Tag Archives: Joseph Gordon Levitt

TV

SNL: 38.2 – Joseph Gordon-Levitt/Mumford & Sons

Leave a comment

After last week’s strong premiere, I was looking forward to this week’s episode of Saturday Night Live, and thankfully it did not disappoint. This week’s host was a man having a very busy year- Joseph Gordon-Levitt.

The cold open featured Jay Pharoah again, but surprisingly, not as Obama, but rather Michael Strahan, Kelly Ripa’s new cohost. Can’t say it was good. I suppose it wasn’t bad, but it certainly wasn’t good. Bill Hader as a brooding Robert Pattinson was funny, just not funny enough to save the sketch. I will say though, as a fan, it is really fun to see when featured players become full cast members. You would think I had birthed some of them given how proud I get when they make that leap.

When the monologue first started, I’ll admit to getting a little nervous. It was very rushed and the jokes just fell flat.

And then this happened. Oh yes, apparently Mr. Gordon-Levitt’s favorite movie of the summer was none other than Magic Mike. The dance/strip scene came out of nowhere and was appreciated by womenfolk/some menfolk all across the country. Bobby Moynihan and his second vest literally made me laugh out loud.

With the first “commercial”, I began to wonder if we are ever going to see Aidy Bryant for more than a few seconds. The “Undecided Voters” featured both Cecily Strong and Tim Robinson. It wasn’t as funny as it was sad- we all know there are people out there who could fit perfectly in this sketch.

The real question everyone (okay maybe not everyone, but I certainly was) is who is Albert? Some random guy was in the sketch as Albert who wondered where his power cord was. Random guy is random.

Next up was the first of two, “Son of the Most Interesting Man in the World”. I so desperately wanted to like this and it had its moments but overall it just got old. The premise was strong, the execution was a little tired.

Bill Hader as a caricature drawing P.I. was all right, a little odd but then again, this is Bill Hader we are talking about.

Next up was my favorite sketch of the night- “The Hypnotist”. There are many times when I’m watching tv that I’ll look away/do something else and just continue with the show by listening. I am so glad I did not do that with this sketch because I would have completely missed it.  Set up was Joseph Gordon-Levitt was a two-bit hypnotist doing a show in some small hotel. It reminded me of Kevin Kline at the beginning of Soapdish.

The moment that Taran Killam lifted his head to tell the audience that he was not hypnotized, I was sold. And thankfully they found the right length of time to let that one go and it was just gold. Killam in his tighty whitey’s  as a hot lady dinosaur dry humping Keenan Thompson? Yes, please.

Another commercial this time for the GOB tampons featuring Vanessa McBrayer. Predictable, but amusing.

Musical guest this week was Mumford and Sons and thank you sweet jesus they were a thousand times better than Frank Ocean. This could be simply because I am a fan of Mumford and Sons and not Frank Ocean but I didn’t fall asleep this week, so who knows.

Weekend Update was on fire this week. The best friends of the “evil dictator of the week” were on and they are entertaining but featured player, Kate McKinnon stole the show with her Ann Romney impression. I think my new favorite line is “Apple Picking: It’s like Mormon Mardi Gras.”

Who would have thought that Ann Romney was such a big fan of Beyonce?

Mumford and Sons returned, this time as a Beatles cover band called “Hey Dudes”. This was one of those sketches where you fully expected Andy Samberg to jump in at any moment. Outside of a forced Jerry Sandusky joke, it was all right. The real fun of the sketch for me was just watching the actors enjoy it. The “walk out into the audience while singing” was a bit hokey, but I like hokey so I was all over it.

The last three sketches of the night were sadly not very good. Remember last week when I was so excited that the last sketch didn’t suck? The same can not be said of this week. “The Finer Things” was the winner of the bunch- mainly due to Bobby Moynihan as “Teddy Graham” and Jay Pharoah modeling with a Hermes purse. The singing parents sketch was only saved from complete failure by the fact that Joseph Gordon-Levitt is a surprisingly good-looking woman. There was no saving “Powers Realty”. Flying wangs drawn on real estate ads is far from new, creative, or funny.

The goodbye’s were cut short, which is annoying, but it’s live tv so what can you do?

Overall? Even though there were some sketches that just did not work for me, I actually enjoyed this episode much more than the premiere. Why? I really like it when the host appears to just be another cast member. Seth MacFarlane was always reading cue cards and was obviously out of his element. Joseph Gordon-Levitt however, fit right into sketches like he does it every week. Perhaps he picked up some tips from the fabulous Jane Curtin while on 3rd Rock from the Sun.

