Just in time for the original film’s 40th anniversary, Scream Factory is releasing a massive definitive 16-disc collection Blu-ray collection of one of the most influential horror franchises ever.
This will include all 12 original Friday the 13th films from Paramount Pictures and New Line Cinema. It also includes new and existing extras, a new collectible rigid slipcover with newly-commissioned art, a new 40-page collectible essay booklet with archival still photography and new 4K film transfers for Parts 1-4, with Part 3 in its original 3D presentation. Additionally, each film comes with a dedicated Blu-ray case featuring original theatrical artwork.
Hollywood does not seem ready to discard its obsession with remakes and re-imaginings quite yet. For every original concept or literary adaptation you can be sure, hot on its tail, is a modified version of someone’s cherished cinematic memory. When it comes to remakes it seems that the ’80s horror movie genre always takes a huge hit. TheHitcher, Stepfather, Dayof the Dead and TheFog are just a handful of ’80s classics (well maybe classic is a bit strong) which have gotten a new coat of paint that they never really needed. If we are lucky these films will entertain, but more often they become another in a long line of soulless cash grabs.
People love nostalgia so the reasons behind these remakes are quite clear, people will pay to see them. But people will also pay to see these franchises resurrected in a slightly different way. Direct sequels can be hit and miss, but at least we recognize the characters and mythos involved. The other way to go is to structure the feature around a different format instead. Hannibal and Bates Motel (though originally novel adaptations) are two examples of films turned into TV shows. Warner Brothers seems to be going this route, with its digital production division Blue Ribbon announcing that one of the many projects it has under development is a new series based on those extraterrestrial flying fur balls, Critters.
Critters was a New Line Cinema franchise which started in 1986 and has four films in its cannon. It involved some rather nasty little alien creatures called Krites, who whizzed around the room like Sonic the Hedgehog and had a tendency to shoot their quills, as well as their teeth, into people. As well as having a slightly disturbing element to them, the Critters movies are most fondly remembered for the sense of humor that accompanied all the mayhem.
Now relatively little is known so far about Warner Bros Digital return of the Krites, but the news did spark off a reaction with the fans, like Jordan Downey (Thankskilling). Downey decided that he wanted in on this new Critters return and he left quite an inventive calling card to grab people’s attention A short movie called Critters: Bounty Hunter, which is a simple tale of hunter vs Krite, that you can watch below. This shows that you can continue a franchise successfully without reformatting it…
As you can see the short retains the spirit of the first two Critters movies with keeping the action contained in one small, recognizable location. The action is fast paced and quite tense in places, but the trademark dark humor remains (nothing better than hearing an alien swearing in his native tongue!). The attention to detail is superb, with the bounty hunter design looking very much like it did when it was first seen way back in 1986, and the Krite itself looking just as menacing as ever. Below is an extract from Jordan’s YouTube channel telling us a little about the production of the short.
Critters: Bounty Hunter was completed from start to finish in under two months with a small budget and an even smaller crew. All in, a total of six people worked on the movie: Myself, Kevin Stewart, Ricky Fosheim, Nick Soole, Troy Smith and Gina Luciani. We shot for two nights at a house in Mammoth Lakes, California. The Critter puppet was built by Troy Smith who worked with us on both ThanksKilling movies. Our crew handled everything from building the bounty hunter costume, learning the VFX required to pull off the glowing head, scoring, title cards, sound design, etc. We’re proud of what we pulled off with limited resources and can’t wait to share this with everyone. Turn up the volume and hit HD – We hope you enjoy our fun little take on Critters!
Sacha Feiner did a similar thing a few years ago with his great short movie – taking the cue from the reality break in Gremlins2 – creating movie segments with Gremlins interference.
Sacha’s work was done as a fan project much like Jordan’s project. Now whether this plan works for Jordan and his crew with regards to getting him a job is anyone’s guess, but one thing is for sure. He has certainly gotten the respect of Critters fans worldwide, and even if nothing comes of it, we will always have this short.
Images: Jordan Downey, New Line Cinema, Warner Bros.
