A24 has released the first trailer the highly anticipated crime thriller, Uncut Gems, starring Adam Sandler, who is taking a welcome break from mind-numbing broad comedies to team with Josh and Benny Safdie.
The new Pixels trailer is out and we get to watch Adam Sandler, Kevin James and Peter Dinklage take on aliens who have come to conquer Earth in the form of nostalgic video game characters. Spoiler Alert: This looks terrible.
So in case you had not noticed pilot season is in full swing at the moment, with each new release giving company execs the glimmer of hope that it will be a success and spawn a franchise. While there is no doubt that some of these will, there will also be some utter turkeys in the mix that will be instantly forgotten. This leads us to the focus of this article because I have (like a fat Indiana Jones) unearthed some of these forgotten unaired pilot treasures and proudly displayed them for all to see. These are the pilots that never got a chance, some due to circumstance and some due to the fact that after watching them you may need to sit back and absorb what utter dribble flowed out of your computer screen. If nothing else they can never be considered boring. So here are the top ten unaired pilots that caught my attention.
10) Heat Vision and Jack (1999)
Oh the 90s when Jack Black was a comedy god among men. His moment of stardom has slipped due to him appearing in some awful movies as well as, in my humble view, not possessing enough comedy skills to do anything other than fall down and shout a lot. But in his defence he has starred in some interesting items to say the least. Heat Vision and Jack is one of these curious pieces. From Ben Stiller’s production company and introduced by Stiller himself, we are given an introduction to the world of Jack Austin; an astronaut who flew too close to the sun. Given amazing new mental powers (but only in the day when his brain absorbs the sun) he is on the run from part time actor and full time assassin Ron Silver (yes the actor Ron Silver playing himself) who is trying to take him out. On his travels he has his companion and former room mate Doug, who has had his consciousness transferred to a motor bike (voiced by Owen Wilson). Together they are Heat Vision and Jack.
A great parody of all those 1970’s shows like the Incredible Hulk and The Six Million Dollar Man, it has its tongue firmly placed in its cheek. Cameos by Stiller’s wife Christine Taylor as a sheriff who falls for Jack and Vincent Schiavelli as a human possessed by the evil alien Paragon all add to the pilots quirky fun. The visual shots and soft focus show some serious care and attention went into this and for fans of those retro shows it is a must see. However saying that this would have been a hard sell for an actual series, as the parody element could have easily become tiresome over time. As a solo piece however it is loads of fun.
9) The Adventures of Super Pup (1958)
Flying right from the year 1958 and into no one’s living room is Super Pup. This unaired pilot pretty much follows the formula of the early Superman comics, but with one twist. All of the characters have become animals. So Clark Kent now becomes the adorable Bark Bent and Superman becomes the Pup of the title.
This seems just plain weird watching it today. I am not really sure what audience they were going for, but one can only assume that viewers would have gazed in shock and awe of what they had seen if this had ever reached households around America. One viewing of this makes it obvious that it was not going to be a mainstream hit, just because it seems so odd! It has a strange Muppets feel to it, with the human actors basically wearing just huge head masks. It makes you feel uneasy rather than entertained, like you have just walked into an adult fancy dress party that you really should not have. It also has that Tex Avery style humour which works… to a degree. It is a strange oddity, but it is hard not to laugh when seeing a tiny bulldog dressed like an editor barking orders while stood on a table.
8) Lookwell (1991)
Lookwell has quite a simple premise. Writer Conan O’Brien (yes that Conan) and Robert Smigel created this tale off a washed up actor (played by Adam West) who, having been deputized when he was a hit, believes he can actually solve crimes. This gem came from NBC in 1991 and though well received, never actually got a full series.
