Focus Features has debuted an official trailer for the enigmatic thriller Promising Young Woman, the feature directorial debut of Killing Eve producer/writer Emerald Fennell, which is a delicious new take on revenge starring Carey Mulligan.
Everyone said Cassie (Carey Mulligan) was a promising young woman… until a mysterious event abruptly derailed her future. But nothing in her life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. But now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past in this thrilling and wildly entertaining story.
Check out the trailer for Promising Young Woman below:
Welcome back to the Hero Express, your one-stop sometimes SPOILER filled shop through the top five stories in comic based Film & TV news!
Iron Man 3 Shows Mark VIII On Set In Miami
Robert Downey Jr. may have injured his ankle during shooting, but Shane Blacks Iron Man 3 is still pushing ahead. Not sure if Robert is back at shooting but his new suit certainly is. The new Mark VIII suit made its debut at this year’s Comic-Con and was met with mixed opinions. I wasn’t a fan originally but it has grown on me a bit since then and I would like to see this suit in action. Where’s the trailer at already, Marvel?
The blue suit to right is apparently not the Iron Patriot like we originally thought but instead is allegedly going to be Rhodey’s new War Machine armor. We mainly think this because of the clear US Air Force insignia stamped on the side of the new armor. I do not like the fact that the War Machine armor is almost exactly the same in appearance to the Iron Man suit! I think it will get confusing in a fast fight scene with them flying through the skies with explosions left, right, and center.
Mark Millar To Take Control Over Fox’s Marvel Films
What a prestigious role to play with such a well-respected film company. Congratulations Mark. Oh by the way I am clapping slowly. Not shocking that Fox decided to do this since Marvel made billions on The Avengers and then got director Joss Whedon to helm their Marvel Cinematic Universe for Phase Two. So Fox wants their remaining Marvel properties to work a little more coherently under the watchful eye of Mr Millar. Nothing wrong with that, though I’d prefer if they would just give them back to Marvel. That’s clearly not going to happen so they might as well try and make them good.
Mark Millar has a rich history with comics and to be honest he is a smart choice to oversee Fox’s comic films. His most noticeable works are The Authority, The Ultimates, Marvel Knights Spider-Man, Ultimate Fantastic Four, Civil War, Wanted, and Kick-Ass. In August 2007, he also won the Stan Lee award at Wizardworld in Chicago. He has the right background and so we will have to just wait and see what impact his involvement in the next Fox films will be. Fingers crossed its good.
These are Mark Millar’s words on taking the job:
“I really like the Fox team, love this bold new direction they have for their franchises and am proud to be working alongside some of modern cinema’s biggest talents. James Mangold is incredible, Matthew Vaughn’s one of my closest pals, and Josh Trank gave us, in my opinion, one of the greatest superhero movies of the last decade with Chronicle. The invitation to join this crew was maybe the coolest phone call I’ve ever had,” Millar said with characteristic understatement in a statement accompanying the announcement. Describing his new role as a “dream gig,” he continued, “I spent 10 years working at Marvel and am really happy with the work I did on the comic side of things, so the idea of working with these characters now in a brand new medium is enormously exciting for me.”
Ben Affleck Still Says No To Directing A Justice League Film
Talking to MTV, Ben Affleck has explained that he doesn’t want to direct any Justice League movie and he doesn’t understand where the rumors started. He never suggested to anyone he wanted the part or that he was approached for the directing role by Warner Bros. So in his defense the theory kind of came out of nowhere and I find it funny that he has to explain that point from now on.
These are his words about the suggested directing role:
“What happens is that there’s a lot of bloggers and Internet interest around superhero movies, so there’s regularly a rumor that comes up, obviously [with regard to] ‘Justice League’ once ‘Avengers’ happened they think, ‘Well it would be crazy not to make “Justice League,”‘ and I’m sure they will. I guess I should be flattered, and I’m sure it will be cool. I’ve seen some of the stuff from the new Superman movie and that stuff is awesome. I think they took a really cool, real approach to Superman, which no one has done before, so if that trend continues I’m sure ‘Justice League’ will be great.”
