Tag Archives: Robocop

Countdown to Halloween #20: Jason Voorhees

Strange how one of the most iconic characters in horror lore were never meant to be. In the original movie, Jason popped up as part of Mrs. Voorhees damaged brain, and then briefly at the very end. Somehow though, the supposed drown child grew up to adult hood and took up a new past time; slashing up camp councilors. It’s not till the third film that he actually grabbed his iconic hockey mask, but boy did things change then. He became a horror movie icon, with his mug splashed all over everything. Heck he even appeared on talk shows where he does not speak! After 8 movies though, people started to tire of machete wielding maniac and he disappeared for a few years when filmmakers sent him to Hell once and for all. Or at least until he popped up again a few years later during a trip into space. We were also shown the residents of Elm Street being used as cannon fodder during Jason’s brief tussle with rival icon Freddy Kruger. Most recently though the character was subject to a 2009 reboot which introduced him to a whole new generation. Why though does he still hold a spot in our hearts? Well let’s have a look…

Continue reading Countdown to Halloween #20: Jason Voorhees

New Fringe Season 5 Promo!

Here comes another noteworthy Fringe promo. They’re going full bore into preparing us for this whole flash forward thing they showed us last season, this time with a more viral video approach rather than a straight up preview. As we know, the Observers turned from an interesting story element of the mythology of the show, to the forefront of the threat to humanity as we know it. They have become the one, big bad, unifying thing that ties all of the “Fringe” events of Fringe all together in its entirety. The promo itself is fairly simple, with an Observer describing “Residency protocol”, which is just code for the installed curfews on us. He also frequently references “A scan”, which as we saw last season, is tantamount to a horrific psychically induced death, a la Scanners. In fact, assuming it’s intentional, I’m fairly positive it’s a reference to that film.

But of course they can’t show this on TV, but we all know that’s what they mean.

Here’s the promo:

I’m really antsy for this season to come already, as Fringe is a show that is truly unique. Never has a show gone from being truly awful, like it was in Season 1, to one of the best examples of Science Fiction in recent memory, and by far the best Sci-Fi show on television today. If you had asked me that the fifth season of this show would be as good as it is, and be where it is, in relation to the first season, I would have slapped you for trying to trick me into continuing to watch a terrible show. It took the coaxing of several friends repeatedly telling me “it gets better, it gets better, just watch it!”, to trudge all the way though the full first season. When I did, I got to that admittedly pretty clever and enticing last episode, which opened up the show in such a beautiful and revelatory way. It’s climb in quality since then has been exponential, and created some of the best hours of TV I’ve ever seen. Season 3’s “White Tulip“, featuring Peter Weller, also known as goddamned RoboCop, is an incredibly moving and brilliant time travel story that never manages to lose its emotional center, or get bogged down with technical minutiae. That episode alone puts Fringe up in the echelon of brilliant modern TV shows, alongside Battlestar Galactica, Lost, the first season of Heroes, Doctor Who, Carnivale, and even The X-Files.

The flash forward in this season isn’t exactly a new idea itself, as Joss Whedon’s Dollhouse employed the same tactic for its season finales, for both its seasons. Unfortunately, Dollhouse was a muddled, plodding, slow paced show that never found its footing, and meandered about for the whole first season until that decent finale. It’s a bummer that the finale, which might as well have been an entirely different show, was a much better show than Dollhouse ever was. Then Season 2 rolled around, and went back to the same boring, plodding pace, and that was enough for me. Fringe has taken the sudden flash forward concept and ran with it. What will happen to our Fringe team? What happened to Olivia in between now and then? And will the Observers be stopped? Will timelines be changed? Can they be changed? Is there truly no fate but what we make?

There’s even a few noticeable Easter eggs in the promo, that compelled me to grab screenshots for you to analyze and speculate further. Enjoy!

Goddamn, I wish it was September 28th already.

First Look At The New RoboCop… And It’s Not Good

Yeah, the banner isn’t what RoboCop will look like, sorry. I actually rather like the banner one.

