Netflix has unveiled the first official trailer for The Highwaymen, a new cops & robbers thriller based on a true story of the former Texas Rangers (played by Kevin Costner and Woody Harrelson) who captured and killed the notorious outlaws Bonnie and Clyde. The film is set to have its world premiere at the South by Southwest Film Festival on March 10.
The third installment of the Planet of the Apes reboot, War for the Planet of the Apes, started filming last month and director Matt Reeves tweeted out a set photo to mark the beginning of principal photography. Based on the motion capture suits worn by the actors in the shot points to them being apes, an apparent inverse of Charles Heston on the beach in Planet of the Apes back in 1968. Take a look.
HBO is no doubt an innovator when it comes to home entertainment. Over the years we’ve been treated to original and edgy entertainment that breaks the monotony of your typical TV drama. The premium network has consistently utilized visionary geniuses to write programs. They have taken books and brought the pages to life in shows such as True Blood and Game of Thrones. They have even given us looks back in time, to flawless recreations of worlds like Boardwalk Empire
With the 2014 TV season coming on deck, it would appear the innovators of TV entertainment are about to do it again. The new original series True Detective will follow two of Hollywood’s favorite front men, Woody Harrelson and Matthew McConaughey. Getting into a new TV show isn’t always easy, but when two of some of the well-respected actors in the movie business agree to star on your TV show, you got a pretty good shot.
As exciting as it will be to have McConaughey and Harrelson play the role of detectives Cohle & Hart, prepare to take the good with the bad.HBO is terming this series an anthology series. Essentially this means that it will follow two new detectives in a case each season, much like the model American Horror Story has adopted. What’s also interesting is, according to HBO Watch, that the show is already cleared for an 8 episode season, committing to a full season order without an initial pilot order. It does make sense considering the hoops HBO probably had to jump through to convince two major movie stars to come aboard for the project. So with that said, I would not get too attached to detectives Cohle and Hart, as this will likely be a one season deal.
The idea of this show does seem exciting. The show will focus on the detectives working on an investigation of a serial killer, one that is still an open case 17 years later. It also appears that HBO will attempt to stick with the feel of the down home southern country vibe that we’ve had with True Blood for the past 6 years, as the landscape will be bayou bound in Louisiana. No doubt you can expect twisty, suspenseful writing with exceptional acting. The show will air in January of 2014. You’re probably not gonna want to miss this one.
TV may long have been the ‘unwashed masses’ when it comes to the entertainment industry but there has been a very obvious shift in recent years of big Hollywood names finding their way to the small screen. Very often they land at one of the premium cable channels. Premiering next year is a show on HBO that has quite a bit of star power attached.
Even though Woody Harrelson is no stranger to television, he’s been more of a movie guy in recent decades and Matthew McConaughey hasn’t been on TV at all outside of a few guest spots here and there. So you can imagine that the people behind HBO’s new series, True Detective, are pretty excited about the future of their show. The two men star as Louisiana cops and from the newly released trailer you get the idea that they might not be completely on the up and up.
Being a high schooler in 2012 is possibly one of the most tiring things a human being can do. And when I say tiring, I don’t mean because of the work, because the homework is never as difficult as they say. It’s tiring because every damn week there’s a new trend that everyone is pressured into keeping up with. As the months proceed, I feel more and more behind the times because I can’t get into things until they’re not popular anymore. Call me what you want, but I seriously have no desire to flock to a line at 5 PM and wait for 7 hours to see a movie that I may or may not like.
Planking, coning, memes, Harry Potter, Glee, The Hunger Games, hipsters, auto-correct fails, Tumblr, Twitter, StumbleUpon, rage face, GIFs, Temple Run, StarKid, One Direction, remakes, 80s revival, skinny jeans, Urban Outfitters, frameless sunglasses, wayfarers, iPads, suspenders, bowties, Skype, screenshots, cats and cocaine in the same picture, dubstep, owling, swag, Odd Future, parkour, genre bending, cute Asian babies, being a liberal, tea, independent coffee shops, mustaches, general facial hair, European lifestyles, being a fake vegan, Words with Friends, Google, trolling, Ryan Gosling, Spotify, being clever, being sarcastic, being an asshole, messy hair, high waisted pants, desert boots, headbands, rain, rainbows, photobombing, henna, links, black people, Kony, hand jewelry, henna tattoos, coconut water, being first, Lana Del Rey, Adele, Dev, small venues, “Tosh.O”, homelessness, irony, sleeve tattoos, hair, vintage anything, thrifting, Goodwill, sweaters, Jason Segel, braids, bikes, lipstick, pixie cuts, Neil Patrick Harris, “How I Met Your Mother”, “New Girl”, “Portlandia”, “Game of Thrones”, puns, bad jokes, anti-jokes, dimples, being cute, puppies, kitties, “Tosh.O”, “Awkward”, “Workaholics”, Paul Rudd, “Key and Peele”, Netflix, Hulu, anything but YouTube, viral videos, CGI, 3D, velvet, skirts, leggings, jeggings, and yes, even Pokemon, are a few of the many, many things that the kids are doing these days. In fact, by the time I post this, a few of these things might even be irrelevant.