This had me in stitches just from the title scene alone where Adam West is doing an incredible job of camping it up, even more than he normally does. The 70’s style music and Adam’s confident stride through the yellow tape straight away tells you this is going to be something special. The self parody Adam employs in this show is incredible and it really out shines some of the other oddities that appear on this list. There is definitely some Batmanisms popping up in here and as you would expect he uses his acting skills to get the job done. It is great to see Adam West exercise his comedy chops before he became a cult icon with his appearances in Family Guy and a new audience finding his works from the old Batman series. Out of all the shows on this list this is the one that has the most legs for a series so it’s all the more tragic it was shot down before it had a chance. Lookwell was a role Adam West was born to play and we are lucky he at least got to play it once.
7) The Elvira Show (1993)
Elvira the scream queen with the large ……..assets has moved to Manhattan, Kansas. In tow is her talking cat who likes to drop sarcastic comments when ever possible, and her nutty aunt Minerva. Elvira has gotten a steady job as fortune teller and potion seller but a spanner is thrown into the works when handsome undercover cop Chip arrives on the scene. He is investigating a bad batch of her potions that put someone in the hospital, but Elvira is only interested in investigating him. Then out of no where Elvira’s long lost niece Paige arrives to stay. Antics ensue.
Yeah, this is as bad as it sounds, but for Elvira fans it is a must see as she basically does the same routine she did in her movie Elvira Mistress of the Dark but for an hour shorter. It feels like they were trying to create a show that was a throwback to the classic house based sitcoms of old but with an added element of a quirky family like Married with Children. Watching it now it is an odd mix that never really gels, nor is it really that funny. There are elements in this show that follow other witch related shows like Bewitched or Sabrina, with spells going wrong and annoying retorts from speaking animals. It is certainly an oddity worth viewing (if not for Elvira herself then for the stupidity on screen) but for how many viewings will really depend on how much you like the central character.
6) Dog Police (1990)
Adam Sandler gives us his idea of the perfect police force with this 1990 pilot Dog Police. Sandler turns up in this as a cameo but it mainly focuses on the antics of some alien crime fighting dogs. Yes, this is a real thing. The dogs are human sized and walk upright. Wearing trench coats, they search the streets looking for crime while moaning about the emotional issues (including divorce!) and are fully authorised by the police department. I really do not want to know what other animal detectives that police force has on retainer.
Sandler’s career has gone off the rails as of late with the heyday days of Happy Gilmore and Billy Madison long behind him, but it is kind of comforting to know that even before then he could conjure up utter tripe. This is just too weird a show to even dream of. Much like Super Pup it has actors wearing dog clothes, but the interaction between humans at least makes it a bit more accessible. However it’s just plain weird and not that funny really. Dogs in trench coats talking like Humphrey Bogart is almost bad enough but when you see those human eyes peeping out from the slightly disturbing dog masks it does chill you to the bone………the dog puns don’t help matters much either.
5) The Orson Welles Show (1979)
The Orson Welles Show was Orson’s attempt at getting himself a gig as a talk show host. Suffice to say, it did not end well. Struggling to engage an interesting banter with his audience who looked confused as much as they did amused, Orson in some scenes seems quite terrifying. Most of the footage for this proposed 90 minute show has never surfaced or been pulled for copyright reasons, but there are clips of it on the Orson Welles documentary one man band. The eclectic show had Burt Reynolds as one of the guests and some quick fire questions from the audience, none of which goes smoothly. The weirdest thing is Orson Welles justifying his amazing acting talents in an interview with none other than Kermit the Frog, it is an interesting state of affairs when you need the ear of a Muppet. This is just dying out for some kind of re-release as it seems incredible and has to be one of the lost gems of our time.
4) Wonder Woman (1967)
Poor Wonder Woman never seems to catch a break in TV. Sure she had an amazing run in 1975 with the beloved TV series of the same name, but before that there was a rather ropey TV movie from 1974 and then after we had the recent failed 2011 series. Beating all of these to the punch however was this short which went nowhere. Called Who’s Afraid of Diana Prince it took just 5 minutes for the creators of this piece to think they could sell it as a series. How wrong they were, 5 minutes was enough to seal its doom. It starts off with Diana Prince getting freaked out by the rain and then gets worse from there.
