Tag Archives: Joseph Gordon Levitt

Rumor Report: Joseph Gordon-Levitt as Dr. Strange, and an Indestructible Hulk Movie?

We have been hearing a ton of rumors for everything related to Marvel Studios recently, whether it’s Vin Diesel’s possible upcoming role in the MCU, or a star for Edgar Wright’s Ant-Man, so today’s rumors can be added to those as possible or possibly not going to happen.

Continue reading Rumor Report: Joseph Gordon-Levitt as Dr. Strange, and an Indestructible Hulk Movie?

GB’s Top 12 Movies of 2012…

So, 2012 is long over and as a whole it wasn’t the strongest year for movies in memory (though certainly better than 2011 was). With the 85th Oscars coming up this Sunday, we thought we’d share with you our favorite movies of the year. What follows is a list of 12 movies from last year that Scott Fraser, Chris Tansuche, and I came up with after much debate and slap fighting. These are the films we feel most deserve your viewing time. Now these aren’t the ones we expect to dominate the awards season, but rather the stuff we found to be most enjoyable. As well made as Zero Dark Thirty and Lincoln were, repeat viewings in the near future aren’t likely. This is a list of the films that we deem are worth consideration of your hard-earned DVD/BluRay purchasing dollar…

Continue reading GB’s Top 12 Movies of 2012…

Everything You Need to Know About “Sin City 2: A Dame to Kill For”

In 2005, two movies came out that forced me to the theater several times – and neither of them took place in a ‘galaxy far far away’. They were of course Batman Begins, which I saw four times and further solidified my love for Gary Oldman, and Sin City, which I attended three days in a row opening weekend.

As soon as the movie started with Josh Hartnett’s voice-over, I loved everything about it.  From the visuals, the way Marv flung people through windows, to Brittany Murphy’s 1940s style delivery and Jessica Alba as a stripper; it was entirely amazing. Rumors about a sequel started almost immediately after that and it seemed like we were in for a whole franchise. Flash forward seven years and things are just now moving forward and out of the rumor stage.

Continue reading Everything You Need to Know About “Sin City 2: A Dame to Kill For”

JGL Might Play Batman in ‘Justice League’? Sources Say No…

Yeah, I know. That is clearly a picture of JGL as Nightwing and not Batman. Sorry, but I’ve been waiting a while to use that fan-made picture, so deal with it. I also know that I got your hopes up with the title only to immediately shatter them afterwards. You are not alone in this feeling. Earlier in the week some rumors started to fly that Joseph Gordon-Levitt would don the cape and cowl to portray Batman in Warner Bros. upcoming Justice League. Now I use the term upcoming very loosely, because we have all been through this before with a Justice League movie so I’m not putting too much stock into it getting made anytime soon.

Continue reading JGL Might Play Batman in ‘Justice League’? Sources Say No…

SNL: 38.3 – Daniel Craig/Muse

Well I’m really glad that the last episode of SNL, hosted by Joseph Gordon-Levitt, was good because this week it was just awful. I don’t know that awful is even strong enough a word for how bad this episode was. Usually I make two lists; one of good sketches, and another of bad sketches. This week there was not even an entire sketch in the good category, just one name. And it certainly wasn’t Daniel Craig’s.

Obviously, the cold open had to do with the debate. It was nice to see Chris Parnell back as the ineffective Jim Lehrer, but man alive this sketch was weak. Jay Pharaoh’s Obama impression is getting better but if the material and sketches don’t improve, I’d rather have Fred Armisen back as Commander-in-Chief. The monologue was just bad. Dear writers; if the phrase “I love this song but don’t know the name, can someone Shazaam it for me?” is what passes as a good joke these days, there is a problem. The catcalling construction workers wasn’t bad. It wasn’t good, but it wasn’t bad. It was just there and what seems to be a trend this season so far, it didn’t know when to quit. The “Bond Girls” fauxmercial was okay. I did enjoy Diane Keaton and Taran Killam in bed together. There was a moment where I was  wondering how many people out there watching would remember Lea Salonga and then was really confused when they kept going back to her. I’m ashamed to admit I even wondered out loud, “has Lea Salonga even done anything on tv or been in a movie recently?” Well as a matter of fact the last tv/movie thing she did was the 25th Anniversary concert of Les Miserables in 2010. My confusion only increased.

http://youtu.be/ojxN7phOCi8

All that said- I’m an idiot. For it wasn’t Lea Salonga they were talking about at all. Rather it was that chick from Glee, Lea Michele. Once I realized that, those parts of the sketch made a lot more sense. They weren’t any better, but they made sense at least. Another sketch about the debate in which Jason Sudeikis was hysterical as a sleep deprived Chris Matthews.  Keenan Thompson is always fun as Al Sharpton but overall the sketch was a bore.