See, I’m not necessarily opposed to all of these popular things, because to be honest I’m a fan of most of these things. I just fear the children of our generation and how easily they can flee from one item of popular culture. I remember just two years ago when “die-hard” Twilight fans would literally get into fist fights about Jacob vs. Edward. Now, they couldn’t care less about what the hell Taylor Lautner is up to. But for aspiring actors and artists and musicians, isn’t that terrifying? Aren’t you scared that unless you’re able to stay as relevant as the youth is demanding, you’ll be cast away in the sea of other former Grammy winners and franchise stars? I mean for God’s sake, anytime I mention Justin Bieber to somebody, they say, “Justin Bieber? You’re joking right? It’s about One Direction, now.” I remember a time when anytime I said something remotely negative about the Biebs, I would get smacked in the freaking face.
As a teenager, I respect the fact that teens are looking for a new piece of entertainment to hold on to. We get bored quickly, I get it. But as an aspiring filmmaker and musician, I’m terrified that if I ever create something remotely popular, a mere three months after I’ll be referred to as “the guy who made that one good song” or “the guy who made that one good movie”. And I’m not trying to be dramatic or anything like that, but if you’re a teenager and reading this, think about it. Do you still love Twilight like you may have when it first came out?
I blame this on the rapidly shrinking attention spans of teens. When I was around 5, I remember patiently waiting twenty minutes for a video or a computer game to load, and I got super excited when it was finally loaded. Now, unless a webpage loads in like 12 seconds, I start freaking out about how slow the internet is. So yes, I admit that I have adopted the impatience as the rest of my generation, but what can be expected of a world where things as enticing as text messages, instant messages, micro blogging, and video sharing are just a click and scroll away!
Even my parents have become completely consumed with all the new technological appliances surrounding them. I’m the only person left in my family who doesn’t have an iPhone, and whether for work purposes or not, the thing I hear most in my house now is “Hey, Joey, can I use your iPad?” I find myself sending more texts and emails for them while they’re driving than I do for myself. Not a complaint, just an observation. Sorry to put you on the spot, mom.
All I’m saying is, I think we need to slow down just a little bit. We’re ingesting all this information, and we don’t know what to do with all of it. It’s a reality that becomes truer and more prevalent with every iOS update. My advice? If you’re going to fry your mind staring at a computer screen for eight to ten hours a day, at least do what I do and go outside while you’re doing it. Because if you don’t, you’ll probably just end up overusing technology and your life will become eerily similar to that of the characters in Up. Or, they could go the exact opposite way, and we could have a second holocaust, much like what happens in The Hunger Games. It’s really up for debate at this point.
The Hunger Games, based on the bestselling series by Suzanne Collins, follows Katniss Everdeen (Jennifer Lawrence), a skilled hunter and matriarchal figure to her younger sister, Primrose (Willow Shields). In this futuristic dystopia, food is given to those who enter their name into a contest called “The Hunger Games”. Every year, there’s a Reaping Day where two names, one boy and one girl, from each of the twelve districts is handpicked by Effie Trinket (Elizabeth Banks), one of the faces of the Hunger Games. The twelve districts are named as such due to class, and district twelve, the poorest of them all, is home to the Everdeen family.
During the Reaping, against all odds, Primrose is selected, despite her name only being in the bowl once. Out of fear, Katniss volunteers herself as tribute, or, as a contestant in the games. Both delighted and surprised, Trinket proceeds to pick a boy, Peeta Mellark (Josh Hutcherson), a farmer boy who’s had a crush on Katniss for years. The two are then taken to the Capitol, who now controls the twelve districts after they waged war about a century earlier.