They’ve been trying to make a Y: The Last Man movie for a while now. I remember hearing movie plans back when the comic was still being published, and wondered myself who would be playing who, and of course, asked the ultimate question of movie vs TV series. The story starts out fairly simple; All males on Earth die, except Yorick Brown, and one male Capuchin Monkey. The new world, entirely run by women, starts to slowly realize that the human race will die out unless something is done, and Yorick, being the only man around, runs into some trouble just by having that lucky ol’ Y chromosome. That’s putting it lightly, anyway. The direction of how to handle such a beloved, intricate story, and how to bring it to the screen, small or big, is one that seems to have eluded major studios for a while now, despite the project coming very nearly close to being made in 2007.
Back in 2007, Vaughn and screenwriter Carl Ellsworth began work on adapting Y: The Last Man to film. Suburbia director DJ Caruso was brought on to helm the project in 2010; however, he eventually left due to a disagreement with the studio on how to handle it (he wanted a trilogy; they wanted one film). We’ve not heard much on the project since his departure.
We all know by now that didn’t end up happening, and for good reason. That argument over just how much, and how long the adaptation should be, ended up being pretty crucial.
The premise itself is easy to see as a feature film, but the sheer scope of the comic’s run has been a divisive issue.
Known for his expansive and self-contained storylines, Vaughan’s account of Yorick’s travels spanned 60 issues – a story that Caruso remained unconvinced would be best told in a single feature film, which was New Line’s wish. During Caruso’s time on the project four different screenplays were drafted, but ultimately the lack of agreement led to the director and studio parting ways.
Rather than remaining bitter, Caruso moved on to other projects, and explained that his disagreements with New Line went much farther than simple script issues. Unsurprisingly, Caruso wasn’t even sure that Y: The Last Man could be properly adapted into a two-hour film:
I didn’t think that you could take Yorick’s story and put it in to a two-hour movie and do it justice. That was sort of the difference. I think that New Line, working with Warner Bros. in their new relationship, just felt reluctant thinking that we can’t leave this thing open. If you are familiar with the comic book, you know it’s just mind-boggling. If you look at what my buddy Frank Darabont did with ‘The Walking Dead,’ you think […] “is that the best thing for it? Because there is just so much great stuff, so no, I’m not involved with that anymore.”
Here’s where the normal person would suggest it should be a tv miniseries. In a perfect world, of course it should. In a perfect world, I’d love it to be a full fledged show, with each issue adapted into an episode. But in this world, where brilliant comics like The Walking Dead are taken and turned into melodramatic shitfests like its AMC counterpart, I’d rather Y stay off my teevee, and let someone competent, with a single vision, give us his adaptation of the story. That way, if it’s shitty, it’s only 2 hours of my life wasted.
I’m not a fan of Shia LaBeouf, but I’m not a hater either. I have no strong feelings about him one way or the other, but I do think he was miscast as Yorick, and I’m glad that he won’t be playing him. When I think about that old project, LaBeouf, and factor in that disagreement over length, I can see why the project fell apart. The good news is, it’s been picked back up, and the new script is rumored to actually be good. It’s being written by former Jericho writers Matthew Federman and Stephen Scaia, who you may recognize as the writers for Syfy Channel’s current series Warehouse 13. This bodes well, because it shows they know how to handle science fiction concepts, as well as an apocalyptic atmosphere, as any fan of Jericho will tell you.
So it seems like the script is good, which is good to hear. As much as I loved Y, not every single little subplot and side character is needed. I can see the entire story being trimmed to just Yorick, Ampersand, Yorick’s girlfriend, 355, Dr. Allison Mann, (Jesus I just got that pun of a last name, what’s wrong with me?), and have Alter as the villain of the film. You could tighten the whole story up, and make it a very simple, 2-3 hour, “Man on the Road” story. You just gotta narrow the vision down to one solid concept, and to me, that concept is the development of the unique relationship between 355 and Yorick. Make that part work, and all the rest will fall into place.