Next week is a rerun of the season 37 finale (with Mick Jagger and Kristin Wiig’s farewell) but will return on October 6th with host Daniel Craig and musical guest Muse.

Movie Trailers

‘Premium Rush’ – New Trailer and Featurette

Leave a comment

Premium Rush kind of looks like one those films that I would normally pass over, but with a cast including Joseph Gordon-Levitt and Michael Shannon, I will actually give this a chance and I hope it does well. I haven’t seen a bad film which stars Joseph so my hopes are high there. The film centers on a New York City bicycle messenger (JGL) who picks up an envelope from Columbia University. A dirty cop (Shannon), desperate to get his hands on the envelope, chases the messenger around the city. It’s sounds basically like Citizen Kane with bikes!

Here’s the trailer:

Its looks like high-octane fun on bikes. “Got a name, got family…people who care if they see you again?” That’s what we like to hear from a bad guy, and I think Michael Shannon will easily do a great job as a corrupt cop (see his work on Boardwalk Empire).

Here’s a Behind the Scenes Featurette

All I can say is that director David Koepp has some balls letting his main actors do some of that stuff, because I mean look at Josephs arm at the end of that video. I didn’t expect this film to feature so many of the actors doing their own stunts, especially when it was shot using real traffic, because that seems to be insanely dangerous. On the other hand…if they die for the entertainment of the viewing public, that would show great devotion to their craft.

MOVIES

Bomb Droppers Rise! Let’s Talk ‘The Dark Knight Rises’

Leave a comment

The Dark Knight Rises is obviously one of the, if not the most, anticipated movies to come out this summer. Everyone is talking about their thoughts on it, and similar to what we did with the group Avengers review, we here at Grizzly Bomb wanted to give this movie the same justice and have a bunch of us review it. Of course, if you haven’t seen the movie, *SPOILER ALERT* so don’t say we did not warn you. You should have watched it anyways so shame on you. If you have not read my review, you can of course click here to check it out, but let’s see what the other authors of the site think of this flick:

Dr. Kronner:

Upon initial viewing I have to admit that I was a bit disappointed. As it turns out though, it’s only because The Dark Knight Rises was not the single greatest film of all time like I expected, but simply just ‘great’. Upon my second viewing I found myself amazed at how much more enjoyable it seemed. It was the same movie I’d seen just 2 nights prior, but without the weight of my lofty expectations heaped on it, the film just seemed more fluid. The issues I had the first time though (Alfred coming off cheesy, Gordon being underused, an unnatural progression between Selina and Bruce) all melted away as I was able to simply enjoy the film.

Perhaps the biggest surprise for me was just how much I liked JGL and how they handled the boy wonder. He seemed an amalgam of all the Robins. Tim Drake’s detective work, Jason Todd’s aggressiveness, and the wisecracking wisdom of a Dick Grayson. And while he never traveled with the circus, he was an orphan, and he proved us all wrong – Robin, when done correctly, can exist in Nolan’s Gotham. The other thing I really enjoyed that most people disagree with me on is Bane’s voice. I thought it added to his inherent creepiness and really cemented him as a great villain.

The movie on a whole, while still not as strong as The Dark Knight, ultimately did not disappoint, and I have a third trip to the theater planned tomorrow. In hindsight, I’d say this probably edges out The Avengers as my favorite movie of the summer.

SupaScoot:

The Dark Knight Rises was good. But it wasn’t great. Let me rephrase that. TDKR wasn’t the best Batman movie, but it was a hell of great Christopher Nolan film. While I have a few complaints and feel like there were just a few too many leaps of the imagination intended for the audience to take, it was a beautifully filmed and epic undertaking that Nolan pulled off.

Weaving in a ton of different plot points from not only the previous movies but TDKR itself was a monstrous task that required a keen eye and an open mind, but it didn’t pan out fully at the conclusion. However, the one thing I can say about the film without any doubt is that it IS a definite conclusion. A conclusion to the trilogy, to Nolan’s bat-verse, and to Bale’s Bruce Wayne.

Are there things I would change? Absolutely. Are there things I didn’t quite get after my first viewing that were more evident after the second? Absolutely. Is The Dark Knight still the better Batman movie? ABSOLUTELY. Walking out of the theater after both movies were two entirely different feelings of awe. TDK was an excited and passionate victory dance for any Batman fan, while TDKR was a contemplative and cerebral appreciation for a great filmmaker.