The reason that he won’t be involved, he says, is that he finds that he doesn’t really care to work on superhero movies at the moment, thanks to his experience with Fox’s Daredevil in 2003. But that he may work on a superheroes film in the future:
“I had a negative experience with the one comic book I liked, it was just a movie that didn’t work… It’s such a shame because first of all ‘Daredevil’ [is] a great book, great idea and then right after that they figured out that it was better to make the movies good and then they started making them cool and investing in them. I felt like I was in the 1930s with that outfit, the trousers: ‘Hey chum, hold up there! This fella’s trying to rob a bank!’ It was a drag but I did love it as a kid and they’re rebooting it.”
Captain America is going into production early next year, but they still haven’t picked a female lead. The new lead is going to be a romantic interest to Steve Rogers, and although fans may know that Sharon Carter would be a safe bet as she is the niece of Steve Rogers Wartime love Peggy Carter. The real question though is who will play the role of the Captain’s new love interest.
The short list so far appears to include Jessica Brown Findlay (Downton Abbey), Emilia Clarke (Game of Thrones), Teresa Palmer (I Am Number Four), Imogen Poots (Fright Night) and Alison Brie (Community). They do appear to have got a mixed group of women for the role which makes for endless speculation. I think with Alison Brie having already worked with the directors of this film that she has a strong chance of getting the role, not to mention the draw she would bring from the loyal fans of Community (Yeah, she’s HOT!). But that’s just my theory as the casting could go to any of these ladies, to be honest they have all done some very interesting work and I am sure they would do a great job.
Rumors of a fourth X-Men film have been floating around the nerd vine for a while after X-Men: The Last Stand nearly destroyed the franchise. What a terrible film. The separate X-Men films First Class and Wolverine put us more at doubt that a fourth film would get made, but that they would continue the other independent X-Men stories. Well it might be more likely to happen now that Patrick Stewart teased us with a reply to a fan at the Montreal Comic Con this year.
At the 2012 Montreal Comic Convention, he was asked by a fan about returning to the series and he replied “I think there is every possibility” and then began to say the names of his female co-stars “Halle Berry! Famke Janssen! Rebecca Stamos! Anna Paquin!” Stewart then said, “yes, I’ll be reprising…”
Yes, he could just be messing with us. Yes, he might just be saying that he’d like to be in an X-Men film again. But with the sequel to First Class titled X-Men: Days of Future Past there might be a chance for him to reprise his role as present Professor and play along side his younger counterpart, which I would love to see and is perfectly possible in the time travel story line of Days of Future Past.
Can you imagine how excited I am for Community? No, that’s not sarcasm. Moving to Fridays and airing right after Whitney, the greatest comedy of all time? And it’s on NBC, which always deliver great shows with great ratings? And the cherry on top of the sundae, Dan Harmon, the executive producer to Community, was replaced going into what probably won’t be the final season of the show, since he is totally not responsible for the show’s quality? I mean, the show averages 3.93 million viewers. That’s a lot to a premium cable channel. There’s no way the fourth season is the show’s final season. Oh wait, NBC’s network TV? Who cares? NBC is awesome. It’s like a unicorn galloping on rainbows and shitting Nutella. They did so well in their coverage of the Olympic games, they’re expecting to make tons of profits. Wow, I am genuinely looking forward to the show returning in fall.
It’s 1967, a whole new year for the Mad Men crew, and nothing seems to be more important to the SCDP staff than landing their first big automotive contract in the form of that elusive beast; Jaguar. There are so many people working on the Jaguar pitch that characters we’ve never seen are coming out of the woodwork. Seriously, there are two extra guys in the room with Ginsberg, Stan, Cosgrove and Draper working on the pitch that I can’t ever remember seeing before. The elusive perfect pitch line is not coming easy for anybody but as we soon learn their sale may depend on an altogether different type of pitch. It’s not mentioned lightly that the “car people” are a bunch of sleazeballs, and it quickly comes to the forefront that the lynchpin of the Jaguar deal has a proposition that he says will seal the deal; Joan. If it had been anyone but Pete Campbell taking the meeting you might imagine that the deal would end right there. In fact if it was Don taking the meeting he might have hit the guy right in the face even in the middle of the restaurant. Pete however not only has the nerve to bring it up with Joan, but also to follow-up with a partners meeting to see how much they can raise to bribe her. Thus begins one of the elements of this weeks major theme: upward mobility of the 1960’s woman.
