Tag Archives: New York City

‘Premium Rush’ – New Trailer and Featurette

Premium Rush kind of looks like one those films that I would normally pass over, but with a cast including Joseph Gordon-Levitt and Michael Shannon, I will actually give this a chance and I hope it does well. I haven’t seen a bad film which stars Joseph so my hopes are high there. The film centers on a New York City bicycle messenger (JGL) who picks up an envelope from Columbia University. A dirty cop (Shannon), desperate to get his hands on the envelope, chases the messenger around the city. It’s sounds basically like Citizen Kane with bikes!

Here’s the trailer:

Its looks like high-octane fun on bikes. “Got a name, got family…people who care if they see you again?” That’s what we like to hear from a bad guy, and I think Michael Shannon will easily do a great job as a corrupt cop (see his work on Boardwalk Empire).

Here’s a Behind the Scenes Featurette

All I can say is that director David Koepp has some balls letting his main actors do some of that stuff, because I mean look at Josephs arm at the end of that video. I didn’t expect this film to feature so many of the actors doing their own stunts, especially when it was shot using real traffic, because that seems to be insanely dangerous. On the other hand…if they die for the entertainment of the viewing public, that would show great devotion to their craft.

BURN: One Year on the Frontlines of the Battle to Save Detroit

Currently in the final funding stages is a documentary titled BURN: One Year on the Frontlines of the Battle to Save Detroit. In the film they explore the relentless fight against the seemingly endless rash of arsons that have plagued the city for years. Original home of “Devil’s Night”, where the city would burn annually, Detroit has always had a history with fire. This is the story of some of the men and women who fight these fires…

This comes from the movie’s official website:


Detroit is an iconic city. Go anywhere in the world, say “Detroit,” and it strikes a set of images — Motown. Hockeytown. Chrysler, Ford, General Motors. Eminem, 8 Mile … Also crime, foreclosures, poverty, white flight, race … and fire.

But these are mere snapshots, glimpses into a deeper, more complex panorama.

Once the proud center of the American industrial machine — its cars gleamed, its culture was rich, its future boundless. Now, it is an omen, a ghost of America’s future. No one understands this better than the people literally putting out the fires, battling every day in an uncertain war.

BURN is a character-driven documentary about Detroit, told through the eyes of Detroiters who are on the front lines, trying to rescue and rebuild it. BURN will follow the firefighters, the men and women charged with the thankless task of saving a city that many have written off as dead. We’ll also look at the educators, the reformers, the activists, the enthusiasts — those who have the vision and the heart to bring a forgotten American dream back to Detroit.

The Detroit Fire Department is one of the oldest, proudest fire forces in the world, and certainly one of the busiest.

Every day, these firefighters face injury, disablement, illness, death. But still they come back, day after day, resolved that they can make a difference.

The city’s future is uncertain — record foreclosures, unemployment, and a struggling auto industry have made it ground zero of the floundering American economy. But there’s still life here. And people are listening. These firefighters and a cast of visionary citizens argue that it’s worth saving, and they’re fighting the battle with unparalleled commitment and a remarkable sense of humor.

BURN will embed with Detroit firefighters and follow a rich tapestry of other Detroit stories. We’ll explore human struggles, hope and personal courage in the face of overwhelming odds.

Until now, no one has properly explored the city with the depth and detail it deserves.

Among the filmmakers is not only a native Detroiter, Brenna Sanchez, but it’s also produced by Resuce Me star Dennis Leary

This project was brought to my attention by one of Detroit’s Bravest, my uncle, David Kronner, who has been with the department for just shy of 24 years. And while Uncle Dave isn’t directly involved in the movie, he respects the message behind and it. To get that message out however, they’re still in need of some funding. PBS fronted the cash to produce this 9 minute trailer here. Take a look…

I’ve spoken with the filmmakers, who hope to have the movie done by late summer/early fall, but that will only be possible through additional donations. To help out…


And while we plan to keep you updated on the progress of the production, you can visit the official website at DETROIT FIRE FILM, and you can follow them (obviously) on Facebook and Twitter.

Grizzly Review: Lockout

A few days ago, I posted a nifty little list of five reasons that Lockout might suck, as well as three additional reasons why it wouldn’t. I was very excited to see Lockout in all of its spacial glory (space puns are funny, okay?!). Plus, with Guy Pearce in the lead role, what could go wrong, right? Well, allow me to count the ways.

Continue reading Grizzly Review: Lockout

Grizzly Review: Man on a Ledge

The American film industry has been plagued with so many heists movies, that it sometimes physically pains me to see a trailer for a film of that genre. It’s a genre that only works for a select group of people, most notably Steven Soderbergh in the Ocean’s movies, and a few others that I honestly can’t even recall right now, but when I saw the preview for Man on a Ledge, to be perfectly frank, I was hooked. The premise, admittedly, was rehashed and redone a million times over, but the way that it was presented was strikingly fresh.

Man on a Ledge follows Nick Cassidy (Sam Worthington), an escaped convict who checks into a New York City hotel, with a room on the building’s twenty-first floor. He then climbs out of the window, onto a ledge, garnering the attention of some passersby which soon turns into a large crowd complete with ambulances, cop cars, and news vans. The man in charge of getting Cassidy safely back into the hotel is Detective Jack Dougherty (Ed Burns), but Cassidy doesn’t want him talking him through the ordeal. He wants the infamous Detective Lydia Mercer (Elizabeth Banks), who was once the department’s best until she let a rookie cop jump off the Brooklyn Bridge a month prior.

The whole thing seems rather routine by New York’s standards, but sometimes things aren’t exactly what they seem. Cassidy, who’s an ex-cop, was jailed for the robbery of a $40 million dollar diamond that belonged to David Englander (Ed Harris), one of the city’s most well known and richest businessmen. Cassidy insists that he’s innocent and the only way he can prove it, is if his brother Joey (Jamie Bell), and his girlfriend, Angie (Genesis Rodriguez), are able to get into Englander’s safe, retrieve the diamond, and make it out without a trace.

Written and directed by first time feature filmmakers Pablo F. Fenjves and Asger Leth, respectively, Man on a Ledge is a simply told film with an amazing cast that really have no business being there. Granted, the real purpose of the film is to serve as an exciting distraction from our regular lives, offering a halfway decent story and some predictable twists. In that respect, Man on a Ledge does what it’s supposed to, but not much more.

With some extremely cheesy writing and a sad attempt at a New York accent from Elizabeth Banks, the film is rather a caricature of what it could have been, hinting at greatness with the likes of Ed Harris turning in a great performance, as well as rather inspired performances by Sam Worthington and especially Jamie Bell, who serves as both the comedic relief and the nail biting action hero of this flick.

With that being said, Man on a Ledge does get rather exciting in its last 20 minutes, taking Cassidy off the ledge and into what is possibly the most dangerous places for him to be. The climax of the movie also gives the viewer some pretty decent twists that keep you on your toes for the remainder of the running time, but I just wished that the film’s first 80 minutes could have been as involving.

2.5/5 Bears