Watch TDKR twice. That is my ultimate advice/review. Because everything changes that second time when you realize just exactly what the movie is about, who it’s about, and what The Dark Knight Rises really means.

The Wozz:

Christopher Nolan stepped away from 2008’s insurmountable The Dark Knight for the finale of his Batman saga, and in doing so The Dark Knight Rises feels a lot more like a sequel to Batman Begins than anything else. It’s a wise move because while much focus will be laid on Bane and a handful of contentious twists and plot points, this shift is the necessary fulcrum that bridges two very disparate films into a fluid trilogy. It also brings the story around full circle – The Joker nearly dismantled the idea of ‘the batman’ when he terrorized Gotham eight years ago, and Rises is all about reaffirming the ideals that led to Bruce Wayne’s creation of the batman.

In short, The Dark Knight Rises serves a very precise, mechanical function for Nolan’s Batman legend. It’s just all the more impressive that Nolan layers such a thrilling finale on top of it.

joey123mo:

It all started with Batman Begins, a film that, while not an instant classic, was the beginning of what is now the most significant comic book trilogy in film history. Begins was followed by the now legendary The Dark Knight, which featured a life-altering performance by the late, great Heath Ledger.

What started in 2005 is now finishing in 2012 with The Dark Knight Rises, a film that improves on both of its predecessors that ends up being director Christopher Nolan’s true epic masterpiece. The entire cast returns with an entirely new set of faces including the fantastic Anne Hathaway as Selina Kyle (Catwoman), and Joseph Gordon-Levitt as John Blake, one of the last wholly pure cops in Gotham City.

The villain here is Bane, played perfectly by Tom Hardy, utilizing his eyes and his voice as strengths. The constricting facial mask may be a problem for some, but I thought he was as menacing and terrific as he was in the previews. On top of all that, The Dark Knight Rises is an emotionally resonating story that ends up being the most perfect conclusion to an already near perfect trilogy. There will probably be no superhero trilogy as absolutely amazing as this one. The Dark Knight Rises is the high-point in a trilogy that defied expectations in every way possible.

Tim the Film Guy:

Christopher Nolan really doesn’t make bad films. The Dark Knight Rises was a great film to end the epic trilogy Nolan started with Batman Begins and then made better with The Dark Knight. This film really brings the old school epics such as Ben-Hur with thousands of extras running around on giant sets to the modern era of films. But sadly it was the last of this superhero trilogy and possibly the best adaptation of a comic hero we will ever see.

What I liked about the way Nolan made this film was that it felt like he created a great new story but then merged the tone and feel of Batman Begins and The Dark Knight so that it would feel very much connected with those films which worked as the finale to a great trilogy (If you didn’t get that I liked the Nolan trilogy yet). I will like to see how Nolan’s involvement in the new superman film Man of Steel will impact its realism and more modern retelling of the superman story. Might just go on about Bane’s amazing ability to take control of a room just with the way he stands with confidence, nah you’ll just have to see the film. Finally I would like to say that even though I am sure we will miss Nolan’s Batman I think that it’s great that a superhero franchise can start off as strong as it finishes where so many have failed before and for that I thank Christopher Nolan for his dedication to making all the films himself with such detailed film making.

Woman Friday:

My brain is still trying to wrap around the story, as usual with most of Nolan’s films. I’m either less intelligent than I thought, or he really is that good at weaving together multiple peoples’ stories in one film. On the whole, I quite enjoyed it, but I cannot say it was my favorite out of his trilogy. It didn’t seem quite Batman-y like before. However, I will say this was the first time in quite a while that a film actually caught me off guard (SPOILER!); Miranda Tate’s character development blew my mind, and when I looked at my husband during the final scenes, I realized the same thing was happening in his (and he is a hard one to surprise). Overall, cheers again to Nolan and the ENTIRE film crew and cast for a valid and appreciated interpretation of the Batman legacy.

Cheesebadger:

Christopher Nolan has permanently changed the face of Superhero films forever. While Batman Begins was the start of a trend of reboots, it has more or less been beneficial to the superhero movie genre, reaching it’s apex with 2008’s The Dark Knight. The Dark Knight was the first time we got to see a beloved comic character in a movie that was GREAT on its own merit, without any added buffer or forgiveness for its comic book pedigree.