But we do know what Robocop will look like now and yeah, it’s pretty bad. The original film had a great deal of originality to its look, from the Robocop suit to the ED-209. Granted these needed to be updated for a remake of the film but I still think that what we have seen so far has been done before. ED-209 looks like a small Transformer and the RoboCop suit, well… I will go over what I think of the new suit and do some comparisons after you look at the images below for yourselves.

Via [Comingsoon]

First off let’s have a quick look at the suit from a non-comparison stand point. The suit looks a little clunky in the second picture which should really be better in 21st century film robots. Then there is the fact that it doesn’t look like he is a cyborg. Granted there is just a man in a suit in filming but I was expecting a half man half machine look at least. The only evidence that might suggest this would be the right hand not being covered by the suit (really! Is that it?).

GI Joe Suits

Now is the comparison part. This suit looks like a combination of at least 5 different suits from film and games in the last 10 years. Why is this a problem? Well, apart from the complete lack of originality this proves it also makes the film start to blend into the fabric of those films rather than stand out as its own. Remember all of those comparisons made between the look of the alien ships in Battleship and the robot aliens of Transformers? People kept saying it’s a total rip off of Transformers, and that’s how it starts. People have seen it before which makes them think they are watching the same film over and over rather than a new film, and can seriously piss ’em off.

Here is a collection of the Grizzly Staff’s reactions to first seeing the new RoboCop suit:

Tim The Film Guy: “haha oh no that’s not right, thought I just saw Batman’s motor bike suit”

Dr. Kronner: “This looks turrible.”

Supascoot: “Motocross mixed with Tron and aspects of the Bat suit do not make a good Robocop.”

CTan: “Did they dig out the GI Joe suit?”

Brucewalken: “I actually laughed when I saw it. It’s hilarious. That film I reviewed, Robowar. The costume the cyborg has in that flick is better than the RoboCop costume! Maybe they have played too much Halo as it looks to me like a biker helmet stuck on a Halo costume painted black. Unimpressed.“

Cheesebadger: “I’m…. Just really gonna keep hope that it’ll work in the movie.”

So basically it’s a collection of all black armored suits in films and games. We’ll have to wait to see more before I, or any of the staff apparently, will be convinced that this is a good look for RoboCop.

For more on the Motor City Tin Man, CLICK HERE

GB’s VHS Vault: The Truth Behind “Robowar”

Normally when I start these articles I give a little introduction to what type of film I’m going to be talking about, but in this case I don’t really need to. For example – have you seen Predator? Sure you have, it’s a great piece of 1980’s action. Okay have you seen Robocop? Well if not – why not, the remake will be out soon so get a move on!

Continue reading GB’s VHS Vault: The Truth Behind “Robowar”

Comic Rack: Mark Millar = Do-Gooder, Rob Liefeld Quits DC, & Venom Invades Philly!

Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…

Rob Liefeld Quits DC, Thousands Rejoice?

Liefeld is a pretty infamous name in the comics world. He’s generally known for his 90’s work,  which showcased his startling lack of attention or care to basic human anatomy, and a bizarre fascination with ridiculously sized guns and an inordinate amount of pouches. I know, it’s very hip to hate on Liefeld, but the dude really did contribute to the boom, and subsequent giant bubble burst of comics collecting in the 90’s, and the stigma his art and writing left on the industry is something from which they’re finally recovering. Well it seems he’s quitting DC, and as much as I’d like to celebrate, his reasons, are actually pretty concerning.

But he does have a very punchable face.

via [CBR]

 “This is the 4th time I quit in the last 4 months. This time it will stick,” he wrote from a theater, where he was watching The Expendables 2. “Never thought the Image section of my book would be topped. This last year was a humdinger. The DC52 chapters will go top all of it. […] Reasons are the same as everyone’s that you hear. I lasted a few months longer than I thought possible. Massive indecision, last-minute and I mean LAST minute changes that alter everything. Editor pissing contests… No thanks. Last week my editor said ‘early on we had a lot of indie talent that weren’t used to re-writes and changes … made it hard.’ Uh, no, it’s you.”  