Their mentor, Haymitch Abernathy (Woody Harrelson) guides them as they train for the games, while they are dolled up for national television on a program hosted by Caesar Flickerman (Stanley Tucci), who looks strangely like the evil Inspector Gadget from the Matthew Broderick version. All of this is in preparation for the big day. For the Hunger Games.
When I first saw the trailers for The Hunger Games, I groaned in displeasure as I saw what looked to be the next Twilight. After seeing the film, a part of me is right, and another part of me is wrong. On a scale of Eragon to Harry Potter, The Hunger Games places a little bit above The Twilight Saga: Eclipse but lower than Harry Potter and the Chamber of Secrets. In human being language, that basically means that it’s pretty good, but not great. With a great performance by Woody Harrelson, and a decent one by Jennifer Lawrence, as well as some fantastic set pieces that don’t suffer from too much CGI, The Hunger Games definitely isn’t the worst movie you could see this weekend.
In fact, it’s definitely the most exciting, but a lot more could have been done to create quality entertainment. For one, hire a new director for God’s sake. Not since Catherine Hardwicke’s clunky directing in the first Twilight film have I seen such unnecessarily shaky and displeasing camerawork. I swear, watching Katniss walk through a forest was the equivalent of a three year old child who happened to get hold of a camcorder. It truly was awful, and in attempt to be edgy, it just ends up looking stupid. I hoped and prayed that once the action started, that crap would stop. But no, it didn’t, it got worse. Even my friend who I saw the movie with said to me, “Dude is your head starting hurt from all the shakiness or is it just me?”
Another thing that might have enhanced the whole movie was to appeal to people who aren’t familiar with the source material. As a big budget blockbuster, you have to appeal to mass audiences, emphasis on the mass. Not everyone who’s going to see this movie has read the original books, so it’s important that as a filmmaker you introduce these new terms and characters and plot points at a comfortable pace for everybody. It’s the same thing that my teachers always say, “Pretend like you’re writing this essay for somebody who has no idea what you’re writing about.” It just gives the audience more of a reason to care about what’s going on in the movie.
My final complaint is the PG-13 rating. I get it, you wanted to make a lot of money. You wanted to start a franchise. You wanted everyone to go and see this movie. But with the shaky cam, and the beautifully designed sets, why not just slash the budget in half, cut the caterers, and take the R-Rating. It would have enhanced the film’s second half, and it probably would have made everything even more intense. Not that the action doesn’t already push the envelope, because it really does, but I came to this movie to see people getting cut up and sliced open. And if I don’t get that, what stops me and thousands of other people from just going and re-watching Battle Royale, since it’s essentially the exact same premise.
As far as the positives, there are plenty as well. Once the games actually start, the intensity level rises to a million and it doesn’t let go for the entire 90 minutes that we’re following the characters through the games. At 144 minutes, The Hunger Games sure as hell doesn’t feel like it. What it does feel like, though, is a prelude to something bigger. Something even more exciting and even more dramatic than this first installment in what is sure to be the biggest franchise since the Boy Who Lived hit the silver screen.
I know, I know, I’m being a little tough on this movie. But that’s only because I want this franchise to be successful. I really do. There were a lot of redeeming qualities that I wished had been used to their fullest extent. Instead, I feel like we’re only getting a half-assed product. With that being said, half assing something this epic is still better than all the crappy horror flicks released this year combined. The Hunger Games is really just a film meant to be seen with a group, in IMAX, in a big theater, with your friends. It’s an experience that really only takes full effect with a giant screen and two of your funniest friends cracking jokes at all the unintentional hilarity that occurs. And while this is all fun and dandy now, when it comes time to look back on this franchise, will it be seen as one that really changed the way we look at films, and the way we look at big budget flicks? Probably not.
If you ask me, the whole movie is just a metaphor for the holocaust. The way they line them up, make them dress up in plainclothes, the way they glamorize everything, the propaganda. It all makes sense if you look at it from a historical perspective. The thing that really got me going on that was the scene in the very beginning where they show a short PSA from the Capitol on how important the Hunger Games were to the survival of the economy and their people. Basically, spewing all this crap in a failed attempt to get people to not panic so much. But author Suzanne Collins says the whole thing is based on Greek Mythology, so I guess I’ll just have to agree to disagree.
