fork. All 11 are available HERE.

My expectation is that we have much to look forward to out of season 2. Returning cast members Jessica Lange, Zachary Quinto, Lily Rabe, and Evan Peters, with returning writers such as Brad Fulchuk and Ryan Murphy means continued chemistry. Murphy harnessed what terrifies him most, and transferred that fear to another medium for us to fear as well. I didn’t previously have a particular fear of aliens, nuns, or Nazis. That being said, we weren’t terrified to go into the water until after we saw Jaws for the first time.

Now for a brief moment of speculation: Co creators Brad Falchuk and Ryan Murphy have already stated that each season would belong to a non related anthology. However, one of my favorite things about anthologies is their potential for connection. Rarely do I find something more satisfying than when multiple stories intertwine to develop a grander plot. Is there a possibility Briarcliff will hold connection to our beloved “Murder House” from season one? Though the co creators have clearly stated, “No.” I would still love to think so.

Conveyors of Common Sense…

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