There are so many elements wrong with this that it is a blissful release when the clip actually ends. Woman Woman has a moaning old woman as her mum! She acts like a moody teenager! She goes behind a revolving wall to change and prances about like a weird fashion model! Yes this all happens and so much more. The tone is obviously going for the campiness of the Batman Adam West area, with the narrator from that show doing the voice over duties for this. But it’s actually just too painful to watch. Why do we have a minute of Wonder Woman grinning in the mirror and why the hell does she fly off in such a god awful camp manner? It’s because this show sucked and thank goodness the world was spared from a Wonder Woman comedy.
3) A Dog’s Life (1979)
Does the name Norman Lear mean anything to you? If not you may remember his early TV works like All in the Family and Maud. With this show he hoped to break the mold of TV sitcoms with a truly original idea. How would he achieve this? By getting humans to dress up as dogs and talk about the world around them, all from their own canine view. We all know how successful those dogs shows have been so far so I will let you guess how well it did (here’s a hint though – it is in an article about unaired pilots!)
This is dire. It looks tacky and the one liners included in just this small clip are painfully obvious and not funny at all. It plays out more like some school play than an actual show for TV, with grown men and woman in very bad costumes explaining how funny it is to be a dog. Who cares what happens to these dogs really? With awful acting and bad dialogue we should be thankful this was buried outside in the yard with only a bone for company.
2) Infiltrator (1987)
Scott Bakula has always had a soft spot in this reviewer’s heart for his amazing work on the TV series Quantum Leap. Before that though, he appeared in numerous TV pilots that failed to get off the ground. With most of these that is probably for the best but with Infiltrator he was denied the chance to give us a really great TV experience. Scott plays Doctor Sanderson an exciting and passionate scientist who manages to accidentally become one with an experimental probe he was working on that can adapt to any situation – imagine The Fly remake but with Scott getting mixed with technology instead of an insect. He is soon snapped up by the government and with his assistant in tow goes to foil the plans of a rogue scientist who has his own death base. While using his infiltrator skills will he lose his humanity?
Equal parts awesome and cheesy, this works great as a piece of Science Fiction action and would have made a great little TV show. The scenes with Sanderson shooting grapple hooks out his hands are amazing and a must see for any fan of classic 80’s Science Fiction cheese. The full transformation of Sanderson into Infiltrator mode looks pretty much how you would expect it. It’s part Running Man’s Dynamo, part any robot from any low budget Science Fiction film. It’s great fun watching Scott chomp through the scenery and even with the mandatory love angle it is still as great piece of 80’s action. Not for everyone, but fans of low budget movies will have a field day with this.
1) Poochinski (1990)
I am aware this list is very dog heavy, seems that dogs are an easy subject to work into TV shows. The fact that most of these failed seems to have done little to stop them coming out. So finally we turn to Poochinski, a dog tale with a difference. Stanley Poochinski is an over the hill detective (played by the great Peter Boyle) who looks a shambles but is actually pretty darn good at his job. He seems the perfect candidate for a new partner which he gets in Robert McKay. While on a stakeout for an ATM thief, Poochinski saves a bulldog from getting run over when the thief catches on to their antics, but he gets hit in the process and dies. While at the funeral, the dog starts talking to McKay. No, he has not gone mad, it seems Poochinski’s soul has transferred to the dog. Now the new team have to try and find Poochiski’s murderer together.
This has got to be the weirdest show ever conceived (and with this list that is a hard work). Poochiski runs and bites at people’s crotches which is all kinds of wrong and also has very poor and cringe worthy scenes where he whines about getting stuck in a dog’s body. Because this is television, McKay pretty much absorbs all this information with no problem at all and carries on with his normal day with dog in tow. Is there a lot of talking in this pilot? Yes, a hell of a lot. But does it detract from the main story? Not really, it’s a talking dog for goodness sake! The dog effects are pretty poor and Poochinski looks like he is made of plastic most of the time. The writers crammed so many different TV clichés in here that it’s a surprise the show did not implode on itself. Weird cop, partner with lady trouble, nasty thief needing to be caught – it’s all here. At the end of the day when you need to start taking advice from a dog on your love life, you have hit an all time low. But saying all this it really needs to be seen to be believed as you will wonder how the hell it ever made it off the writing board. But the same can be said for a lot of the pilots on this list. In their own way they have managed to give the audience some kind of fun viewing experience, just maybe not quite the experience they were expecting.