This theme is continued with The Dark Knight Rises, however trying to follow such a dramatic change in quality from The Dark Knight’s prequel to sequel jump, inevitably will lead some to find Dark Knight Rises to be disappointing. That being said, DKR is a very good wrap up of the themes from all the other Nolan Batman movies. By no means as mindblowing as Dark Knight, mostly because of some pacing issues, and the lack of a seminal, game changing character interpretation such as Ledger’s Joker, DKR is nonetheless, a very fitting end for the Nolanverse Batman character.

How anyone will attempt to replicate the fascinating, consistently entertaining, and most of all cerebral and intriguing story told throughout this trilogy of movies is baffling. Whoever reboots the new Batman best find a wholly new direction to go in, because the bar is set impossibly high. This is how you end a trilogy, all other Threequels take notice.

Jason.Da.Psycho:

I ain’t no film critic. I don’t judge cinema techniques or shit like that. All I care about is whether if I’m entertained by a movie, and I can gladly report that I was thoroughly entertained.

For TDKR, you get a few action sequences and absolutely phenomenal character developments. Some lines are indeed corny, but 99% of them are great. The twists are there and they can be shocking (though not uncalled for). If there’s any complaint, the story isn’t so “Batman-ish”. Rather, it feels like a conclusion to Nolan’s trilogy. Don’t get me wrong. It’s fantastic, and since I am not a comic book fan in the first place, I don’t really care for that flaw.

It’s not better than the second one, but TDKR is undoubtedly one of the best threequels out there. (Note to Bioware: That’s how you setup a potentially depressing and ambiguous ending.)

93 Grizzly Bombs explode out of the 100 possible.

So there you have it. It seems like we all really enjoyed this movie and have a consensus that it was an excellent end. Granted, most, if not all, thought that The Dark Knight was the best of the trilogy, but that should not take away how great this film truly was. Of course we want to know what you guys thought so feel free to comment below your thoughts on whether this film cements this trilogy as one of the best ever or not.

MOVIES

Grizzly Review: The Dark Knight Rises

2 Comments

There is a moment that caught me off guard in The Dark Knight Rises. Bruce Wayne and his loyal butler Alfred share a moment where a breaking point has been reached. We get a touching speech or plea from Alfred asking Bruce about burying members of the Wayne family, and that he refuses to bury yet another under his watch. I shed a tear. Normally, this might be a normal reaction to an emotional moment in the movie (or if you’re a sissy apparently), but my friends and family have come to know me as one thing: an emotionally dead robot. For a movie to have that impact on someone like me means there is a connection to these characters, to this story, to this trilogy. that resonates deeply to garner such a reaction. I think shows how terrific the storytelling and direction under Christopher Nolan was and is. By the end of this movie, the journey is over and I am relieved that it is over. Not because of how overwhelmed I am after 165 minutes of this roller coaster ride, but because it had to end. There was nowhere else to go. In that, we have both the strength and the flaw of the movie.

It has been eight years since the death of Harvey Dent and the disappearance of “The Batman”. He has taken the fall for the crimes committed by the horribly disfigured Dent/Two-Face and in the common theme of the movies is symbolism. Batman was supposed to be the symbol of justice, the right overshadowing the wrong, the hero that emerges from the dark shadows to bring stability in bad times. However the question that plagues the minds of Commissioner Gordon and Batman is that they have perpetuated this lie, that the peace time that has occupied Gotham City is based on an ideal that should not exist, and how does that make it right? Does the end justify the means? The movie investigates this idea and its effect on the citizens of this (seemingly) thriving city. There are obvious political and social overtones, but for now, let’s finish this synopsis just to set the table. We get introduced to Bane right off the bat (yes, went there, deal with it) as you can tell that he is the man with the plan in an awesome sequence involving a new take on hijacking airplanes. You also see the blind faith that his minions put into the man with the mask, not unlike those that put their faith into Batman when he first emerged. He obviously has his sights set on Batman and Gotham City. Bruce Wayne, on the other hand, is a broken man, a Howard Hughes recluse that no one has seen in years, merely a symbol himself like his alter ego. Only when he meets Selina Kyle (Anne Hathaway) does his suit beckon him once again. It is then that he realizes the danger yet to come.