The one deciding factor would also be the ending, which I’m not adverse at all to being changed. Actually, let me clarify, not the ending ending, (because that was beautiful and perfect), just the explanation for what killed all the males. As it was, it took me to about the absolute far end of my suspension of disbelief and tolerance for pseudo-scientific, quasi-new age, bullshit theory. I won’t ruin it for you, but I will warn you that it’s disappointing. Then again, how could it not be? It was certainly unique, and better than “Ohhh crrraaazy virus!”, or what have you. However, when it comes to a film adaptation, a simpler, more easy to digest theory, and ending revelation, such as virus, or a combination of virus and the book’s ending, would suffice.
All in all, this is a script I’d love to get my hands on, and a project I’d love to see actually come to fruition, if only to see how it’s handled. I don’t expect it to be perfect, I just want it to be good on its own terms. Basically what I’m saying is folks, go in expecting a kick in the balls, and if the movie slaps you in the face, you’ve won!
Also, If I had to cast Yorick now? Ryan Reynolds. That’s right. I can feel your hate. IT MAKES ME STRONGER.
A couple of years ago, some of you may remember that in a startlingly logical move, a studio decided to adapt and release The Lord Of The Rings as a trilogy of films, each as its own movie telling the story originally told in three parts in the novel. After those movies went on to make millions and millions of dollars at the box office, studios were looking to fast track the obvious follow-up to LOTR, which was Tolkien’s The Hobbit. The main difference between the two, being that The Hobbit was a significantly shorter, simpler, and far less densely written story, that was originally written as a children’s book. And then it got shelved, re-planned, re-thought out, and finally years later picked back up again by Peter Jackson, who now, along with the money-grubbing studios that want another million dollar trilogy, is adapting The Hobbit into a movie of its own. Three of them, to be exact, as stated on Peter Jackson’s Facebook. Via [Chicago Tribune]
“We know how much of the story of Bilbo Baggins, the Wizard Gandalf, the Dwarves of Erebor, the rise of the Necromancer, and the Battle of Dol Guldur will remain untold if we do not take this chance,” Jackson wrote.
“So, without further ado and on behalf of New Line Cinema, Warner Bros. Pictures, Metro-Goldwyn-Mayer, Wingnut Films, and the entire cast and crew of ‘The Hobbit’ films, I’d like to announce that two films will become three.”
Now while I’m not directly against an adaptation of The Hobbit itself, because it’s an amazing story, It is decidedly NOT enough story to adapt into 2 movies, and streeeettching it into 3 is downright frivolous. It’s a pretty straightforward story. Hobbit joins up with dwarves for adventure. They fight trolls and spiders. They try to steal a dragons treasure. Dragon gets mad. They war against the dragon. War ends. The END. It’s enough story to make a really badass 3 hour movie, with each act reflecting each part of the book. But since making money is paramount over making concise, unbloated, well paced adaptations, we’re going to get 2 unnecessary sequels so as much money as possible can be dragged out of our wallets as we’re forced to pay $16 dollars three times over the course of three years (at least!) , to see it in special LieMax 48fps 3D Digitial Surround sound with bonus cups and collectible glasses! Don’t forget the final showing of the third movie in 2014! Where you can buy a $50 dollar ticket to see all three in one sitting for 12 straight hours, and afterward you can go home and hang yourself because you’ve finally seen Peter Jackson’s ONE TRUE VISION brought to the silver screen.
So yeah. Not a fan of this being split up I guess, is what I’m saying.
In September of this year it was reported that New Line Cinema hired Kevin Tancharoen (Mortal Kombat: Legacy) to direct a new feature length movie based on the franchise. No actors have been confirmed as of yet. I just hope they decide to keep Jeri Ryan as Sonya.
At Comic Con 2011 Tancharoen, along with writer Oren Uziel, and the creator of the franchise Ed Boon stated that we can “expect a very big origin story with the sensibility and realism of Rebirth and Legacy as opposed to the traditional Mortal Kombat mythology.” from the new film.
Shooting is expected to start in March of 2012 with a release date of 2013.
Check out the reviews of ‘Mortal Kombat: Legacy’ by Supascoot HERE
This is to be the first of a whole new series here at Grizzly Bomb. For each feature we will examine an individual genre and the quality of its films produced within a specific decade. These lists will be compiled from a point system determined by votes from each member of the staff. It’s very scientific, we used Excel.
