20th Century Fox released the first trailer for Steve McQueen’s star-studded new movie, Widows. Co-written by McQueen and Gone Girl author Gillian Flynn, stars Viola Davis, Michelle Rodriguez, Elizabeth Debicki, and Cynthia Erivo as four women who decide to finish the heist that killed their four husbands.
Machete is back and according to the title, this time he kills (which is pretty much what he did in the first movie, but who am I to judge the film’s title). The first Machete film was a fun enough little romp through mexiploitation, with Machete getting framed for murder. Danny Trejo was however not the star in this film and he played the strong, semi silent type while the rest of the cast chewed up the scenery around him. Maybe now with Machete Kills it’s time for Danny to be let loose on the screen with wall to wall machete action. Here is the plot layout and again it seems a great and can we go so far as to say very cheesy OTT story that only Machete can sort out.
After reading all of those Resident Evil: Retribution 3D articles I have written over the last few months, you should have a good idea of my stance on the movie. I was never a big fan of the franchise, but I would watch it for the lack of a better alternative when it comes to entertainment.
Yep, that’s what I did. Initially, I was pondering about the possibility of watching the movie in 2D. I elected against that option and opted for the 3D version instead. I felt it’s only right for me to review this movie the way it was intended to be watched despite of my general disdain towards the overused gimmick. Rest assured, I did not review the movie in filtered lenses. (You can call it a pun if you’re stretching those lenses all the way to include the Real D ™ glasses.) Just because a movie is in 3D does not mean it’s poorly made. But in the end of the day, I did shell out an extra $4.50 for you gals and guys. (Yes, I did say “gal” first. I’m defying against the patriarchal system. Sue me.)
It wasn’t as long of a stretch as I thought as the glasses are sort of tinted. Call it an intended pun. It’s still a bad one but whatever.
Anyways, here’s a brief summary of Retribution. Basically, Alice (Milla Jovovich), our protagonist, is captured by Umbrella. Now, the once pharmaceutical-company-turned-evil-corporation-which-exists-solely-to-perform-eeeeviiiiilllllllllll-deeds has the technology to clone people and run simulations of the zombie virus spread in a huge ass facility. Yea, it’s revealed pretty early on in the movie so it’s not really a spoiler. In a nutshell, the movie is about Alice getting out of the facility with some help from her pals, new and returning ones alike.
Plot-wise, the movie makes sense because the series no longer makes any sense. By that, I mean if you adopt the RE movies’ insane, illogical thinking, everything makes sense. Two wrongs do make a right. That does not mean the story is by any means good though – not even in a “so bad it’s good” manner. There are major inconsistencies here and there, and some things magically happen without explanation. There is one huge plot twist early on in the movie, but it is presented in a manner that doesn’t feel like a surprise. To be honest here, I have forgotten a good chunk of the movie, partially because of the countless action sequences, and the hotness of Milla Jovovich, Bing Bing Li and Sienna Guillory. Michelle Rodriguez is not bad herself.
[Insert your own sarcastic comment here. I don’t have any.]
When it comes to the characters, they all exist to make Alice look bad ass. None of them, literally, is likable. Ever felt Alice was one-dimensional? That’s not going to change. The story writers tried introducing elements that make her seem multi-layered, but they just failed to work out. It might be Jovovich’s acting; it might be the writing. Either case, I did not walk out of the cinema liking her more. New characters were insanely overhyped. Leon S. Kennedy (Johann Urb) and Barry Burton (Kevin Durand) are extremely far off their game counterparts character-wise. As for Ada Wong (Bingbing Li), she is a slightly more faithful re-imagining of the femme fatale, though not by any means a good one. Neither of their origins was elaborated upon, nor was there any form of character development. They are, in short, replaceable.
Boy was he terrible. Anderson actually made Leon hateable. I know “hateable” is not a legit word. Once again, sue my broke ass. I have noting to lose.