I’m not Liefeld advocate by any means, but it’s hard to not see where he’s coming from. Things at DC do seem pretty haphazard, and just barely thrown together. I love DC, and they really do have some great writers telling great stories, but lets face it, their editing team has always been one huge clusterf***. With the departure of Morrison for similar reasons, and other writers like George Perez also giving similar complaints, things on the editing front over at DC seem at the very best, shaky, and that’s putting it as nicely as I can. It does kind of explain why George Perez’s run on Superman was total dogshit boring though, and I’m a HUGE Superman fan. I’m just hoping the same thing doesn’t happen to any of my other favorites like Jeff Lemire, or Scott Snyder. That’d be a pretty huge loss to the company that not even a thousand Geoff Johns writing on a thousand typewriters could fix.

In A Startling Move, Mark Millar Is Not  A Horrible Person For Once!

You’d almost never guess he’s pure evil inside. Also, Scottish.

So despite being a terrible comics writer, who shits out bad comics purely to be optioned into films, he still somehow is popular, and has a rabid fan base. This fan base has in turn, made him very rich and successful. In a shocking movie, he’s finally decided to use this fan base for good, rather than more evil. It would seem some horrible, sexist, racist, misogynist, generally all around asshole, (the twist is that it’s not Mark Millar!), has been harassing various female comics writers and artists on twitter for quite some time. The guy has posed as several different names on twitter, and has been doing this for about 2 years, according to Sue from @DCwomenkickingass The tweets, emails and god knows what else, all are pretty lousy, terrible things to say, and the lot of them are far beyond typical “Lol you suck” hater tweets, venturing into downright harassment and outright online bullying. Here are collected few: via [BleedingCool].

 @happysorceress Vixen? Seriously? LOL. She’s the most usless black female character in comics. And that’s saying something.

@kellysue Captain Marvel sucks. Just sayin. Put that hot little piece of blonde pussy back in black thigh highs and move on already

@CertainshadesL I’m guessing you wouldn’t be as amused if you were being gang raped by black guys in lois lane masks. Yeah, I’m thinking no.

@ronmarz right, because it’s easier to go after spelling when you’re to f***ng lame to deal with the actual point. Nicely played, cunt face

@gimpnelly and being a liberal, you certainly love to embrace hate. You’re just jealous that you’re too ugly to be in porn, f***ing mutt.

@GailSimone calls Condoleeza racial slur and liar, African American fans shocked at Simone’s uncharacteristically intolerant/cruel comments

@MarkWaid refuses to disavow claims that he called Romney’s wife “white corporate whore”, fans shocked at Waids comment

@maguirekevin Kevin Maguire calles Condoleeza Rice an “ignorant ni**er war monger”. Fans are shocked at artists racist comments

@MarkWaid geyser of lies, you mean like when he said that Mitt gave a woman cancer? Whoops! F***ing hypocrites like you make me laugh Kind of like the time

@laura_hudson said “white people are ruining comics”. Yeah, that’s not irrational, I’m just entitled for not agreeing

@Curicon @valeriegallaher @TheNerdyBird eh…bunch of no talent bitches that need a few hours as the star in a tentacle filled hentai film.

@Curicon @valeriegallaher @TheNerdyBird poor choice of words. Should have said “victim” instead of “star”. The tentacles are the star.

So Mark Millar finally went and used his powers for good, by writing this on his message board: via [CBR]