Still, go see the movie. Love it, enjoy it, revel in all of its glory. I admit that there’s a little kid in me that got excited when things got tense, but as a critic I have a duty to tell you what the film really boils down to. A series of missed opportunities that still amounts to a halfway decent action flick. So, have a happy Hunger Games, and may the odds be ever in your favor.
We’ve seen quite a few franchises rip through social media these days, and they all have the same things in common. One, they come from popular books series. IE: Harry Potter and Twilight. The Hunger Games is no different. Two, they all have gigantic budgets with big studios backing them. They can boast the latest in CGI, costume design, even scores by some of the top composers. And three, they can take many liberties and let the foot off the gas creatively (and they often do) because they all have multitudes of preteen fans ready to spend their lunch money on a movie ticket, even before the film is released. The result is generally poor writing and even worse acting.
It’s a dangerous assumption to say that good performances make good movies. True, they do enhance the experience of watching what could have otherwise been absolute trash, but unless a story is worth telling, the performances could be as amazing as you’d like, but they still won’t be enough to turn a bad movie good.
In 2009, Woody Harrelson was nominated for an Oscar for The Messenger, a story about a Casualty Notification Officer played by Ben Foster who becomes involved with a widow after telling her that her husband has died. Written and directed by Oren Movermen, the film garnered two Oscar nods, one for Harrelson’s performance, the other for the film’s screenplay. The Messenger is a great movie that showcases the talents of both its cast and its crew, making it fully deserving of its two nominations. Director Oren Movermen’s follow up film, Rampart, which also stars Woody Harrelson and Ben Foster, is a case of pretentious film-making at its worst.
Rampart follows officer David Douglas Brown, one of the last crooked cops on the force. After a criminal crashes his car into Brown’s squad vehicle, and attempting to flee the scene after assaulting Brown, he beats the man halfway to death in an act of self-defense. A hidden camera captures the entire ordeal on tape, and within hours, it’s on the news for everybody to see. The incident becomes a national issue, forcing Brown to re-evaluate his entire life and struggle to support his family during this rough time.
Both the plot and cast of Rampart make it seems like a surefire hit, but the film is bogged down by an aimless script, and often pointless direction by Oren Movermen that aims to enhance the imagery. Instead, it ends up distracting the viewer from the thin shreds of a story being told. Woody Harrelson is fantastic as promised, as is the rest of the cast, but everything else just…isn’t. I often found myself fighting to stay awake, staring at my clock, fidgeting, and constantly checking how long the film had been going for.
I’ve seen a lot of cop dramas in my day, and at first glance this seems like it might take a different turn, maybe even striving for a Bad Lieutenant cult status, but it’s that dire need for acceptance in a world of gritty police dramas that drives Rampart‘s plot into the ground, then back up for air, then right back into the ground. Also, the casting of talented A-listers in almost every role gives the film a really fabricated feel that could have been completely erased had the casting directors gone for the “unknown and talented” actors. Still, by the time I had made it to critiquing the casting, I was already so sick of the damn thing I didn’t even care, not a good trait to have if you’re a movie of any genre.
Rampart is a movie about a real-life police scandal in 1999 in inner-city Los Angeles. Woody Harrelson plays Dave Brown, a member of the rampart division of the Los Angeles Police Department. The drama with Brown began to become public when he was caught on tape severely beating a citizen who had hit him with his car. The video hit the news, and the scandal began. Brown was also accused of many other controversies including murder. The movie also deals with Brown’s home life. He has two ex-wives, who are sisters. He has one child by each of them.
Director Oren Moverman and Harrelson went to the rampart department of the LAPD to shadow them. The two went on ride-alongs and got an inside look of the area that was being policed during the scandal, as well as the tension within the department.
Rampart will release in theaters tomorrow, although it is not being released locally, so I cannot see it yet.
Check out the trailer:
Earlier this year, Ashton Kutcher and recent Oscar winner, Natalie Portman starred in a film about two friends who begin to have casual sex entitled No Strings Attached. The film itself received generally negative reviews despite its good cast and director (Ivan Reitman). Personally, I didn’t mind the film too much. It was a nice escape with some good jokes and likeable leads. Sure it was as cliché as it gets, but not every film can be The Deer Hunter, right?
Soon after I saw No Strings Attached, I heard of a film being released called Friends With Benefits. The premise was literally identical, and the female lead, Mila Kunis, co-starred with Natalie Portman earlier that year in Black Swan. I was, needless to say, quite skeptical. I didn’t let this get the best of me though, because the cast was equally as funny, if not more varied and interesting, than No Strings Attached.