Returning characters generally feel unnecessary. Other than Jill Valentine (Sienna Guillory), they all exist to make Paul W.S. Anderson’s wet dream come true. Some of these returning characters were dead, but managed to spring back to life because of Umbrella’s cloning tech. Rain Ocampo (Michelle Rodriguez) and Carlos Olivera (Oded Fehr) showed up multiple times throughout the movie. Multiple clones of them exist and each duplicate contains a different personality. Yea, any traces of whom they were are nowhere to be found. The movie simply does not need them. Their return doesn’t add anything to the story or characters for that matter, and it doesn’t really make any statements. As for Jill Valentine, she is an antagonist in the movie, under direct control of Umbrella. I have already gone on and on about that ridiculous mind-control device strapped to her chest so I won’t talk about it again here. Anyways, she is one of the more “established” (and I’m using the word lightly) characters here, so at the very least, she adds something to the movie. She makes you sort of care. Well, not really. It was more of a “relatively speaking” statement there.
They don’t have personalities in the first place. Just replace them with generic evil soldier clones.
The visual aspect of Retribution is done well, and I am talking about both the 3D portion of the movie and the female cast. There are scenes which show off the gimmick for the sake of doing so (eg. Firing at the audience), but most of them feel right. Fight scenes are still corny, but you should have known what you’re signing up for at this point. There is a car chase, which is average. Gun fights could be better if the good guys brought the right weapons. Most importantly, as mentioned, the women in the movie are insanely hot. There is one scene which features Milla Jovovich covered by two pieces of cloth, with one on the front and another on the back, leaving the audience with quite a view. Does the costume make sense under those circumstances? No. Is more Milla Jovovich hotness awesome sauce? Yes. Am I complaining? Hell no. Bingbing Li looks good in that Chinese dress as well. Those heels are ridiculous, and I am nitpicking somewhat here, but she’s hot so whatever. (All that talk about defying against the patriarchal system? Wow, I’m a big time hypocrite. Perhaps we should start sexualizing the hell out of men as well.)
With that said, Paul W.S. Anderson has yet to answer to my biggest complaint for the franchise. The movies have always felt too serious for me to like them. This is no different. It’s trying too hard to be art. It’s trying to be Christopher Nolan’s Batman trilogy when the original material doesn’t have enough substance for him to pull it off. The movie ends up feeling like a giant Milla Jovovich billboard. Not that there’s anything bad about focusing entirely on one character, it’s just that the movie has too large of a cast for an intimate experience to be possible.
Better luck next time.
Bottom line: If you have watched Resident Evil: Afterlife and actually liked it, Retribution is a souped up, more awesome version of that movie. If you are looking for a decent action flick which includes hot women kicking asses and requires no critical thinking whatsoever, this is also a movie for you. If you are looking for a decent story, avoid at all costs.
Requiem for a Tuesday, literally, has a better storyline than Resident Evil: Retribution. (See what I did there?)
4 of those points went to the ladies in the movie. The rest for 3D being done well enough. [Ed. Note – somehow this equals 3/5 Grizzly’s]
If you’ve read my previous entries on Resident Evil: Retribution 3D, then you’ll know for a fact that I don’t care for the movie. Not that much anyways. When it comes out, I’ll probably watch it simply because there is nothing particularly interesting going on in my life, and I need my entertainment. I’m so bored right now I’m actually listening to Nora Roberts’ (or JD Robb if you’re getting all worked up about pseudonyms) In Death series audio-books. They are not by any means bad; they’re just kind of tacky. Just saying…
Come to think about it, Eve Dallas has one of the corniest names ever. Dallas as your last name? Really? You get to name yourself and you decide on the name of a city? I know that’s where you’re found as a runaway kid but can you go for something a little less ridiculous, like “Jenkins” or even “Smith”?
Regardless of my “zero f***s given approach” towards the movie, Sony (or someone) decided to release (or leak) footage of Alice (Milla Jovovich) and Jill (Sienna Guillory) getting it on, and by getting it on, I mean “perform a bunch of style-over-substance fighting moves in those hideously tight catsuits while dubstep plays in the background.” As you may or may not know, Alice is our heroine of the franchise whereas Jill was one of the protagonists in the second movie, or the first one – I can’t really remember and am not bothered enough to look it up – before she was brainwashed by Albert Wesker through a ridiculous device strapped to her chest.
Sienna Guillory is hot but logic still applies.
I can’t stress enough how ridiculous it is to design a brainwashing device for chest attachment. For real, son? I know it’s taken from Resident Evil 5 (the game) but come on. It did not make sense then and it does not make sense now. Any person capable of normal human logic can tell it’s that thing located right above Jill’s boobs causing her to be eeeevvviiiiiilllllll. You can stick it on her back, in her nostrils, or even up her ass if you’re ballsy enough. All of these options are significantly less visible. But whatever, it’s Resident Evil. Nobody’s watching the movie for its logic or authenticity.