For Joan, who has an absentee husband who is divorcing her, a young child and nagging mother at home, and 13 years invested in the firm as a secretary, the opportunity of hitting a huge payday for a night of her services provides too much of a temptation. Lane, who is still freaking out about bonuses and the money he embezzled, has convinced Joan that her best bargaining chip is a 5% stake in the company, becoming a minor partner as opposed to a lump payoff. While certainly good advice for her long-term security, it is ultimately underhanded of Lane as he is also highly concerned that if he uses the $50,000 extension to bribe her, he won’t get his bonus and will be found out. It turns out that there “Will be no bonuses this year!” as Cooper booms so it seems like Lane’s fraudulence will be somehow linked to the season finale. Joan’s whole encounter with the sleazy salesman is handled with typical Mad Men brilliance, as we are treated to a bookended scene of Don’s efforts to keep Joan from prostituting herself. In the middle of the bookends we see Don making the sales pitch of the unattainable, which has become attainable (the Jaguar) crosscut with the unattainable (Joan) who has become attainable for a price and the metaphor is complete.
Two of the other women in Don’s life are also making their way forward as best they can. Don and Megan continue their domestic power struggle as Megan’s successful casting call gives her an opportunity to be in a play which is being staged in Boston. The thought of Megan being away for three months ignites the internal conflict of Don’s wish for his wife’s success coupled against his desire for her to be at home in the traditional sense. Megan, in her fiery way, recognizes this and accuses Don of not having thought of her leaving because he never believed she would succeed. Don, as he also proved with Joan, is at heart a good person who wants whats best for the people he cares about comes around to make peace with Megan and her dreams. Megan ultimately doesn’t get the part, and similarly to Joan is herself judged as a sexual pawn as she is ogled and asked simply “to step forward and turn around” in her second casting call.
Lastly we get to this week’s developments with Peggy Olson. It has been a long time coming that Peggy has been feeling more and more neglected, jaded and under appreciated at SCDP. Similarly to Pete Campbell copying Don’s lecherous past, Peggy is also following in the footsteps of her idol and doing what she thinks he would have done. The pact between Peggy and Ken Cosgrove to move on together has been mentioned frequently in the past weeks episodes, and Peggy has flirted with other advertising companies in the past, but the day that no one ever thought was really going to happen has come. After lunching with former Sterling Cooper salesman Freddy Rumsen, Peggy gets herself a meeting with Don’s arch-rival in ‘Cutler, Gleason, and Shaw’ who butters her bread and makes her an exceptionally attractive offer.
As we learn from Peggy’s heart-wrenching dialogue with Don as she gives her notice, it’s not about the money. Don initially thinks she’s making a power play to get her much deserved raise, but quickly realizes that what Peggy really wants is to make a name for herself out from under the shadow of Don Draper and to further become the model of a self-made woman. Hopefully for Mad Men viewers Peggy doesn’t make herself a stranger as she promises to Don as she is one of the more enjoyable Mad Men characters.
Notably absent from this weeks stories of the burgeoning Women’s Lib movement is Betty Draper. This is because like her counterpart Trudy Campbell, an increasingly rare Alison Brie appearance, Betty is still a throwback to the 1950’s housewife who has built her life around being a debutant and keeping her efforts on the home front. Unlike Trudy however Betty doesn’t seem to relish in it, and will likely experience more conflict between being a housewife or a professional in the Mad Men future.
Overall this was another example of Mad Men at it’s best, interweaving multiple story lines with social commentary in a seamless and cinematically beautiful way. It’s sad to say that there are only two episode of Mad Men left this season so enjoy it while it lasts. Hopefully these last two weeks will be as amazing as this one.