For this first topic I asked all 11 members of my staff to give me a list of their Top 10 Action Movies of the 1990s. These movies were to be ranked from 1-10, and the results surprised me a little. But before we get there, there was some discussion over what qualifies as an ‘Action Movie’. For the purpose of this exercise, we looked at movies that are unmistakably Action, and ignored some of those that are more broadly categorized. The 3 movies that best fit this example were Braveheart, Saving Private Ryan, and Leon/ The Professional. While all 3 of these movies have action in them, it just seemed like they were too good to be crammed in as genre flicks, as they run a lot deeper than movies like, Tango and Cash or Bad Boys II, which are simply focused on blowing shit up. We were looking more for the ‘Blowing Shit Up’ stuff.
90’s action was about more than just explosions though, it also really expanded on the Sci-Fi aspects as well. As technology advanced and they found themselves able to do things previously not possible, you really saw the whole genre shift on a closer parallel with the Sci-Fi genre than ever prior. As the decade went on, and Stallone and Schwarzenegger got older, Hollywood also started to move away from the muscle-bound action stars of the 1980’s and more towards special effects driven stories.
Anyhow, as for the results: From the 12 people asked to make a Top Ten list, it resulted in 56 different movies being named. I’ve tallied up the points, and I now give you the Top 25 of them…
25. Universal Soldier (1992)
24. Hard Target (1993)
23. Last Man Standing (1996) 22. Hard Boiled (1992)
21. Desperado (1995)
20. GoldenEye (1995)
19. Point Break (1991)
18. Mission Impossible (1996)
17. Total Recall (1990)
16. Demolition Man (1993)
15. Boondock Saints (1999)
14. Under Siege (1992)
13. Con Air (1997)
12. The Long Kiss Goodnight (1996)
11. Independence Day (1996)
In 1998 most people had never heard of the Marvel Comics ‘Vampire Hunter’ Blade. That all changed though when New Line Cinemas cast Wesley Snipes and gave him a sword. Granted, a lot of people still didn’t realize they were watching a ‘Comic Book’ movie, but they loved it. The success of the film also did something else, it proved that you could still make comic movies even in the aftermath of Batman & Robin.
This movie told the story of a half-man/half-vampire with all the powers of the vampires, but very few of their weaknesses. He hunts down the undead to avenge his slain family. Stephen Dorff hands in maybe the strongest performance of his career as Frost; the new head of the vampire community.
Aside from a very capable cast (which included Terrier‘s Donal Louge) Blade had all the elements that made 90’s action great. It was fast paced, filled with gun-play, and featured new technology paired with old-school tactics. The movie revitalized Snipes career for a few more years and spawned 2 sequels and a TV show.
How 90’s is it? – This whole movie was like a really cool commercial for sunglasses, but with more blood. Very 90’s. I award a copy of Buffy the Vampire Slayer: Season 1 on VHS.
9. Bad Boys
Before he smashed robots into one and other for a living, Michael Bay actually made some really good action flicks. The first of which helped launch Will Smith from Rapper/TV Star into a bonafide movie Superstar. Now one of the highest paid actors in Hollywood, Smith owes many of his career opportunities to Bad Boys. This is also arguably the only movie Martin Lawrence has ever been in where I didn’t hate him.
It’s the story of a couple of Miami Detectives who drive around in a $100,000 car and shoot everything that moves. A huge catch of heroin from a bust of their’s is stolen out of the police evidence locker and they must get it back. My old man used to complain about how often my little sister and I watched this movie because of the abundance of F-Bombs. Apparently those are only ok in mobster movies. He is Italian. Anyhow, this movie is the first time I can really remember such stylized camera work from an American Director. It was like watching a John Woo movie, but with less doves. This is a style that Bay is now known for and probably has trademarked, but when I was 12, it was totally fresh. The sequel that came out in 2003 however, not so much…
How 90’s is it? – From the music to the Micheal Jordan references, this movie was super hip in 1995. I give it a Dodge Viper, a #23 jersey, and a ‘Fresh Prince Greatest Hits’ cassette.