I swear the intent of implementing such a design is to see more skin.
The scene takes place on ice. Basically, you get to see people trash talk (but not actually hear what they’re saying because the dialogue portion of the audio was cut). Then, evil Rain (Michelle Rodriguez) injects something into her blood stream and knocks out Ada, who was held hostage. A shootout commences and a fight emerges.
*shivers in fear*
It turns out whatever Rain injected in her body makes her virtually bulletproof. Alice has her ass kicked and throws an ice axe at the audience because the movie is in 3D. You are obligated to have one of those shots if your movie is shot in 3D.
Wow, the 3D effects are sooooooooo realistic. It’s as if Alice is throwing an axe at me and I can actually die. I’m shook. Wait, I will actually die of the headache caused by 3D effects.
I can dig movies that are intentionally bad, movies that don’t take themselves too seriously. (eg Black Dynamite) Retribution looks bad and is taking itself way too seriously. Paul W.S. Anderson actually believes that his audience won’t cringe watching this flick.
Come on, brother. It’s not 1995. Flamboyant fighting styles don’t work no more. Roundhouse kicks are not badass anymore.
*Chuck Norris walks in*
*Chuck Norris bashes JasonDaPsycho’s face on the keyboard*
*Chuck Norris does a roundhouse kick on JasonDaPsycho*
*Chuck Norris leaves JasonDaPsycho lying half dead*
Roundhouse kicks are awesome. My bad.
Back to the topic, Anderson needs to stop pretending as if this movie is anything more than an action flick featuring video game characters. Once he comes to that understanding, I believe the movies will be much more enjoyable. That’s for me, at least.
Resident Evil: Retribution 3D will hit theaters on 14th September, 2012. The Judge Dredd reboot doesn’t come until a week after, so apparently, there is no choice.
Robert Rodriguez is currently in the middle of making Machete Kills, the sequel to Machete – starring Danny Trejo as the machete wielding Machete (…aaah! Too many machetes!).
It will also see the acting debut of Lady Gaga. Both she and Rodriguez are excited by this, if their tweets are anything to go by (as reported by The Hollywood Reporter). So here is her character poster, as ‘La Chameleon’ (image via I Watch Stuff).
It’s subtle and understated for her. Only the one dead animal wrapped around her.
Machete Kills is the second in a planned trilogy – and, technically, a spin-off from the Spy Kids films. It picks up from the first film with the title character mourning his lost love – so says the films website – then he is recruited by the US president to take down a cartel leader before he fires a missile at America.
It will star – along side Trejo – Jessica Alba, Michelle Rodriguez, Zoe Saldana, Vanessa Hudgens, Sofia Vergara, Mel Gibson (as the cartel leader), Charlie Sheen (as the US president) and Alexa Vega as Killjoy.
Vega was, of course, in the Spy Kids movies (the first of which was 11 years ago). And now here she is – all grown up – in costume for this new movie. The picture was posted to Instagram and Twitter, and is now all over the internet (image via Starburst).
I’ve posted this at the end because, quite frankly, I knew nothing else I wrote would be read otherwise. You’re not even reading this are you? And who can blame you. Look boobs.
So it’d seem that Charlie Sheen has temporarily gained enough wherewithal to admit he was pretty goddamn insane all of last year, and along with landing a new gig as the lead in FX’s Anger Management, has also gotten a role in Robert Rodriguez’s sequel to Machete.
The basic outline of the plot for the sequel is pretty out there. It involves Machete being hired out by the US to find a bad arms dealer guy who plans to launch a weapon into space. Because Robert Rodriguez is an insane person, he’s decided to throw space weapons in a movie about a guy who uses knives as his primary weapon of choice. I know, I know, machetes aren’t knives, but bear with me.
So while the original Machete was over the top example of faux-grindhouse, this looks to up the ante in ways that’ll make the original probably seem downright subtle. In those terms, I think Charlie Sheen is a great casting choice. Who else but Charlie Sheen would give a presidential decree to hire out an insane knife wielding ex-cop Mexican for international arms espionage? Combine that with the returning cast of Jessica Alba and Michelle Rodriguez, (Not a Lohan in sight, thank christ), and I think you’ve got the potential for a pretty great sequel here.