Boy, that’s a lot of dogs.
When the 38th season debuts this weekend, Saturday Night Live will once again have a new look.
Let’s take a moment here…
Are we going to miss Kristen Wiig’s fabulous characters (surely I’m not the only person who has to fight the urge to gleefully announce “APPROVED!” when their credit card goes through successfully at the grocery store) and Andy Samberg’s digital shorts? Of course we are. That’s not even up for debate; but they are not the be all to end all of the entire show.
There is no need to lament on how awful SNL is now and how it isn’t half as it good as it was “back in the day”. Before we can even have that argument we have to realize that “back in the day” has a direct correlation to the pastgazer’s age. Is pastgazer even a word? Can I declare it a word? I am.
Pastgazer (noun) – Someone who is incapable of being excited about the potential future of a television show because they are way too hung up on how it “used to be”.
If the pastgazer is in their 30’s, I assure you their “back in the day” involves Adam Sandler and Chris Farley. Someone in their 20’s (albeit probably their later 20’s) loves them some Tina Fey and Jimmy Fallon. The 40 somethings are still plodding along singing the Chopping Broccoli song and answering everything, even when not at all appropriate, with “well isn’t that special?” You don’t even want to be in the room when they feel the need to break out their patented “SCHWING!” move. It’s just embarrassing. Then you’ve got the real badasses in their 50’s who scoff at the idea that SNL has been any good since Chevy Chase left… after the first season. They long for the days of random interludes involving bee costumes and Land of Gorch sketches with the Muppets; yes those Muppets, sort of.
I think we can all agree that everyone misses Will Ferrell. Surely missing the Spartan Cheerleaders is universal. I chose to live in a world (even if imaginary) where the vast majority of people grieve daily for the loss of those crazy kids.
Thing is, even with seemingly everyone in the universe screaming about how SNL is not as good as it used to be, it is still on the air. Which is more than can be said for many other shows (let’s have a moment of silence for Kings, a great show cut down in its prime. Damn you NBC.) so obviously they are doing something right and someone is watching. A lot of someones. Someones who still like the show. Someones who in 20 years are going to say, “SNL was way better when Nasim Pedrad and Taran Killam were on.” Trust me, it’s gonna happen. This little bit of casting news is for those someones.
After the departure of Kristin Wiig, Andy Samburg, and Abby Elliott, three new cast members have been added to the lineup.
While hailing from various parts of the country, all three recently were active in the Chicago theatre scene.
Aidy Bryant is originally from Phoenix, where she lived before she attending Columbia College, and then went on to make her mark with the Improv Olympic, Annoyance, and most recently, the e.t.c. stage of The Second City theatres.
During her time at The Second City, she had the chance to team up with the Lyric Opera. Who would have ever thought that Gretel was so well adjusted?
Tim Robinson is a Detroit native, starting his career with Second City Detroit before moving on to the Second City touring company and then The Second City mainstage in Chicago. He’s been a busy man – he recently put together a pilot for Comedy Central called My Mans that was unfortunately not picked up. However, in addition to joining the SNL cast, he also has been cast in a midseason sitcom on CBS called Friend Me.
Judging by this sketch with The Second City, we might see Tim right at home with SNL’s “commercials”.
The most recently announced addition is Cecily Strong. She is a Chicago native (well Oak Park, a suburb of Chicago) and also a Second City alumni. She was with the Second City touring company and also performed with the Improv Olympic.
Another commercial sketch, this one is right up SNL’s alley, no pun intended.
Lest the actors get all the attention, it was also announced that there have been two new writers hired for the new season. Neil Casey and Josh Patten both come to SNL by way of the Upright Citizen’s Brigade in New York City.