So I’m asking you guys a favour. I’ve managed to secure this guy’s name and address, but he’s stateside and I’m unsure what the next step should be. In the UK, he would be charged by the police under the Malicious Communications act, but we have a lot of smart cookies on here and I know there’s several US attorneys who post here regularly. If we have his details and copies of his communication, how can he be prosecuted? If any of the pros who have been attacked here would like to make a case against him I’ll personally cover the legal costs. Twitter, I would imagine, can confirm his IP address if the artists make a formal complaint to the police. Apparently several of those he’s harassed took Millar up on the offer, as today he came back and posted: Thank you very much, but I engaged a criminal lawyer in LA yesterday and have one of the women involved co-ordinating with the others today, hopefully. I don’t want to say much more in a public forum just now as it may prejudice the case and between the details we’ve got and the tweets we saved the police have everything they need. Even if this doesn’t go to court the guy should hopefully be publicly outed in California and the shame of this will not only stop him attacking women online, but also discourage others from trying this in future. I found out last night that this idiot had been making sexual threats to some of the women concerned for over two years now. Again, I stress that readers shouldn’t try googling the names he’s using as innocent parties may get targeted. He’s using false names for the most part, as you might expect. His IP address is all that matters and we’ve nailed the clown. This is a police matter now.

Basically, Millar used some old-fashioned Internet Detectives to get the guys details, and had his police goons send him a cease and desist, or a subpoena, or a effin’ bomb, I don’t know, I have no idea what cops actually do. All of my knowledge about them is from The Wire and Breaking Bad. Regardless, screw that guy, and good on Millar for finally attempting to apprehend horrible, sexist, racist, misogynist assholes on the internet. If somebody shows him Reddit though, he might have a stroke and die, and ironically there’d be one less sexist, racist misogynist left in the world. Hmm…. No.. No that’d be murder. Or at least manslaughter, as so McNulty tells me.

Venom Moves To Philly, Says It’s Always Sunny There.

Alright, I haven’t read a Spider-Man book, in about, oh going on nearly 4 years now. I’ve never been a big fan of his, and despite my hope, that his new movie would be good, it was the worst piece of dogshit I’ve seen since Ang Lee’s Hulk. I’ve never really been that big a Spider-Man fan, when it came to the comics. I remember liking him when I was younger, but that was mostly because of the cartoon on FOX, and really, the toys were pretty cool. When it came to comics I was always a Superman/Batman guy. I know, my predilection for DC is showing again, I’m sorry. But stuff like Venom moving, is something I find innately funny. Especially the entire concept of him going to Philly, just makes me laugh. I know the current Venom is no longer Eddie Brock, and has been Flash Thompson for a while now, and the concept behind the move is actually pretty sound. via [Newsarama]

“Now, he’s trying to do the right thing,” series writer Cullen Bunn told the AP. “He’s reassessing what it means to be a hero. And he’s looking for a fresh start. This means a lot of things for Flash. He’s surrounding himself with new people — such as tabloid journalist Katy Kiernan and his new love interest, the Asgardian Valkyrie. He’s changing his approach to being a superhero. And he’s looking for a change of scenery.” Series editor Tom Brennan, a graduate of Philly’s Drexel University, said it’s time Philly had a hero of its own, putting it in the same league as L.A. and New York, among other real-life cities that populate the Marvel Universe. “All the while that I lived there, I wanted a superhero for the city of Philadelphia, a town full of heart, hustle and hope — and I don’t care what anyone says — some of the nicest people I’ve ever met,” Brennan said. “Sure, they don’t suffer fools, and you’ve got to be mindful if you cross against the light, but I found the City of Brotherly Love to be a character in and of itself that I thought more fiction should explore.”

Bahahaha what? Guns? Seriously? Oh man…

I mean that makes sense. Why shouldn’t Philly have its own hero? Superheroes are all around the place in the Marvel U, so lets throw Philly a bone. If Detroit gets RoboCop, why shouldn’t Philly get Venom? But still, the thought of Venom eating Cheese steaks, hanging out on the street, drinking a 40 and singing Biz Markie, just goddamn cracks me up. If they don’t throw in The Gang from It’s Always Sunny In Philadephia in a background panel or something, that’s gonna be a pretty huge missed opportunity.

Scott Pilgrim Creator’s New Project!