Friends With Benefits follows two young professionals, Dylan (Justin Timberlake) and Jamie (Mila Kunis); one a successful internet blogger who is offered a job at GQ, the other is sent to recruit him. The two become very close friends over a short period of time. One day, Jamie claims, “I miss sex.” The rest is history. The two begin a strictly physical relationship with no emotions attached, which soon turn into something far different.
As much as I thought I wouldn’t like this movie, I’ll go ahead and admit that I really enjoyed it, a lot actually. With a more than 20% advantage on Rotten Tomatoes, Friends With Benefits actually deserves it. The two leads have way more chemistry than the stars of No Strings Attached. The story is very layered and involved, with just enough characterization to make you care, and possibly even cry. The supporting actors, which include Woody Harrelson, Bryan Greenberg, Patricia Clarkson, Jenna Elfman, Richard Jenkins, and even guest appearances by Emma Stone and Andy Samberg, all hold their own and give a lot of meaning to why Dylan and Jamie are why they are.
Dylan’s father, who’s known only as Mr. Harper (Richard Jenkins) has moderately severe Alzheimer’s that gets worse with age. He’s the type of character that we all know is going to say something insightful at the end of the movie that gives Dylan the courage to do what he has to do, blah, blah. Fact of the matter is, Richard Jenkins is funny as hell in everything he does, and he’s a fantastic actor. These are two things that are extremely useful in Hollywood, and he plays the role perfectly, as usual.
Directed and co-written by Will Gluck who you may recognize as the director of Easy A, has a good eye for scenery and makes sure to create an acceptable distinction between Los Angeles and New York, which may seem like an unnecessary detail, but honestly, you don’t know how many times I thought a movie takes place in the Upper East Side but it turns out I’m actually in downtown LA.
Friends With Benefits also has a knack for both employing cliché while simultaneously mocking it. While mocking cliché has now become a cliché, this Inception of clichés has led me to just give up and be entertained by the gimmick, which can be somewhat pervasive, but never tiring.
The film’s soundtrack is also something to note. It includes popular songs, but not the annoying ones that you hear on the radio every two seconds. They’re the popular songs that come on the radio once in a while and you’re actually happy to hear them. Example: “I Will Follow You Into the Dark” by Death Cab for Cutie.
If anything, Friends With Benefits is a great romantic comedy and an acceptable vehicle for both Timberlake and Kunis, who both have extremely bright futures in Hollywood. Despite being in the business since children, I feel like their careers have really started reaching their full potential only recently (yes I know, Kunis was on That 70’s Show, that doesn’t count). Also, besides its great leads, Friends With Benefits offers us three of the best cameos of the year, but I can’t tell you what they are. Also, miraculously, Friends With Benefits has somehow made “Hey Soul Sister” by Train a bearable song to listen to during a credits sequence.
The newest trailer for The Hunger Games is out and thank God it’s not another spinning acid trip in the woods. For a while there I thought I was watching daytime outtakes from The Blair Witch Project. With slightly less snot.
I will say from the top that I like the trailer. It encapsulates the character of Katniss quite well, and I am more than pleased with Jennifer Lawrence in the role with what I’ve seen so far. That and Donald Sutherland is basically a badass, so you know he’ll be awesome. I can make my peace with Lenny Kravitz, I really can. I’m sure he had the best acting coaches money could buy that auto-tuned his on-screen performance. I’m sure he knows some guitar hypnosis voodoo to get what he wants.
I really have a hard time making my peace with Woody Harrelson because of what an obscenely awful actor he is. He wasn’t exhibited much in the trailer, but I think this role should be a cinch for him. He’s like Keanu Reeves. Keanu has solid performances when he plays someone who has no clue what’s going on; because Keanu has no clue what’s going on. In this film, Woody portrays a crazy drunk who tends to lash out in a violent rage. Three shots of Tequila and he just has to read the script.
Anyhow, here it is…
I have high hopes for this film because I did thoroughly enjoy the book. There is a wide margin of screw-up possibility, as in any book to film adaptation. However, being that this was the only book in the trilogy that was actually worth reading, I’m excited to see it. This new trailer really gave us a glimpse into Katniss’ life before and leading up to the games; her bravery in volunteering to die to save her sister’s life, her friendship with her fellow tribute, Peeta. It felt inspiring. Hopefully the film lives up to the hype.
Hunger Games will be released on March 23, 2012.