That’s the news; now all that’s left is to take bets on how many Family Guy voices Seth MacFarlane uses during the opening monologue. Oh and we should begin the countdown to when Jason Sudeikis takes his final bow. While he’s listed on the cast page, he’s made it no secret that he is perhaps tired with SNL, which is sad. Actually I think SNL will totally suck when Jason Sudeikis leaves and I will never watch again!!!! While it was just announced that Mr. Sudeikis is returning for his 8th season, it is unclear how long he will stay though- at least through the elections which we can all agree is a good thing.
I leave you with this – a man who I think we can all agree, will most certainly feel the absence of Kristin Wiig like no one else.
The 38th season premiere will air on Saturday, September 15th with Seth MacFarlane hosting along with musical guest Frank Ocean, and his guest, John Mayer.
Having awoken from their spring break extravaganza at Lake Victoria, the swarm heads upstream where they look to make a meal out of Big Wet, a local water park where when it comes to fun, nobody does it wetter! Thought they came to get wet, get loaded and get some, the staff and patrons get more than they bargained for when they must face the fiercest, most bloodthirsty piranhas yet.
Release Date: TBA 2012
Welcome to Grizzly Dailies! A new feature where we will cover a bunch of movie news in the manner we love. Jam packing a ton of links and info in one post so you don’t have to waste your valuable time (and ours) by combing through a ton of articles!
Oh dear lord, Adam Sandler. What the hell happened to you?
I’m going to skip the formalities here and get right down to it, Jack and Jill royally sucks ass. I’m not one to use these terms loosely, because to be honest, not a lot of movies necessarily suck ass. Let’s take a movie I reviewed earlier this month, Like Crazy. Was it a bad movie? Yes, it was. Did it suck ass? No, it did not. Allow me to further my point.
Jack and Jill, as you may have heard, is about two identical twins that go at it during Thanksgiving, Hanukah, their respective birthdays, and New Year’s. Literally the entire movie is fighting and a creepy Al Pacino, which I’ll get into a little bit later. The premise, which revolves partially around getting Jack’s sister Jill out of the house, and the rest of the plot, involves getting her to stay. Now, call me crazy, but I think that’s considered a conflict of interests on the part of the borderline schizophrenic lead, Jack.
He truly is an ass. A royal ass one could say. He treats his sister like she’s dirt. He sets her up on dates with weird men, he bullies her every chance he gets, and he ultimately uses her to get Al Pacino to do him a favor. He brings the term “dick move” to a whole new level.
The writing really is absolutely atrocious, with some of the most unnecessarily drawn out and cringe-worthy conversations I’ve seen in recent years. The banter between Jack and Jill isn’t cute, it isn’t funny, it isn’t even amusing. No, their seemingly endless conversations are just annoying, like the rest of this movie. Annoying, annoying, annoying.
Adam Sandler pretty much does the same thing in a lot of his movies. I know damn well he’s a capable actor and that he really does know how to pull out a good performance (e.g., Funny People and Punch-Drunk Love).
Here, on the other hand, he does the usual Adam Sandler performance. Angry, oppressed, needy, and whiny. Except he does it in a way that gives off the feeling that he was quite bored during shooting. He exaggerates everything to the max, and it seems that he’s been playing the asswipe father in quite a few of his recent movies, and I’m starting to think that that’s just how he is in real life.
As Jill, on the other hand, he’s ferociously aggravating. Everything that Jill does, I want to just punch her in the nose for. It’s the 2nd most inspired thing in the entire movie though, behind the one and only, Al Pacino. I laughed twice in this movie. Two times. The first time involved Al Pacino in a disguise. The second time involved Adam Sandler as Jill farting aggressively in a bathroom. Farts are funny people, get over it.
Anyway, Al Pacino. What can I say about Mr. Pacino’s performance? Well, it was…inspired. He really did give it his all and I commend him for his bravery. I really do. Any self-respecting actor who can really put his heart into a project like this is truly brave, or completely insane. Most of the times it’s both, though.