If you haven’t read it by now, you owe it to yourself to go and pick up all 6 volumes of the Scott Pilgrim comics, or some collected version and read it. Seriously. It’s one of those things that you wish you could forget about so you could read it for the first time, again. Stunningly, it was turned into a movie that was somehow EVEN BETTER than the comics, by the sheer amount of raw skill in story condensation used, as well as creative filmmaking in general. But I digress, the real hero here is Bryan Lee O’Malley, who really seem to has his finger on the pulse of the current generational zeitgeist, as his work in Scott Pilgrim alone truly speaks to the current generation of young adults. Any project of his is immediately worth noting for this reason alone, and with that, comes the news of Seconds, his latest graphic novel. via [CBR]

“I came up with the general idea for Seconds right after completing the first volume of Scott Pilgrim,” O’Malley says. “I worked in a restaurant in Toronto for a little while to pay the bills while writing the second volume and planning the rest of the series, and I had a few ideas for this other story, a story about a restaurant. So, Seconds is about a restaurant, and the restaurant is called Seconds, and 90 percent of the story takes place within it. Beyond that it’s really hard for me to explain and I’m going to have to work on that so I can talk about it properly when it comes out. But it’s funny and weird and kind of big and crazy despite the mundane setting.” Asked whether Seconds will be “realistic” like his 2003 graphic novel Lost at Sea, or feature more fantastical elements like Scott Pilgrim, O’Malley continued, “Seconds is grounded in the reality of this restaurant environment, and I did do plenty of research, so there’s that. It takes place in a town that is like a kinder, gentler fairy tale version of reality. Then it takes off into a story that is very strange, very mental. So it’s a little of both, I guess.  The protagonist, Katie, is a loveable spaz, and she’s in practically every panel; her personality drives the story in a way that’s basically identical to my other work. They’re all very subjective worlds. But this is a new subject, so it’s got its own feeling.”

Some might say a comic about a restaurant just sounds like a strange setting, but that’d be ignoring the tons of great indie books that take place in normal everyday settings. I’m really looking forward to this book, and you should be too. Now go, go out and read/watch Scott Pilgrim if you haven’t. Seriously. I’ll wait.

Lois Lane And Clark Kent, Not Happening In New 52.

The current big hoopla in DC fandom is the newfound relationship between Wonder Woman and Superman. However, most fans seemed to treat it as unofficial Official canon, that sure, it’s happening, but it won’t count, and eventually Clark will end up with Lois, because c’mon, Lois & Clark. Duh.

This picture is seconds before hot, sexy, Super-Penetration.

Not so says DC, as they seem intent on not going down the whole Lois route once again. via [Newsarama]

In an interview with the Associated Press, Johns and Lee hinted that the other elephant in the room, Lois Lane’s previously-thought destined relationship with Clark, simply doesn’t exist. AP writer Matt Moore even went so far as to say “She’s still around, but the two have never dated, nor are they likely to.” Lee added to the assumption, and noted that this relationship will reach far beyond just the pages of Justice League or just the reactions of other superheroes. “The way Geoff unfolds the story and the implications of 2 of the most powerful characters in the DCU becoming a team is something that goes beyond the question of ‘What about Lois and Clark?” This is a statement to every nation and geopolitical organization in the entire DC Universe giving creative teams ample material to explore this relationship on so many different levels.” Meanwhile, at the New York Daily News, Lee says he likes that this will get people talking. “If you change anything from the length of a cape to the shape of a belt buckle, there’s always some fan that notices and is appalled. “We’re very lucky to have a very passionate fan base.”

That last quote is really kind of a fancy way to say, “Stop whining nerds, geez”, and get away with it. And you know, I’m okay with it. We’ve seen Lois and Clark together for decades, why not let him have a shot at somebody who can, you know, bear the full brunt, if you will? A woman who can take what he can give? Who doesn’t have to worry about his daring exploits? Sex. She can have sex with him without fear of horrible death. Is what I’m saying. Because she’s wonderful. She’s a wonderful woman. Ugh. I’m annoying myself now. Anyhow, I’ll be interested to see how the whole relationship plays out, because holy hell, that break up will be HORRIBLE. Entire cities laid to waste because of emotional outbursts from both parties. Well, maybe not Superman, but possibly Wonder Woman? Maybe? Oh god am I being sexist? Will Mark Millar send after me now? What’s that knock at the door? OH FU-