Speed came out in 1994, and probably remained the most spoofed and quoted movie around until Austin Powers showed up in 1997. This movie was a phenomenon, and I think people often forget just how big it was. You can look at what Bad Boys did for Will Smith, and argue that Speed did even more for Keanu Reeves and Sandra Bullock. Keanu transformed himself here from half of ‘Bill and Ted’ into an actual movie star, building on what he started in Point Break. And Sandra Bullock, well she went on to become “America’s Sweetheart” dethroning Julia Roberts, and eventually winning an Oscar. Dennis Hopper also greatly benefited from the movie’s success, keeping him relevant until his death last year.
This was one of those movies where even if you didn’t see it, you know what it was. “Yeah, that’s the one with the bomb on the bus right?” The sequel however had less of an impact, but that’ll happen when you replace the star of the movie. Without Keanu Speed 2 was doomed from the start. It’s not surprising they tried after the success of the first one though. And it’s even less surprising that this movie made the list.
US Release: June 10, 1994 Director: Jan de Bont Notable Cast: Keanu Reeves, Dennis Hopper, Sandra Bullock, Jeff Daniels, Joe Morton, Alan Ruck, Patrick Fischler, and Beth Grant. Oscar Wins/Nominations 2/3 (Won – Sound/Sound Effects Editing) US/Total Box Office: $121,248,145/$350,448,145 Best Quote: “Pop quiz, hotshot. There’s a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?” Triva: Quentin Tarantino were offered the chance to direct, but turned it down. Tarantino later named the film as one of his 20 favorite films since 1992.
How 90’s is it? – It’s Seattle-90’s. Everyone in this movie has a flannel shirt, so I give Speed the entire Nirvana discology, and a Starbucks gift card.
7. Die Hard 2: Die Harder
This is the inclusion that will likely surprise the most people. Not that it’s on the list, but that it’s in the Top 10 ahead of movies like Con Air, Face-Off, and Under Siege. I know it surprised me, but I have to honest. I love this movie. And as I was preparing this article, and watching the trailers again for each movie, this is the one that I felt most pumped to watch. After all, what’s the big knock against this movie? It’s too much like it’s predecessor? Well what’s wrong with that? The first Die Hard film is the greatest Action movie of all time.
Anyhow, this time around, and the Christmas following his LA adventure, John McClane is at Dulles Airport in D.C. waiting for his wife’s plane to land, and wouldn’t you know it? Terrorists take over the Airport. Forced to deal with things on his own because Dennis Franz won’t help him, McClane proves once again, it doesn’t pay to always be in the wrong place at the wrong time. This movie gave us what is easily the best ‘ Yippie-kai-yay‘ delivery of the franchise.
How 90’s is it? – This one is ‘New 90’s’ as John had to “get with the 90’s” and learn how to use a fax machine. I award this movie one Zack Morris cell phone.
6. The Last Boy Scout
Joe Hallenbeck is basically a washed out John McClane, working as a detective and disgraced after his exit from the secret service. He’s a drunk and a smartass, and extremely entertaining to watch.
Jimmy Dix is basically a washed out Michael Vick, dating as a stripper that looks like Halle Berry and disgraced after his exit from Pro Football. He’s a drug addict and a pain in Joe’s ass.
This movie took on Sports Gambling and struggling TV rating for Pro Football. Not very realistic there, but hey, it’s a fun watch. This movie is as close as you can get to an “80’s Action Movie” released outside the 80’s. Shane Black’s screenplay is so full of buddy cop moments and one-liners it’s impossible not to like this if you grew up on movies like Lethal Weapon (also written by Shane Black) and The Running Man. It probably would have led to sequels if not for an under performing Box Office total, opening against Hook during the Holiday season and being deemed ‘too violent’ for Christmas.
How 90’s is it? – It’s not. It’s just SUPER late 80’s. So for that it gets a ‘Member’s Only’ jacket and a Prince LP.
5. Die Hard: With a Vengeance
Widely recognized as the better of the 2 Die Hard movies released in the 1990’s, it’s also the first one not to feature Al, Holly, and Richard Thornburg. It also is the first one not to take place at Christmas. This, the 3rd of the series focuses more on John himself, as opposed to the first 2 movies which simply had him thrown into bad situations.