But, back to the bashing of this flick, I have a message to Adam Sandler. WE UNDERSTAND THAT YOU ARE JEWISH. WE UNDERSTAND THAT YOU ARE PROUD OF THIS, AND WE APPRECIATE IT. WITH THAT BEING SAID, WHY IS THE FACT THAT YOU’RE JEWISH HAVE TO BE UP TO 33% OF THE TOTAL JOKES TOLD IN YOUR FILMS? It really is a simple question. Every three or four jokes there was something about being Jewish. In each and every film Mr. Sandler makes it becomes more and more prevalent and more and more irritating.
Also, I felt that the portrayal of Mexicans in this movie was over-the-top, racist, and unnecessary. I’m all for a good dose of healthy racism with a point like in the Harold & Kumar films, but the things that some of the Hispanic characters said in this film are just downright embarrassing.
Product placement is also something I noticed in this film a lot. The person I went to go see Jack and Jill with had a bet with me. We were supposed to count the amount of farts and the amount of times we saw product placement. In short, we lost count. You know you’re in a bad movie when there’s a scene that takes place in a cinema, only to see a bunch of Coca-Cola stickers popping out from all the concessions.
As for being the worst film of the year, that honor goes to Cars 2, which truly is a horrible, horrible film. Where does Jack and Jill fare, you ask? Pretty damn close. I really can’t recommend this movie to many people, unless you want to see Al Pacino act like a fool. There are a lot of great cameos that keep things relatively exciting, but when Johnny Depp isn’t popping up on screen, either Jack or Jill are, and you really don’t want to see that.
1 Grizzly out of 5
I am extraordinarily excited about the fact that they made fun of the word “Aspergers“. I have thought about that every time I heard it. Although it is nothing to make fun of… it really is.
In this episode, Stan is diagnosed with Asperger’s syndrome, as he continues seeing everything as shit. Stan goes to a group for Asperger’s patients, which is actually a group for cynics. They claim that everything really IS shit, and aliens are sending out brain waves to humans so that they think that everything is normal, ala They Live. During all of this, Cartman discovers that by putting hamburgers in his ass, he can make them irresistibly delicious, and starts a hamburger business.
The group of cynics gives Stan a glass of Jameson, and Stan sees the world as normal, and once again, thinks Adam Sandler is funny. (For the record, I love Adam Sandler.)
Adam Sandler left SNL and got huge in the 90s. From vehicles like Billy Madison and Happy Gilmore, to ensemble flicks like Bulletproof and Airheads, Sandler was gold. Everything he did was funny. Then it culminated in ’98 with The Wedding Singer. That was his peak, and it’s been all down hill from there…
As the 90’s came to a close he did some decently funny/likable films – The Waterboy and Big Daddy. I even liked Punch Drunk Love, though it crashed and burned at the Box Office. From there the drop off got steeper and he set a new bar for ‘mediocre’ with Anger Management and 50 First Dates. Then he started piloting remakes like Mr. Deeds and The Longest Yard. And then he just stopped trying – Click, You Don’t Mess with the Zohan , and I Now Pronounce You Chuck & Larry were all terrible.
So in an attempt to revitalize things and get more mature, we got Grown Ups and Funny People. Neither was any good. Something did seem to click in Funny People though. In the movie he attempted to make fun of himself and the ridiculous movies he’d starred in. Now he’s actually made one of them, and not since White Chicks has there been a trailer that made me less interested in a movie. Check it out…
And George C. Scott seems even less impress than Stan…
And Yes – You did see Katie Holmes and Al Pacino in there. How sad is that?
Holmes presence is no real shocker, as her career has been in the shitter since she skipped out on all the Batman Begins pub to be Tom Cruise’s beard.
But Pacino. He was once counted amongst the greatest actors alive. And now, outside of some really good TV stuff he’s done, he’s not been in a decent movie since 2003, and even that was’t great. But it’s not like he’s the only one – Harvey Keitel was in Little Nicky, Christopher Walken was in Click, and Jack Nicholson did Anger Management.