Another Take on the Robocop Updates…

 

It’s no secret here at GB we’re fans of RoboCop. Something about the combination of humanity, steel, justice, and violence [in Detroit] that’s perfectly captured by RoboCop speaks to our heart of hearts. Which is what makes the following news pretty surprising, that unlike previously reported, Hugh Laurie will NOT be playing the villain of the remake. Taking his place is Michael Keaton, who I’m positive is a familiar name to all of you out there.

via [Deadline]

“Michael is the final addition to the amazing cast we have assembled for this film and it is so great to have the last puzzle piece in place. It is thrilling that everything has come together to bring this innovative new vision of RoboCop to life. We’ve got a great script, a great cast, some killer ED-209’s and I can’t wait to get Alex Murphy back on the streets,” said Padilha.

Now, I love Michael Keaton, and I’m positive he’ll do a great job, but the fact Hugh Laurie left before he even started isn’t a good sign. Actors leaving projects before they begin is almost never a good thing for pre-production. Along with that slightly disheartening blow, is a much greater one, hearing that apparently the studio behind Robocop is making things “Hell” for director Jose Padilha. According to his close friend and Director of City Of God, Fernando Meirelles, Padilha is having the stereotypical, Studio-Makes-Things-Impossibly-Difficult-For-Director woes.

via [Screenrant]

Here’s Meirelles’ quote, translated from his native Portuguese:

“I talked to José Padilha for a week by phone. He will begin filming Robocop. He is saying that it is the worst experience. For every 10 ideas he has, 9 are cut. Whatever he wants, he has to fight. ‘This is hell here,’ he told me. ‘The film will be good, but I never suffered so much and do not want to do it again.’ He is bitter, but it’s a fighter.”

Out of every 10 ideas, 9 are cut? Ouch. That really sounds rough. To make things worse, the script was reviewed recently, and Drew McWeeny of Ain’t It Cool News posted a series of tweets describing some of the plot points and ideas behind the film, including the idea of “re-vamped” Robocop suits.

via [Screenrant]

I’ll share this one detail. In the film, when Murphy is turned into Robocop 1.0, it’s described “a high-tech version of the ’80s suit.”

Then they show a focus group scene where criminals laugh at the design. “He looks like a toy from the ’80s!”

So they redesign him to look “meaner” as Robocop 2.0, who passes focus group approval.

So they not only make sure to include the original design, they also point out it’s dated and stupid. *facepalm*

Hold onto your sides for more hilarious “Robocop” details. They outsource his construction to China. #seriously

And we meet the ED-209s in the field in Iran, where they’re used to subdue suicide bombers. #ineedallthedrinksnow

Ahhh… now they just dropped Robocop 3.0 onto an Al Queda training camp to see what he does.

“He should be programmed to incapacitate in all scenarios.” “Agreed. Let’s keep him PG-13, Dr. Norton.” No. No. No. No.

By page 54, they are already onto Robocop 4.0, who looks like a “cop on steroids painted metallic blue.”

That… That whole thing sounds pretty awful, and really seems to be “borrowing” the idea of the Iron Man Mark 1/2/etc armor pretty heavily. I know the whole movie is supposed to be contemporary, and that’s not really the issue I have, but the thought of watching a scene of people in a focus group, talking shit about the classic, totally awesome ’80s RoboCop suit, seems really disingenuous and insulting to the RoboCop franchise in totality. Part of his appeal is his unique look, and to strip it down, or make it more streamlined or modern, would really leave a sour taste in fans’ mouths.

Plus, there’s this concept art floating around the web, which in all likely hood is fake…

It makes me cringe to look at, because it’s SO generic and boring. This is what the nameless villains in any random dystopian movie should be wearing, NOT RoboCop. I know it’s just a concept art, but if this is the direction the studio is steering Padilha towards, I wouldn’t be surprised to have to be writing a report about his leaving the project in a month or two. Hopefully all of this negativity is for naught, and we’ll end up with a great movie out of it, but so far, things aren’t spelling out an easy beginning.