Now as long as Rodriguez is making real movies out of fake trailers, let’s get Werewolf Women Of The SS made already huh? Nicolas Cage as Fu-Manchu? BOX OFFICE DYNAMITE!
Jake Gyllenhaal is back on our radar with a new cop movie (Co-Starring Michael Peña, who is awesome in general by the way). It is a story told through dash cams, eyewitness phones and cameras, yada, yada, yada. It is supposed to be gritty and organic and realistic. Reality television, only not as corny right? I mean, it looks okay to be honest. As long as it does not come off as gimmicky as it sounds, it could be a good movie.
Too bad they had to be like “from the writer of The Fast and the Furious.” Because that was possibly the worst dialogue for a movie not released direct to DVD. – “I smell…skanks. Why don’t you girls pack it up before I leave tread marks on your face.”
You know what’s worse than that line? Having Michelle Rodriguez deliver it. So yeah…we’ll see about this movie.
I’m a huge fan of movies involving extra terrestrials, [Ed. – ET for Life!] and there here has been a whole slew of them in the past year. None though stood out to me, or left a real lasting impression. I either disliked the aliens in them, or the cast of human characters trying to survive against them. Out of District 9, Monsters, and Skyline – I really only took a liking to District 9. Monsters didn’t show me enough aliens and Skyline had too many idiotic humans in it. But then I watched Battle LA.
Battle: Los Angeles was basically a simple storyline with excellent visuals. But being simple didn’t by any means make it a terrible movie. By simple I mean “Aliens are here killing people. We had better kick their asses.” which makes up pretty much 85% of the movie, but all the fire fights between the marines and aliens never wore thin for me. It was spread out and the scenes in between gave chances (albeit sparse) for character development. They also gave a nice overview of the characters at the beginning.
The cast was pretty rounded, very well put together. You get to see Ramon Rodriguez in a not so annoying role as a young commanding officer, as opposed to his vomit-inducing portrayal of Leo Spitz in the crap pile that was Transformers: Revenge of the Fallen.
Even Michelle Rodriguez took a departure from her normal role as “Female Hardass Character who Yells a lot” in to a more realistic Air Force intel specialist who can fire a rifle. Still no ‘Damsel in Distress’, but something different for her. And then our hero of the movie, Aaron Eckhart. Eckhart was solid and believable as Marine Corp Staff Sargent Nantz, who was actually on his way out of the Corps when the alien aggressors launched their invasion. It’s his experience that gets our cast of characters moving.
The cast also includes a great young ensemble of actors as the grunts, including Cory Hardrict (Gran Turino), Noel Fisher (Terriers), and Will Rothhaar (Jack Frost). Hell, we even had child actor Bryce Cass, who was better than twenty Jake Lloyd‘s could have ever been!
Now I’m expecting a lot of people to ‘rabble rabble‘ about how cliché and melodramatic Eckhart’s couple of speeches to the troops are, but personally I had no problem with them. In terms of melodrama Independence Day still takes the cake on that one. And while I may feel the different about Battle: Los Angeles in about ten years, right now, I thought it was well done and heartfelt.
The movie was shot in a familiar way, the closest thing I can think of being Black Hawk Down, in terms of the urban warfare and house-to-house fighting. The camera utilized the ever-popular ‘shaky sense of urgency’ during the battle scenes, making you feel like you were in the middle of a firefight, actually watching the aliens landing in L.A. And their drone ships hovering all about the war-torn landscape of Los Angeles gave me goosebumps.
The aliens themselves overall were done pretty well. You only catch glimpses of them at first as they ambush our brave marines and seem nearly unkillable. After a certain point though, a weakness is obviously discovered, and then it’s game on.
The aliens reasoning for attacking Earth (which I won’t spoil) may initially sound stupid, but makes perfect sense once you think about it. If anyone out there is a fan of military movies, and alien invasions then this movie is the best of both worlds for you. Good pacing, great cast, and realistic looking effects.
It’s also very refreshing to see it win the weekend box office up against a variety of animated kids films and a Red Riding Hood-Twilight hybrid with a $36 million rake in. (Box Office Mojo)