The happy Republican girl who said nothing but how happy she was this week was amusing in her simplicity. Next up was the pre-recorded “Long Island Medium” sketch and if there was a highlight of the night, this was probably it. That’s saying a lot. Kate McKinnon played the reality tv “star” who makes a living going up to random people and telling them about their loved ones who died. I can’t say that I’ve ever seen the show so I don’t know how spot on it was, but it was funny. Bobby Moynihan as the subject of one of the medium’s not-quite-so-accurate readings was the first time I laughed.

Unfortunately Bobby went from making me laugh to making me unintentionally impersonate my dog when he cocks his head to the side and gives me that “what the hell have you been smoking woman?” look. Seriously, what on earth was up with that space station sketch? It was just awkward and weird and I’m usually a fan of awkward and weird but it was not working for me. At all. It was interesting to hear an entire audience simultaneously let out an “awwww” when Fuzz Aldrin appeared. Thank god there was a cute cat because otherwise that sketch was a goner.

Musical Guest Time! It was Muse and they were good. During the first song though I could not get past the fact the dude was playing an ipad. Seriously.

I don’t know why I was surprised, hell you can damn near perform brain surgery nowadays after watching a few YouTube videos but this guitar/bass/iPad thing he had going was just fascinating to me. If I learned nothing else on Saturday Night it was this- America still loves Big Bird. I mean, who can blame us? Follow That Bird was one of the greatest movies of its time. Put Big Bird on Weekend Update? The tv watching nation will go nuts.

Did you know that Big Bird is on twitter? Well he sort of is, he just tweets through the general Sesame Street account though. Sharing is a big thing on Sesame Street. Did you also know that Grizzly Bomb is on twitter? Of course we are After Weekend Update I’m pretty sure Lorne Michaels spontaneously burst into flames and the entire cast was too distracted by it to actually put forth the effort to make the rest of the show watchable.

“Sorry Lot We Are” was just horrendous. When you are making references to movies that have been dead and gone for quite some time (The Full Monty and the even more obscure, Waking Ned Divinepeople are going to start to think you are phoning it in. Even more aggravating was this was the first time we got to see Aidy Bryant do more than one short line. I had started to wonder if she was even on the show anymore because we’ve seen plenty of Cecily Strong and Tim Robinson but unfortunately not much of Ms. Bryant. If “man in drag awkwardly rubbing themselves against other cast member” hadn’t been done in the last episode, it might have been better received this week. Then again, there is only so much of Fred Armisen’s crotchtal region that I want to see, so maybe not.

Apparently Fred’s crotch was the last straw because after another performance by Muse, it was a repeat of the “Undecided Voters” sketch from last week and that was all she wrote. Thank the angels and saints in heaven above. So all that was in my bad/not good column. The only thing in my good column? Kate McKinnon. She was all over this episode and even though it looked as if Vanessa McBrayer was being groomed as the next Kristin Wiig, Ms. McKinnon seems ready for that role. Despite the entire episode sucking as a whole, she had some bright moments. I’m looking forward to see her performances as the season goes on.

To sum up: episode was bad, Daniel Craig is pretty but should stay away from sketch comedy, Big Bird is a fan favorite, and I’m trying to forget this show happened and just look forward to October 13th when Christina Applegate hosts with musical guest Passion Pit.

Grizzly Review: Looper

There’s a moment in the beginning of the movie when the old Tri-Star logo popped up on-screen. Upon viewing that, I knew this was going to be a satisfying experience. The hype machine has been building on the Rian Johnson written and directed flick starring Joseph Gordon-Levitt, so it could have been a giant letdown after what seemed to be a lackluster summer in terms of enjoyable movies with substance. Luckily, the 118 minute time bender is exactly what the doctor ordered. This movie kicked my ass (in a good way) and all I want is another go around in order to get that wondrous feeling back again.