I will say it is hard to write a review on a movie that people need to witness themselves, because I think everyone will have a different reaction to it, so I will not go into further details of the plot. That way you can jump into it and draw your own conclusions. Lets talk about the cast. Bale is always good, consistent in his quest for a purpose, especially in trying fight for his city and rising (Boom) to the challenge throughout the movie. Michael Caine is in a smaller role, but is still equally powerful as Wayne’s confident/father figure. The exchanges the two of them have will be sorely missed once the final reel rolls off the projector. Gary Oldman is always good, but really comes off great as man struggling with the lie. In trying to find the justice in his actions, in a city of legacy built by deception. Morgan Freeman is good as well, but you probably want to find out how the newbies did. Let us start with Joseph Gordon-Levitt as John Blake, as the idealistic cop who gets an audience with Commissioner Gordon. He did a fine job in playing understated, if not determined police officer trying to hold on to hope in a city of despair and confusion.

The girl duo of Marion Cotillard and Anne Hathaway also did a great job in providing characters for both Bruce Wayne and Batman respectively to play off of. Hathaway (who, thankfully, is never referred to as Catwoman at all in the entire movie), brings a certain sass in a woman trying to run from her past and the determination to make sure she always gets her way. That and that suit on that bike. Holy crap.

Of course now we get to Bane. Tom Hardy does an admirable job as the most effin’ evil friggin’ villain I have seen dominate the screen in a long time. He just resonates pure evil and man, I wanted to see Batman kick his ass back into 1993. While not as good as Ledger as the Joker (who would be?), Hardy does terrifically in being the ‘voice’ of the oppressed, yet bringing an insane vibe in that muffled delivery of his (which is not as big of an issue understanding him as everyone made it out to be). This is a man on a mission, where no one can get in his way and that look in his eyes, pretty much the only other thing we can see Hardy emote with, is terrifying. It also comes off as purposeless, however because you want to know why he gets to be such a dick but it never really gets explained in a meaningful manner. I got Bane being the unbeatable villain, but what I really wanted was why he turned into such a monster. If Bruce Wayne could get to the point where he sees nothing but vengeance, why not see the reason why Bane followed that path of refusing to be beatable? A minor quibble but one that bugged me throughout the movie.

The movie itself is a clinic in why Christopher Nolan is one of the best storytellers out there. Visually, the picture is beautiful, and does not need 3D or any of that garbage that Nolan refused to do. The pacing is a bit slow in the first hour, but let us face it, eight years have passed, there must a slow burn to the process in catching up with our favorite Gothamites. Every sequence carries a purpose in the movie, and nothing is wasted. The music by Hans Zimmer also is beautiful yet demanding. It takes a hold of you and carries you from scene to scene, and provides the best mood setting in the trilogy in my opinion. It also tends to overpower the dialogue but that might be a result of the theater as opposed to sound editing. It is still friggin’ epic as all hell.

Obviously we all know this is the last of the trilogy so there was a set plan for this to end. While it is good that Nolan and Co. have decided to have a distinct end to their take on the Bats, I feel that it suffered in the same regard. We all see it coming and I felt no shock value of the path of Batman and his journey to ‘rise’. In fact, I felt rushed along towards the end in order to wrap up certain storylines. As product of the hype machine, I understand having the most anticipated movie come into town that we all have been guessing what the proper ending should be. We were all probably looking for the conclusion to be foreshadowed in the movie and unfortunately, I felt became formulaic during the whole movie. After all, it is a superhero movie so there are certain rules the film must follow. However, it is only minor distraction because it does the formula justice. The movie felt predictable and somewhat pretentious at some points. It wanted to throw us off the path by slipping in random events or characters that seemed to dissolve as the movie went on. Granted, it was not so blatant that I felt Nolan was trying to ‘Shyamalan’ us (the act of throwing in crap to throw people off the scent despite having to do with the twists and turns the movie may offer up), but it did not help with the aforementioned slow pacing. However, this movie still ranks better than 95% of the movies out there this year and these minor problems in my mind, but so comes with the territory of following the best movie of the trilogy (Obviously now determined to be The Dark Knight).

Again, I want to offer up that this is one of the top 3 movies I have seen this year. It is a great movie and proves that the trilogy idea of having a beginning, middle, and concise ending to a set of stories is the way to go. Nolan and Bale have made their mark in not only comic book movie history, but in the cinema world on how to tackle a character and setting in the modern world. The expectations were extremely high and they have met them. I do wish it was exceeded, but it did its job. It did not overwhelm and did not (thank the lord) underwhelm. Go see the movie, go love the movie, and see what it does for you. Go shed a tear too while you are at it, you might not see another trilogy tackled as masterfully as this one.

And please don’t go check out This Is Not The Dark Knight Rises Review. You’ll be glad you didn’t.