This weeks episode of Mad Men should probably really have been called “Pete gets his ass whooped”, but that would have ruined the surprise of what is especially rare in Mad Men; an “action” scene. The central theme for the week seemed to be the balance between the usefulness and inadequacies of men and who better to focus on than one petulant Peter Campbell. Pete’s biggest problem is not that he is a whiny, conniving little twerp in a slight frame, but that he compares himself to Don Draper.
First under the microscope this week is the P in SCDP, Lane Pryce. As one of the figure heads of SCDP Lane feels his position in the company is somewhat useless, so it is fortuitous when he meets the American Jaguar representative whom he hopes he can bring under the SCDP advertising umbrella. It should be noted that the English pronunciation Jag-Ewe-Arr is used prolifically and it was all I could do to keep from adding a “Yeahh Baby Yeaaah” every time it was mentioned. Unfortunately for Lane his client is more of an Austin Powers type Englishman than a proper gentleman, and all sales technique handed down from Roger is wasted.
Lane must turn to the “A-team” in Don, Roger and Pete to reel his client in and “show him a good time”. It quickly becomes abundantly clear that Lane’s client is looking for more than a sales pitch which makes it Roger’s time to shine. Other than setting the groundwork for one of the more hilarious reason for losing a client, his wife discovers “chewing gum in the pubis”, we get to see Peter compare himself side-by-side with the new Don Draper and here is where his youth shows. Pete feels like Don is being hypocritical and unfair by judging his indiscretions at the brothel, while giving Roger a free pass.
What Pete is missing is that Don was holding him to a higher standard than Roger, and is almost fatherly in his hope for Peter to make better life choices than his own. If anything this reveals that at some level Don actual cares for Pete. And maybe no scene in the history of the show said more about Campbell then when he is instructing his “lady friend” as to what character she should play in the bedroom – hence the episode’s title: “You’re My King”.
Okay, now that title might be a bit of a freak out. Community isn’t necessarily in danger of being cancelled, but it certainly is in danger of losing Chevy Chase, who plays Pierce Hawthorne on the show. Some problems have arisen between Chase and Dan Harmon, who created and executive produces Community. Little known fact, he also wrote some of Scud: The Disposable Assassin, which has nothing to do with any of this. Anyways, lets get to what went down.
It’s been a year and a half since the finale of Mad Men season 4 and about the same amount time has passed in the Mad Men world bringing the show up to sometime in 1967. The episode begins with one of Sterling Cooper Draper Pryce’s competitors throwing bags of ice water from their office building onto the marching civil rights protestors below which in turn sets off a series of plot points which will inevitably lead Mad Men along the course of the Civil Rights movement. But first let’s catch up.
Because a lot of time has passed there are some seemingly major events that were missed including Don Draper’s wedding to his new wife Megan whom he suddenly proposed to at the conclusion of season 4. Based on the reception Don gave to Megan’s surprise 40th birthday party in this episode I’m guessing their wedding was probably of the Vegas style anyhow. Last season we also learned that Joan was pregnant and it was the result of a rekindled affair with Roger Sterling while her husband was overseas in Vietnam. In season 5 we catch up to her post-pregnancy and get further insight into her cattiness as she is tortured by her mothers “help” with the baby. Somehow they managed to get through the episode without any breastfeeding jokes but not without Roger exclaiming ‘There’s my Baby!” after Joan visits the office quickly amending his statement wryly with an added [and some child as well]. Having a baby in the office winds up being a vehicle for multiple uncomfortable moments as it is passed from person to person until Peggy is left alone with the child only to run into Pete in the hallway where they resurrect the family that never was.
One week. One week till the horror we’ve had to endure from NBC ends. One week until our faith in television is restored. One week until Community! And I couldn’t be happier. The staff of Grizzly Bomb couldn’t be happier, the entirety of the Internet couldn’t be happier, and I couldn’t be happier. I said that already.
So to celebrate the return to the airwaves, check out this trailer for Community‘s return to Thursdays! Pop Pop!