Hans Gruber’s brother Simon (Irons) is holding the city of New York in a grip of terror and he wants to play a game with John. From stolen gold to exploding Subway trains this movie never really slows down. The franchise welcomes back John McTiernan, director of the original movie to breath some new life into McClane, but this time giving him a sidekick. And quite the sidekick Sam Jackson makes, constantly at odds with McClane and everyone else. The pair race around the city playing Simon’s games, all the while Simon is filling dump truck after dump truck with gold bars.
This is a movie that to this day, if I catch it on TV I have to watch it, and it was this, combine with Pulp Fiction, that made Sam Jackson a household name.
US Release: May 19, 1995 Director: John McTiernan Notable Cast: Bruce Willis, Samuel L. Jackson, Jeremy Irons, Aldis Hodge, Dick Cheney, and Anthony Peck. Oscar Wins/Nominations: 0/0 US/Total Box Office: $100,012,499/$366,101,666 Best Quote: “Yippie-kai-yay motherf–ker.” Triva: The line spoken by McClane “Smoking cigarettes and watching Captain Kangaroo” is taken from a song called “Flowers on the Wall” by The Statler Brothers, which appears in the Gold Watch section Pulp Fiction (1994), also featuring Bruce Willis and Samuel L. Jackson.
How 90’s is it? – Kinda 90’s. This movie, unlike a lot of the other ones on this list isn’t unique in style to the decade and could really fit in any time period, so for that it gets an Aerosmith T-Shirt, a Coke, and a smile.
4. The Rock
This is the movie that made Nic Cage, at least for a while, an action star, leading him to later do some movies as Con Air, Face/Off, and Gone in Sixty Seconds. And it reminded people the reason that Sean Connery was one of the world’s first real action stars – He’s a badass.
This was also Michael Bay’s follow-up to Bad Boys, which tricked us into thinking he’d never do a bad movie. Bay’s stylistic camera shots that averaged less than 3 seconds each, and the fast paced flow of plot helped to define the decade’s ‘Action Identity’, and no movie exemplifies that more than The Rock.
How 90’s is it? – Maximum 90’s. This movie is so 90’s in fact that it’s gonna get a OJ Trial Transcript and signed Tanya Harding Ice Skate.
3. True Lies
Schwarzenegger’s last truly great movie, and no surpirse he was paired with Terminator scribe and director James Cameron. This movie examines some of the everyday life stuff that a Schwarzenegger character would have to deal with. The most memorable scene however, isn’t one centered around Arnold, but around Jamie Lee Curtis…
Bill Paxton and Tom Arnold added quite a bit more humor than was in Schwarzenegger and Cameron’s previous collaborations. True Lies marks the end of an era, which at the time we did not know, but this would be last truly great movie to star the Governator (at least to date). This is for Arnold almost what Unforgiven is for Clint Eastwood. A movie where he plays a character that is very similar, but in a different light. Unforgiven is Clint once he is old and broke down, while True Lies is a comedic look at the behind the scenes of his life. The movie was obviously a huge hit and almost spawned a 2002 sequel, but tensions after 9/11 caused them to delay, and as of 2011 they have not moved forward.
US Release: July 15, 1994 Director: James Cameron Notable Cast: Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Tia Carrere, Eliza Dushku, and Charlton Heston. Oscar Wins/Nominations: 0/1 (Nom. – Best Visual Effects) US/Total Box Office: $146,282,411/$378,882,411 Best Quote: “Same thing happened to me with wife number two, ‘member? I have no idea nothing’s going on, right? I come home one day and the house is empty, and I mean completely empty. She even took the ice cube trays out of the freezer. What kind of a sick bitch takes the ICE CUBE trays out of the FREEZER?” Triva: Spencer Trilby (Heston) is based on Nick Fury, the Marvel character. Like Fury, he has an eye-patch, same mannerisms, and heads a peacekeeping organization.
How 90’s is it? – It has Tom Arnold in it. Is that answer enough? No? Ok, well if came from a time where you could still have Middle Eastern terrorists in movies instead of them just being used as Red Herrings. For that I award a retroactive failing grade from the “PC Police” for being too awesome.