Movie News & Opinions, POP CULTURE

CCI 2012: Banner Poster Impressions!

Leave a comment

It’s nerd Mecca time, and this year the bevy of posters, trailers, previews, easter eggs and all the other little tidbits in between are being analyzed by every single person who isn’t at CCI, while everyone who is there ignores them while waiting in line for their Hall H panel. Having been to SDCC twice before, I can attest that it truly is the spectacle people make it out to be, and is one of the most exhilarating experiences you can have, that is also extremely horrible at the same time. But I digress, because you’re not here to read what I think about the Con itself, you’re here to look at the juicy, juicy posters and coverage of the event! So let me transport you there for a moment with a collection of the posters themselves, which I believe are mostly self evident of their awesomeness, but I’ll talk about them anyway.

Pics Via [Collider]

I’m totally stoked to see how The Evil Dead remake is gonna be. I like the use of the original font, and the inclusion of the #Necronomicon is a nice touch that echoes the poor idea of reading the books pages aloud, only now it’s on social media. I’d like to think that was a clever marketing decision on purpose, but even if it isn’t, I’m digging it. Check out our previous coverage of the movie here.

Here’s the complete banner. Spring 2013! Awesome.

Of course GoT is there reppin’ themselves rightly. Season 3 is gonna make everyone shit bricks. Can’t wait.

I was a huge fan of District 9, and remember being intrigued by the viral marketing for the movie they had at the 2008 SDCC, and after seeing it in theaters, Neill Blomkamp cemented himself as a visionary director to keep your eye on. His new project here, looks fascinating. Read our previous coverage here.

I didn’t even know they were remaking this. Reading about it though, seems it’ll be an interesting remake, as Kimberly Peirce is directing. She’s best known for Boys Don’t Cry, and her work on The L Word, which means she knows how to direct stories about women, and messed up relationships.

What can I say about this movie it’s awesome trailer already doesn’t? Joseph Gordon-Levitt has yet to be in a bad film, and Bruce Willis is Bruce Willis. Plus it’s directed by the guy who did Brick, which also starred JGL. Seriously, go see Brick if you haven’t already. Time travel, guns, JGL, Bruce Willis, what more could you want?

I am not familiar with this show, but the banner makes me laugh. The use of internet memes becoming legitimate marketing ploys is so strangely recursive it almost works.

Seeing these banners makes me wish I was there at Comic-Con International, but then I remind myself a bottle of water there is 6 goddamned dollars and am glad I’m not there. BUT if you wish you were, you can find more CCI related coverage right here! On Grizzly Bomb! The site you’re reading right now! YAY!

Movie Trailers

Looper: New Trailer Looks Amazing

2 Comments

Nerd Alert! It’s a time travel film and it looks great. This latest trailer is going to make you wet yourself with excitement. This film for me came out of nowhere, and I liked that because it was pleasant surprise. Current Release date for Looper is the 28th of September.

It’s Bruce vs. young Bruce. Ok not exactly but that’s kind of the story and I love it, what I like mainly is that it’s surprisingly unique for a time travel film. Joseph Gordon-Levitt who always does well is exceeding himself in this trailer as a full on sci-fi action guy. Bruce Willis does what he does best in action films (hope he does as in ‘12 Monkeys’). Emily Blunt is a girlfriend or something; I think I saw her levitating a lighter in that trailer so that’s something. I have no idea here’s the plot.

In a futuristic gangland, a 25 year-old killer named Joseph Simmons (Gordon-Levitt) works for a Mafia company in Kansas City in the year 2042 as a “Looper”, where he kills and disposes of people who are sent by their employers known as “Gat Men” from their corporate headquarters in Shanghai from the year 2072. Loopers, like himself, are used as foot soldiers and are well paid on the terms that all hostages must never escape, including Loopers themselves. Gat Men are New York Accent-sounding men who are hired by a Southern Accented Godfather, who is portrayed by Jeff Daniels, who are being used as sentries, and each Gat Man has been given complete authority and responsibility in controlling their own group of Loopers. When one target arrives however he recognizes the 55 year-old victim (Willis) as himself and hesitates, allowing his older self to escape. The resulting failure of his job causes the Gat Men to come after him, forcing him to fight for his life as he hunts his older self.

The film combines strong corporate influences for dealing with criminal organizations, technology for the time-travel machine itself, as well as film noir, due to the film’s dark, gritty, and bloody plot.

Now we have some pictures as well to keep you happy till September