Looper follows Joe (JGL) as a hitman/junkie trying to save up his money and skip town to live it up in France. He’s good at this job, but he knows there are certain…expectations when it comes to his future. You see kids, in the future, time travel is used by the mob to dispose of bodies. They send the targets/victims to the past where the Loopers, the hitmen from the past, shoot them as soon as they appear. The Loopers also collect their fair share of silver for each of these hits. Not bad for loitering in a random spot waiting for a target to appear out of nowhere to shoot at. However, because of the danger in the future of which these Loopers know, there comes a point and time where the Loopers will have their loop “closed”. Basically that means that once your contract is up, you have 30 years before your future self is sent back to be blunder-bussed as well. It’s a harsh price to pay but at least they pay you handsomely in gold and drugs so you can get over it quite quickly. Unless you’re Bruce Willis of course.

That’s right, Bruce Willis shows up and he’s the older version of Joe. When Young Joe sees Old Joe, he ends up making the fatal mistake of letting his ‘Loop’ escape. Old Joe doesn’t want to die and he’s on the mission to take down the guy closing the loops in the future: The Rainmaker. Young Joe is more like, eff that, I want my life in France (or China, depending on whose advice he takes), so now he’s charged with making sure his life proceeds as scheduled instead of be ruined by his future self. Still following? Hopefully, I did an okay job because reading that back gave me a headache. Let’s just break it down by saying the story is great and it makes sense enough when you watch it all unfold on-screen as opposed to having some reviewer telling it to you secondhand. It does remind of Inception (starring JGL as well) in terms of the levels/timelines that it juggles, but the writing still keeps the pacing good without being bogged down by exposition. It does not insult the viewer, nor does it baby them at the same time.

Looper - Execution

It also might seem like familiar ground because it terms of the look, the style of writing and plot, it reminds me a lot like Brick. Obviously, it should because it was JGL and Rian Johnson behind that movie as well. But the way that the camera moves and pans, it’s such a beautiful motion and nothing seems forced. The director of photography – Steve Yedlin – throws small details in each shot that caught my attention, yet without distracting the viewer from the main action. And Rian Johnson does a terrific job of showing off his vision of this future while still allowing his actors to take their moments to shine, thus showing a trust between the director and his actors that one wouldn’t expect from a time travel/sci-fi flick. On that note, the look reminds more of an indie flick than a big-budget action one. The movie does share special effects and lens flare (which apparently is a must for Sci-Fi flicks nowadays) but it builds as more a character drama, in everyone finding their ambitions and the true nature of what drives them. There are a few wonderful images of tantrums gone wrong that come off as frightening involving a kid that stuck with me. The build-up and pacing are amazing and I can’t gush anymore about Johnson’s eye and creativity.

As a lower budget flick, there are a few moments where the effects struggle to match up to what we are used to coming from these types of movies, but that is such a minor point, it really only bears mentioning considering the glut of 200 million dollar action flicks that have zero watchability because the story sucks underneath the guise of pretty effects.

The cast is superb and it begins with JGL. Effin’. Amazing. It’s to the point where if Premium Rush came out now, I would go check it out. The fact that he shows up as a different character each time and is able to inhabit different personalities and emotional aspects to where he cannot be pigeonholed into any stereotype really shows how much he has grown and matured into one of the better actors of our generation. Obviously, everyone wants to talk about how he looks like Bruce Willis. Well folks, he doesn’t just look like Bruce Willis, he IS Bruce Willis. They manage make him look like a younger clone of the Die Hard action icon, and it is not distracting to the viewer. JGL melts into Joe to where it never becomes an issue and you fully buy into him looking a bit like his older counterpart. Bruce Willis is also great as Old Joe as he still has that punk mentality that JGL shows, but in a damaged man trying to find a remedy to his sins, sometimes by the most foul means possible. Emily Blunt is great as a woman protecting her interests that takes Young Joe in when they cross paths. Jeff Daniels is awesome as Abe, the boss of the Loopers in the current time, who is from the future who deals out orders and comments to his soldiers to make sure it sticks in his subjects’ (and the audience’s) minds.  Everyone’s wonderful more or less.

Looper - Emily Blunt

My advice: Watch it. I loved the movie and I’m curious what Rian Johnson will be involved with next. He is able to build a story that does not patronize his audience and yet gives it weight in order to have it linger on their minds well after leaving the theater. JGL is also a movie star now. Give him whatever he wants, he can not do wrong. Unless he’s dressing up as a girl on an SNL sketch. That I could’ve lived without.

4.5/5


Images: Sony Pictures