2. The Matrix
When I saw the trailer for this movie I thought: “Gonna be all special effects, no story”. Boy was I wrong. The fact of the matter is The Matrix had some of the best action sequences I’ve ever seen, and the advancements in special effects changed the way movies were made. The story was very similar to that of the Terminator Franchise. Futuristic war against the machines, one man destined to save humanity and all that jazz. So it’s not that the concept was as new as people thought at the time, rather it was presented in a new way that dropped jaws. Nothing like this had ever been seen visually and that is what made people go back to see it for a 2 or 3rd time.
Kenau hadn’t really taken advantage of the success of Speed, and the weakening grip that Stallone and Schwarzenegger had on the Action genre. It looked as though he could be the next big thing, replacing aging stars like Van Damme, Segal, and even Bruce Willis. But it was 5 years until The Matrix came out and he really hit one out of the park.
This movie did something else too. It launched the career of Hugo Weaving, who played Agent Smith. If you don’t recognize the name, you might recognize his resume: The Matrix trilogy, The Lord of the Rings trilogy, V for Vendetta, The Wolfman, and the voice of ‘Megatron’ in the Transformers movies. He will also be playing ‘The Red Skull’ in the upcoming Captain America: The First Avenger.
The movie itself simply changed the whole industry, and remains (despite a slew of terrible sequels) extremely popular still today, more than a decade after it’s release.
US Release: March 31, 1999 Directors: Andy Wachowski & Lana Wachowski Notable Cast: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Joe Pantoliano, and Gloria Foster. Oscar Wins/Nominations: 4/4 (Won – Editing, Sound Editing, Visual Effects, Sound) US/Total Box Office: $171,479,930/$463,517,383 Best Quote: “I’d like to share a revelation that I’ve had during my time here. It came to me when I tried to classify your species and I realized that you’re not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment but you humans do not. You move to an area and you multiply and multiply until every natural resource is consumed and the only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Human beings are a disease, a cancer of this planet. You’re a plague and we are the cure.” Triva: This cast almost looked very different – Jean Reno turned down the role of Agent Smith for Godzilla instead. Ewan McGregor turned down the part of Neo for Star Wars: Episode I – The Phantom Menace. And Sean Connery was originally offered the role of Morpheus, but turned it down saying he couldn’t understand the script.
How 90’s is it? – Cutting Edge 90’s! This movie gets a ‘White Zombie’ CD and a new trench coat.
1. Terminator 2: Judgment Day
Without a doubt, the 90’s movie I’ve seen the most times (edging out The Sandlot and Mallrats) is Terminator 2. It was no surprise to me that this turned out #1 as it was at the top of almost everyone’s list.
This is probably Arnold at his absolute best, and I doubt we’ll ever see him do anything this good again. This movie, brought in over $500 million at the Box Office and shattered records all over the place. It held the record for opening weekend Box Office of an R rated movie for 12 years, and still holds the record for the biggest Box Office increase for a sequel over the original with over a 400% jump.
The movie’s effects, groundbreaking in 1991, still hold up now, 20 years after it’s release. Before the massively over-rated Titantic and Avatar movies, James Cameron made sweet shit like this. And as far as I’m concerned, there is no argument to be made against this being atop the list. It is simply, as perfect a 90’s action movie as you can ask for.
US Release: July 3, 1991 Director: James Cameron Notable Cast: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Earl Boen, Joe Morton, Jenette Goldstein, Xander Berkeley, Nikki Cox, Danny Cooksey, and S. Epatha Merkerson. (Michael Biehn also appears in the Director’s Cut…) Oscar Wins/Nominations: 4/6 (Won – Sound Editing, Visual Effects, Makeup, Sound) US/Total Box Office: $204,843,345/$519,843,345 Best Quote: “I need your clothes, boots and your motorcycle.” Triva: The Minigun used in the Cyberdyne scene was so heavy that Arnold Schwarzenegger was in fact the only person on stage that could carry the gun.
How 90’s is it? – It was Trend-setting 90’s! This movie popularized many 90’s trademarks and for that it’s gets an autographed photo of George Thorogood, season 3 of The Simpsons, and an unopened copy of Windows ’95.