Last place network NBC has 3 of the 5 best comedies on Television right now with Parks and Recreation, 30 Rock, and Community. Pair those with ABC’s Modern Family and the FX masterpiece It’s Always Sunny in Philadelphia, and you’ve got the best 5 show rotation in a long time. Community however, has been consistently scheduled opposite CBS’ The Big Crap The Big Bang Theory, and it consistently gets its brains bashed in. Why television viewers seem to favor formulaic drivel put out by CBS to the far superior cast/writing/overall product produced by the peacock is unknown to me, except to say perhaps the ‘Nielson Ratings’ are outdated and stupid. Of the approximately 115 million households in America, Neilson boxes are present in only 25,000 of them. That’s about 1 in 4600 households making viewing decisions for the rest of us. Stupid.
Anyhow, based on the poor ratings from the select few Nielson households, NBC placed Community on hiatus, while renewing terrible shows like Whitney. So once this happened the internet went nuts wondering if we would ever get to see our favorite study group again, then Donald Glover released this.
Not the most inspiring thing I’ve seen, but more recently announcements have been made that seem to indicate there will be more episodes, just not sure when or in what time slot. We do know the following though… First Joel McHale has informed TV Guide that someone will die…
“A character from the show will die,” reveals star Joel McHale. He says the victim, although probably not one of the comedy’s main stars, is “someone you’ve seen a lot. And he dies in the mid-afternoon.”
In response to this, Warming Glow released odds on who they think it will be…
Annie’s Boobs (2-1) — It is a monkey that lives in the heating ducts, plus the death of Annie’s Boobs has the greatest comedic potential.
Leonard Briggs (4-1) — He’s the oldest character on the show, he’s had his hip replaced, and he rides around in a wheelchair. This seems logical. Maybe too logical?
Alex “Star-Burns” Osbourne (12-1) — He is a drug dealer, which can be a dangerous profession. But then again, he only deals marijuana, and his clients are Greendale students.
Fat Neil (6-1) — Fat Neil is both fat, which makes him a health risk, and he’s manic depressive, having considered suicide once before.
Magnitude (5-1) — Although not a high risk for death, his catchphrase, “Pop Pop,” would make him a likely candidate as a gunshot victim.
Professor Ian Duncan (20-1) — He does have a huge drinking problem and his with rivalry with Señor Chang could lead to violence.
Vice Dean Robert Laybourn (7-1) — In addition to being overweight, Vice Dean Laybourne is the true power of Greendale, which could develop into a “Game of Thrones” type plotline, in which he’s picked off by Dean Pelton.
Dr. Marshall Kane (12-1) — He has served prison time, and is uncomfortable with the way that the world has changed in the two decades he spent inside. This could provoke violence, or even suicide, particularly if faced with the prospect of handling those new, tiny LEGOs.
The Greendale Human Being (15-1) — Fumes from magic markers used on his mascot costume have been known to make him aggressive; they could also potentially be lethal.
My vote is for the ‘Greendale Human Being’, guys is just asking for it…
So the fact that they’re gonna kill someone off certainly indicates to me that the show would have to first come back to do so. In addition to that, there is also news that Breaking Bad star Giancarlo Esposito(Gus Fring) will be appearing a in an upcoming episode as a business associate of Pierce’s late father, Cornelius Hawthorne.
In addition to the little bit of actual news here, and since we still don’t have a real return date, I’ve included a bunch of pictures I thought you might enjoy, most of them from Warming Glow…
For those of you who have been pining for the most boringly interesting show on television to return, and I say that as a fan, your wait is almost over.
Don, Peggy, Roger and especially Joan will be back when Mad Men finally debuts its first episode of season five March 25th on AMC.
The poster announcing the return has been creating some online controversy because of its likeness to some chilling images from 9/11, but anyone who’s upset about this is late to the party because Mad Men has been using the falling man graphic since it’s debut in 2007. This is simply a bit of Don Draper magic, capturing the viewer as simply and as powerfully as possible. It will be a relief to see the Mad Men characters back in their familiar swarthy Manhattanite atmospheres instead of popping up in various television shows and movies.